Posts Tagged ‘Crash’
March 10, 2015 | by Dan Piepenbring
In 1970, before he started on Crash, J. G. Ballard staged an exhibition of totaled cars at London’s New Arts Laboratory—“three crashed cars in a formal gallery ambience,” he called it in his Art of Fiction interview:
The centerpiece was a crashed Pontiac from the last great tail-fin period … What I was doing was testing my own hypotheses about the ambiguities that surround the car crash … I hired a topless girl to interview people on closed-circuit TV. The violent and overexcited reaction of the guests at the opening party was a deliberate imaginative overload which I imposed upon them in order to test my own obsession. The subsequent damage inflicted on the cars during the month of the show—people splashed them with paint, tore off the wing mirrors—and at the opening party, where the topless girl was almost raped in the rear seat of the Pontiac (a scene straight from Crash itself), convinced me I should write Crash. The girl later wrote a damningly hostile review of the show in an underground paper.
September 12, 2011 | by Caleb Crain
Soderbergh’s movie is scored to a similar drumbeat of numbers. Five dead in London. Three dead in Tokyo. Eighty-nine thousand cases worldwide. Eight million cases worldwide. The human mind can’t really make emotional sense of such numbers, of course, and for that Soderbergh turns to interwoven vignettes of the sort familiar from movies like Traffic and Crash. With such dismaying material, the artist’s challenge is how to make it real but not too real. If the deaths seem too real, sorrow will overwhelm viewers. (This is probably why John Lithgow’s performance of Alzheimer’s is so halfhearted in Rise of the Planet of the Apes. If anyone in your family has ever had Alzheimer’s, the last thing you want to see in a sci-fi romp is realism.) Read More »