Posts Tagged ‘Cormac McCarthy’
October 21, 2014 | by Dan Piepenbring
- “There’s an endless appetite among film buffs for the contents of the cutting-room floor. We’re forever being offered outtakes and alternative endings and ‘director’s cuts’ of movies. But what do newspaper editors excise from raw copy destined for the printed page? What would a ‘writer’s cut’ look like?”
- Area Novelist Super Pissed He Keeps Getting Compared to Cormac McCarthy: “This is testament to the McCarthy hegemony, to how wholly he dominates an entire sector of American fiction, and to how he has usurped our understanding of a certain literary pedigree. Write a novel with a specific poetical register adequate to the task of addressing nature and redemption, one which includes the sanguinary madness of men, and McCarthy is the artist languidly at hand for every reader itching to make a connection.”
- “It was difficult sometimes to eat lunch with Robert because his makeup was so realistic. His brains were hanging out of his prosthetics.” An oral history of A Nightmare on Elm Street.
- Photographers have found themselves “in the age of citizen Instagrammers, in which phones carry an endless roll of virtual film, and there are so many photos that we think we’re entitled to have them for free.” What to do? Litigate!
- Our poetry editor, Robyn Creswell, on the novels of the Lebanese writer Rabih Alameddine: “The heroes of his fiction are all misfits of one sort or another. They rebel against what they take to be the tyrannical conventions of Lebanese society—its patriarchy, its sexual norms, its sectarianism. In most of his novels this revolt takes the form of flight to America … In America, Alameddine’s characters discover that the pleasures of individualism often turn out to be empty, and their host country’s foreign policy, particularly its support for Israel, is a constant irritant. So their emigration is only ever partial; the old world haunts all their attempts at reinvention.”
April 1, 2014 | by Dan Piepenbring
At last! Spring is here, Easter is coming, and, as you can see, the latest issue of The Paris Review has already taken its pastels out of the closet—it’s ready to sally forth into the cherry blossoms. And at its heart are two of our most anticipated interviews.
First, there’s Cormac McCarthy on the Art of Fiction:
I rise at six and work through the morning, every morning, seven days a week. I find the sun has a forlorn truth before noon.
Being called paranoid seems preferable to any number of things. Especially now, with the degrees of access, the ubiquity of cameras—it’s a position that seems increasingly less, well, paranoid. The word that does bother me is recluse. I don’t consider myself reclusive.
Plus, an excerpt from a newly unearthed novel by Roberto Bolaño; fiction by Lydia Davis and Ottessa Moshfegh; poems by Frederick Seidel, Anne Carson, and Dorothea Lasky; an essay by Christian Lorentzen; and a portfolio by Salman Rushdie.
We humbly assert that it’s one of our strongest issues ever. See for yourself.
January 9, 2014 | by Dan Piepenbring
- Scientists have developed an algorithm for writing a hit novel. Go easy on the verbs and the clichés, and you, too, may see the best-seller list. (Consider calling your book “The Best-Seller Algorithm,” which has the bold ring of a blockbuster.)
- An endearingly earnest infographic defends librarians in the digital age. Look out for such phrases as “portal to archive” and “techy-savvy librarianship.”
- Strange things are afoot in New Mexico, where Cormac McCarthy’s ex-wife has been arrested for threatening someone with a gun after “a domestic dispute over space aliens.” Apologies for burying the lede, but: she produced the gun from her vagina.
- Earlier this week, an arsonist burned Tripoli’s Al Sa’eh Library, destroying an estimated fifty thousand books.
June 18, 2013 | by Sadie Stein
February 14, 2013 | by Timothy Leo Taranto
October 8, 2012 | by Sadie Stein