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Posts Tagged ‘David Mitchell’

The Most-Wanted Books of 2012

August 23, 2012 | by

  • Madonna’s Sex is the most sought-after out-of-print book on Bookfinder’s 2012 report.
  • And a signed Where the Wild Things Are is the year’s most expensive. A video on it here.
  • Are women underrepresented in poetry criticism? Sina Queyras, Elisa Gabbert, Shanna Compton, Juliana Spahr, Vanessa Place, and Danielle Pafunda tackle the question.
  • “In 1840, the skull of Sir Thomas Browne was removed from the St. Peter Mancroft church, where it had reposed since 1682.” Alexander Nazaryan on the life of the polymath.
  • Where writers are rock stars: author David Mitchell is mobbed in Shanghai.
  • What fun, fearless female will be the voice of the Sex and the Single Girl audiobook?
  • “The true distinction, however, is not between novels and poems, but between poems and storytelling. The novel is a specific but not fixed form of storytelling, in the same way as the romantic lyric, or the sonnet, is a form of poetry.”
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    Branford Marsalis

    December 8, 2011 | by

    It’s sixty-two degrees and raining in downtown Durham, North Carolina, on a Tuesday in mid-October. At noon members of the Branford Marsalis Quartet gather at the former St. Joseph’s African Methodist Episcopal church, built in 1891, now converted into the Hayti Heritage Center, an arts-and-community nonprofit. Their goal is to record a new album over the next few days.

    When Marsalis moved his family to Durham from New York a decade ago, the local press assumed he was replacing the retiring director of Duke’s jazz department, saxophonist Paul Jeffrey. But Marsalis, who'd grown up in Louisiana, simply wanted to return to the South and picked Raleigh-Durham because the area had an airport large enough to get him anywhere he needed to go. Later, he began teaching part-time in the noted jazz program at the historically black North Carolina Central University, which is a mile down the road from Hayti.

    The original St. Joseph’s sanctuary remains intact: a wood-plank stage, hardwood pews, a balcony, chandeliers, and lots of stained glass. Marsalis began recording albums here in 2006 when he noticed that the room had a unique quality: there is no reverb at low decibel levels; it grows gradually with the sound.

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