Posts Tagged ‘comics’
October 2, 2013 | by Sadie Stein
Full disclosure: I once played Charlie Brown in a summer-camp production of You’re a Good Man, Charlie Brown. It was a deeply scarring experience. I hate Peanuts. It feels good to admit that.
Today marks the sixty-third birthday of Peanuts. Here is a slideshow of some of the strip’s greatest hits. And here is the theme song.
June 27, 2013 | by Rutu Modan
I have no idea how this happened, but apparently I’ve agreed to give a talk to the entire pre-K and first grade at a local school. A total of seven classes.
While I do, in fact, also illustrate children books, it’s really due to my interest in books and less to my interest in children. It’s not that I don’t like children—I’m quite fond of mine—but speaking to children is a bit scary. They don’t know they’re supposed to hide it if they’re bored.
I show the kids books I’ve illustrated, share my work methods, and even throw in a professional secret: I can’t draw horses’ feet. During the Q&A, a curly-haired girl persistently raises her hand and when I call on her she says, “My mother looks much younger than you.” But all in all, I realize that between these kids and my students at the art academy there is no big difference in understanding. Read More »
June 27, 2013 | by Sadie Stein
June 12, 2013 | by Ivan Brunetti
I learned not only how to read from comic books, but also how to see. I learned about line, shape, color, value, space, texture, color, balance, harmony, unity, contrast, variety, rhythm, repetition, emphasis, continuity, spatial systems, structures and grids, proportion and scale, and composition by studying and copying the drawings from the comic books of my Italian childhood. The word disegno literally meant drawing, but also design. Thus, the two were forever fused in my mind, each inseparable from the other: drawing is design, and design is, essentially, drawing.
This drawing is but one example of childhood drawings (many, alas, have been lost or destroyed). They were done between the ages of four and six, circa 1971–73. I consider this by far my best period as an artist. The drawings are careful, sincere, and free of pretension. If my house were to catch fire, the small box of my remaining childhood drawings is the only artwork of mine I would try to save. Read More »
May 28, 2013 | by Oliver Miller