The Daily

Posts Tagged ‘Constructivism’

Attack of the De-Constructivists, and Other News

June 15, 2016 | by

Rusakov Workers’ Club in Moscow by Konstantin Melnikov, 1927–28.

  • In Moscow, meanwhile, constructivist landmarks are suddenly slated for demolition as Russians struggle to decide which parts of their past are worth preserving: “ ‘They operate by ticking boxes, but you cannot judge a building in this way,’ says Marina Khrustaleva, an expert on constructivism … ‘By the 1930s, [constructivist buildings] were already rejected for being insufficiently decorative and too western,’ says Khrustaleva. During perestroika, she adds, the architecture was associated with the worst of the Soviet past … Russians’ bad memories of the 1920s, [Alexandra] Selivanova suggests, keep them from appreciating early Soviet architecture. ‘People associate this period with hunger and social experiments,’ she says. Stalinist architecture is more popular: ‘It’s festive and reminds people of the propaganda films of the 1930s and 1950s, which still make an impact today.’ ”
  • And while we’re on comedy: “Punching up and punching down are relatively new pop-political terms … So it should come as no surprise that they have become entangled with our current national panic over political correctness, which, apparently, not only has created a ‘humor crisis,’ but also is why we can’t properly fight terrorism, control immigration, or make unruly college students read Alison Bechdel and eat faux bánh mì. Western democracy itself hangs in the balance, depending on who happens to be lecturing you at the moment … The question it raises—Who has the moral authority to punch down?—is a messy one, and one rarely asked of those who appear to punch up.”

“An Egoless Practice”: Tantric Art

April 3, 2012 | by

Bikaner, 2002, 14

It could be a cult classic: the debut edition of Siglio Press’s Tantra Song—one of the only books to survey the elusive tradition of abstract Tantric painting from Rajasthan, India—sold out in a swift six weeks. Rendered by hand on found pieces of paper and used primarily for meditation, the works depict deities as geometric, vividly hued shapes and mark a clear departure from Tantric art’s better-known figurative styles. They also resonate uncannily with lineages of twentieth-century art—from the Bauhaus and Russian Constructivism to Minimalism—as well as with much painting today. Rarely have the ancient and the modern come together so fluidly.

For nearly three decades, the renowned French poet Franck André Jamme has collected these visual communiqués, and it hasn’t been easy: in 1985 he survived a fatal bus accident while traveling to visit Hindu tantrikas in Jaipur. In Tantra Song, Jamme assembles some of the most pulsating works he’s acquired, while unpacking his experiential knowledge of Tantra’s cosmology.

Western views of Tantra tend toward hyperbole. (The New York Times recently published an article, “Yoga and Sex Scandals: No Surprise Here,” noting, “Early in the twentieth century, the founders of modern yoga worked hard to remove the Tantric stain.”) Jamme’s book serves as a corrective to this slant and sheds significant light on the deep historical roots—and fruits—of the practice. Siglio will release a second edition of the book on April 19. Jamme and I recently discussed these anonymously made paintings, the altered states they induce, and their timeless aesthetics.

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