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Posts Tagged ‘Contests’

Points of View, Points of Origin

November 10, 2014 | by

This essay prefaces Matteo Pericoli’s Windows on the World: Fifty Writers, Fifty Views, out this week. We’ve featured Matteo’s work for years on the Daily, and his sketch of the view from our old office graced the cover of our Summer 2011 issue. To celebrate his new book, we’re offering that issue for only eight dollars, and only until Thanksgiving. We’re also holding a Windows on the World contest—submit a photo of your view and you could win a sketch by Matteo.

Pericoli’s drawing of The Paris Review’s view from our former office on White Street, as seen on the cover of Issue 197.

Can you picture John Kennedy Toole, the author of A Confederacy of Dunces? I can’t. Say his name and I see his hero, Ignatius Reilly. How about Willa Cather? What comes to mind isn’t a person at all—it’s raindrops in New Mexico “exploding with a splash, as if they were hollow and full of air.” What did Barbara Pym look like, or Rex Stout, or Boris Pasternak, or the other writers whose paperbacks filled our parents’ bedside tables? In most cases we have no idea, because until recently, the author photo was relatively rare. You could sell a million copies and still, to those million readers, you’d be a name without a face.

Things are different now. Nearly every first novel comes with a glamour shot, not to mention a publicity campaign on Facebook. The very tweeters have their selfies. We still talk about a writer’s “vision,” but in practice we have turned the lens around, and turned the seer into something seen. Read More »

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Announcing Our Windows on the World Contest

November 1, 2014 | by

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Matteo Pericoli’s drawing of the view from Lidija Dimkovska’s window in Skopje, Macedonia.

For the past few years, readers of the Daily have enjoyed an occasional series called “Windows on the World,” featuring Matteo Pericoli’s intricate pen-and-ink drawings of the views from writers’ windows around the world. Now those drawings are available in a book—Windows on the World: Fifty Writers, Fifty Views—and we’re celebrating with a contest. You can have your view illustrated by Pericoli, too.

Starting today, submit a photograph of the view through your window—including the window frame—along with three hundred words about what you see, to contests@theparisreview.org. Submissions will be judged by the editors of The Paris Review and Penguin Press, and by Matteo Pericoli. The winner will receive Pericoli’s original sketch and have his or her essay published on the Paris Review Daily. Five finalists will receive signed copies of Windows on the World.

For all the details, click here, and then get cracking: we’re only accepting submissions until November 15.

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Win Two Free Front-Row Seats: Ben Lerner in Conversation with Paul Holdengräber

September 12, 2014 | by

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The Paris Review has recently published two stories by Ben Lerner, who won our Terry Southern Prize this year: first was “False Spring” (issue 205) and then “Specimen Days” (issue 208). Both are excerpts from his excellent new novel 10:04. If you’ve opened a newspaper or book review in the past month, you’ve likely encountered rhapsodic praise for 10:04. The Wall Street Journal wrote, “Mr. Lerner packs so much brilliance and humor into each episode … this brain-tickling book imbues real experiences with a feeling of artistic possibility, leaving the observable world ‘a little changed, a little charged.’” In The Times, Dwight Garner wrote that Lerner is “among the most interesting young American novelists at present,” and in Bookforum, Christian Lorentzen called 10:04a beautiful and original novel … it signals a new direction in American fiction.” NPR said that it’s “strange and spectacular … Don’t even worry about classifying it; just let Lerner’s language sweep you off your feet.”

And why not let that sweeping happen in person? Next Tuesday, September 16, Lerner will appear at the New York Public Library in conversation with Paul Holdengräber—it’s sure to be an expansive interview, and we’re giving away two front-row seats. (For proof of Holdengräber’s conversational acumen, check out his Art of Nonfiction interview with Adam Phillips, which we published in our Spring issue.)

For a chance to win, retweet our announcement below before three P.M. EST today. We’ll select two winners at random. Bonne chance!

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Our Globe-trotting Winners

September 9, 2014 | by

Last month’s #ReadEverywhere contest was a great success. (If you need a refresher: we asked readers to submit pictures of themselves reading The Paris Review or The London Review of Books around the world.) Now the time has come to announce the winners. Cue the marching band, please, and have the sommeliers ready their champagne sabers …

THIRD PLACE is a tie! Both Ivan Herrera and Anders Gäddlin will receive third-place prizes. Ivan is pictured with The Paris Review (and an erumpent sparkler) at Tennessee Alabama Fireworks. Anders read The London Review of Books in a “modernist twentieth-century utopian suburb”: Råslätt, Jönköping, Sweden. They’ll get a copy of one of our Writers at Work anthologies and an LRB mug.

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Ivan Herrera

 

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Anders Gäddlin

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Last Chance

August 25, 2014 | by

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The manager of the LRB Cake Shop wandering the world for inspiration in Tokyo’s Narita Airport.

This is the final week to enter our #ReadEverywhere contest, celebrating our joint subscription deal with the London Review of Books, which ends on August 31.

To enter, just post a photo of yourself reading The Paris Review or the London Review of Books on Instagram, Twitter, or Facebook—use the #ReadEverywhere hashtag and one of our magazines’ handles. (Those of you who have already posted photos, fear not—your work is in the running.)

Our three favorite contestants will receive these plush, severely enviable prize packages:

FIRST PRIZE ($500 value)
From The Paris Review: One vintage issue from every decade we’ve been around—that’s seven issues, total—curated by Lorin Stein.
And from the London Review of Books: A copy of Peter Campbell’s Artwork and an LRB cover print.

SECOND PRIZE ($100 value)
From TPR: A full-color, 47" x 35 1/2" poster of Helen Frankenthaler’s West Wind, part of our print series.
And from the LRB: Two books of entries from the LRB’s famed personals section, They Call Me Naughty Lola and Sexually, I’m More of a Switzerland.

THIRD PRIZE ($25 value)
From TPR: A copy of one of our Writers at Work anthologies.
And from the LRB: An LRB mug. (Never one to be outdone, the LRB is actually including a tote bag, some postcards, a pencil, and an issue with all of the prizes above. Retail value: inestimable.)

Hurry! August 31 is less than a week away.

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Fabulous Prizes Await

August 18, 2014 | by

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R & R & TPR in Madison, Connecticut. Photo: Chantal McStay

A reminder: through August 31, we’re having a #ReadEverywhere contest to celebrate our joint subscription deal with the London Review of Books. To enter, just post a photo of yourself reading The Paris Review or the London Review of Books on Instagram, Twitter, or Facebook—use the #ReadEverywhere hashtag and one of our magazines’ handles. (Those of you who have already posted photos, fear not—your work is in the running.)

Our three favorite contestants will receive these jaw-droppingly swanky prize packages:

FIRST PRIZE ($500 value)
From The Paris Review: One vintage issue from every decade we’ve been around—that’s seven issues, total—curated by Lorin Stein.
And from the London Review of Books: A copy of Peter Campbell’s Artwork and an LRB cover print.

SECOND PRIZE ($100 value)
From TPR: A full-color, 47" x 35 1/2" poster of Helen Frankenthaler’s West Wind, part of our print series.
And from the LRB: Two books of entries from the LRB’s famed personals section, They Call Me Naughty Lola and Sexually, I’m More of a Switzerland.

THIRD PRIZE ($25 value)
From TPR: A copy of one of our Writers at Work anthologies.
And from the LRB: An LRB mug. (Never one to be outdone, the LRB is actually including a tote bag, some postcards, a pencil, and an issue with all of the prizes above. Retail value: inestimable.)

Hurry! August 31 is practically tomorrow, and this hashtag waits for no man.

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