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Posts Tagged ‘Cormac McCarthy’

What We’re Loving: Kim’s Video, Grant’s Memoirs

September 14, 2012 | by

Even if you’ve never read a book about the Civil War, the Personal Memoirs of U.S. Grant will grip your imagination. Dictated by Grant on his deathbed, championed and published by Mark Twain, celebrated by Matthew Arnold and Edmund Wilson (who compared it to Walden and Leaves of Grass), the Memoirs were cited by Gertrude Stein as a main influence on her own prose. However you may write, you'll find their power is contagious. Every page is a lesson in force, clarity, and grace under pressure. To read Grant’s description of a military problem, then to read the orders he gave, is, among other things, to see a great modern writer at work. —Lorin Stein

Have you ever imagined a music video as you listen to a song? Sigur Ros asked a dozen filmmakers to do just that with songs from their new album. The results are pretty great, but my favorite—and I’m hardly impartial—is Dash Shaw’s animated (I mean that literally) take on “Valtari.” Penned with Shortbus and Hedwig writer John Cameron Mitchell, the video features backgrounds by Frank Santoro, whose colors are, as ever, divine. —Nicole Rudick

If you’re in agreement with a friend of mine who considers most recent American covers of Cormac McCarthy’s novels “oversaturated Windows wallpapers” (why yes, Cormac, that horse is very pretty), then perhaps you will be both pleased and envious to know that the British ones now look like this, and apparently have for some time. Thanks to the now-defunct Aesthetic Book Blog for this gritty eye candy. And check out The Millions’ annualish comparison of American and British book covers for further contemplation.  —Samuel Fox

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TPR vs. The Nation; or, The Evening Redness in Lower Manhattan

June 18, 2012 | by

Team    |1|2|3|4|5|6|7   Total

TPR     |0|0|3|0|0|1|0    4
NAT     |5|0|0|0|4|0|X    9


Within the first minute the slaughter had become general. —Blood Meridian


Themes found in Cormac McCarthy’s grotesque 1985 masterpiece, Blood Meridian, hereby presented in descending order relative to how closely they can be applied to a postgame dissection of last week’s softball game against The Nation:

1. Destruction, Chaos
Blood Meridian is essentially a chronicle of destruction, a hurricane of terrible things like knives and guns and dead babies. This game, while not a massacre of flesh, was nonetheless a massacre (maybe of the human spirit?). From the onset, our side played a sloppy game; a slew of early errors gave The Nation a first-inning lead they would not relinquish. Like in the novel, the slaughter was complete; unlike in the novel, it was mostly self-inflicted.

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A Mark So Fine: Joe Henry and You

May 18, 2012 | by

Photograph by Michael Wilson.

In November of 2001, I picked up Joe Henry’s album Scar and was stunned by the opening track, a slow blues number called “Richard Pryor Addresses a Tearful Nation.” Henry, a white man, sang from the point of view of the black icon, expressing the comedian’s love-hate relationship with himself and his audience. Henry had the audacity and sensitivity to pull it off, with help from a spiraling, dipping, dripping saxophone solo by Ornette Coleman.

Scar was released in May of that year. Henry couldn’t have known how tearful the nation would be that fall. He closed the album with these lines from the title track, sung in a careful, mournful tempo:

The blade of our outrageous fortune,
Like a parade, it cuts a path.
Light shows on our foolish way
And darkness on
Our aftermath.

If I love you, to save myself
And you love me because we are
So fool to think that our parade
Could leave a path
And not a scar.
And I love you with all I am
And you love me with what you are,
As pretty as a twisting vine
A mark so fine
But still a scar.

The album resonated with me throughout that first post–September 11 holiday season, more than Dylan’s “Love and Theft”, which was released on that particular Tuesday, a coincidence that generated new claims of clairvoyance from Dylanologists. Henry’s album cuts deeper. Read More »

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On the Shelf

February 22, 2012 | by

P.G. Wodehouse.

A cultural news roundup.

  • R.I.P. Barney Rosset.
  • Judy Blume’s Oscar picks.
  • Paramount makes the Puzo Estate an offer it can refuse?
  • Surely you’re joking, Mr. McCarthy.
  • A site of one’s own.
  • A room for one’s books.
  • Wodehouse’s wartime legacy.
  • The Master Book of All Plots?
  • A truly beautiful library.
  • Forget Washington. Things to do for Wallace’s birthday.
  • “Fans trek across the country for the chance to see Wallace’s underlined paperbacks, his early drafts, his e-mails to tax experts. The staff has even received a request for a scan of Wallace’s handwriting, for use as a tattoo.”
  • He fought Wikipedia, and Wikipedia won.
  • Lin-ericks.
  • Lin-dles.
  • Lin(coln) Towers.
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    On the Shelf

    January 25, 2012 | by

    A cultural news roundup.

  • Who threatened Rushdie?
  • The author takes his critics to Twitter.
  • victory for publishers.
  • “It was only when I read his article on wallpaper that I realised a hitherto unappreciated aspect of Charles Dickens: his interest in interior décor.”
  • Broadway will return to Manderley ... next year.
  • “People who read poetry are the unsung customer base for independent bookstores.”
  • The poetry of Craigslist.
  • Ten reasons not to sleep with a poet.
  • Cormac McCarthy did not, in fact, have a 140-character affair with Margaret Atwood.
  • A sad Sunday for Lawrence Ferlinghetti.
  • The Internet as an image of gluttony: “A great groaning table, creaking under bottomless platters of food and pitchers of drink, and we in our chairs, too exhausted to stand, mouths too numb to taste much, but with just enough energy to reach for more.”
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    On the Shelf

    January 18, 2012 | by

    Evelyn Waugh.

    A cultural news roundup.

  • R.I.P. Reginald Hill.
  • Bad news for bookstores.
  • But they fight back!
  • The Edgar Allen Poe Graveside Society and Cognac-Drinker’s Club.
  • “Spare a thought for the authors who pass from celebrity to oblivion within their own lifetimes.”
  • Is it acceptable to answer a phone call with an e-mail? And other modern conundrums.
  • To republish Hitler? And other eternal conundrums.
  • Cormac McCarthy, screenwriter.
  • Everyman’s library?
  • #FactsWithoutWikipedia
  • A comic take on the blackout.
  • Downton vs. Brideshead.

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