Posts Tagged ‘compact discs’
May 6, 2015 | by Adam Fleming Petty
The lost art of hidden tracks.
Nearly everyone who came of age in the nineties remembers hidden tracks, those Easter eggs of the CD era. Artists embedded secret songs or demos after a disc’s final track; listeners combed through the silence to find them. For me, growing up in a small town with plenty of time to kill, sitting in silence and waiting for music to appear was an ideal way to spend an afternoon. The less patient among us, I know, would fast forward through the quiet. I didn’t.
The hidden track was born of the LP age, with the Beatles’ “Her Majesty”—which appeared uncredited at the end of 1969’s Abbey Road, following fourteen seconds of silence—serving as a kind of urtext, though Paul McCartney has claimed its inclusion was an accident. In 1979, the Clash added “Train in Vain” to London Calling at the last minute, after the album’s packaging had been printed. When vinyl was music’s preeminent medium, though, there were analog clues to an album’s secrets: you could examine the surface of a record and watch the needle make its way through every groove. It was when the CD, that tesseract of a medium, flourished that hidden tracks did, too. Read More »
July 9, 2014 | by Dan Piepenbring
- Faulkner and Hemingway had a famously snippy rapport—Will was all like, “He has never been known to use a word that might send a reader to the dictionary,” and Ernie was all like, “If you have to write the longest sentence in the world to give a book distinction, the next thing you should hire Bill Veek [sic] and use midgets”—which makes Faulkner’s one-paragraph review of The Old Man and the Sea all the more surprising in its candor and courteousness. “Time may show it to be the best single piece of any of us, I mean his and my contemporaries.”
- The case for compact discs, which are, at this juncture, the least hip medium in music: “There’s a lot of pressure in our culture right now to essentially imagine CDs out of existence … CDs currently exist in a cultural no-man’s-land recently defined by singer-songwriter Todd Snider as ‘post-hip, pre-retro’—the format is passé, but not so passé that it qualifies for reclamation.”
- “No matter how many buildings, spacecrafts, and sentient robots Michael Bay explodes, the director can’t seem to get any respect.” So why do they perform so well at the box office, and what, exactly, motivates Bay’s style? “This video may at least help his detractors articulate their distaste with a greater degree of specificity.”
- The artist Mark Dorf’s new series, “Axiom and Simulation,” attempts to illustrate how “the human race is constantly recording data and transforming elements of our physical surroundings into abstracted and non-physical calculations.”
- Offices across the land are under the thumb of that insidiously vague dress code, corporate casual. “No one was quite sure what corporate casual meant. We googled it. The gist of every article is that no one knows what corporate casual is.”