Posts Tagged ‘clothes’
October 28, 2015 | by Sadie Stein
Strange as it seems now, there was a time when I was responsible for writing a best- and worst-dressed list. I had no qualifications, I felt uncomfortable doing it, and I admired extravagantly those celebrities who had the gall to flout convention and throw themselves squarely into the “bad” category like early Christian martyrs among lions. I was reminded of this unlikely interlude in my career while looking at the fashions from this weekend’s MTV Europe Music Awards, many extravagantly ludicrous. Visible underwear! Macramé! Polychrome! Monochrome! Bieber! The mind boggled, the soul leaped.
A pilloried celeb is usually defiant, and understandably. There are varying degrees of ingenuousness often correlated to the degree of celebrity involved, but the gist is usually: haters be damned. The best of all sartorial retorts, though, belongs to the celebrated London macaroni and amateur of drama, Mr. Robert “Romeo” Coates, whose early nineteenth-century exploits are chronicled in Edith Sitwell’s peerless English Eccentrics. Read More »
October 21, 2015 | by Sadie Stein
Sarah Jessica Parker, the actress and shoe designer, has named a shoe after Donna Tartt, the writer. The Tartt is a glittery Mary Jane with a chunky low heel. The color is called Scintillate. It retails for $385 and sold out within hours on NeimanMarcus.com.
Here’s how Neiman Marcus describes Parker’s shoe line:
She became a fashion icon starring as the quintessential shoe-obsessed New Yorker. Now Sarah Jessica Parker is taking the next natural step: designing her shoe collection. The SJP Collection is her own expression of style with personal touches woven throughout. Take for instance, the grosgrain ribbon details. Adorning every shoe, they’re a nod to the ribbons Parker wore in her hair as a young girl. Some design elements borrow from the legendary wardrobe she wore as Carrie in the show Sex in the City. Even the names of each shoe, such as “Sophia” and “Raquel,” reference her favorite fashion influencers. To create the collection, Parker turned to a familiar name in the industry. George Malkemus (the shoe-guru himself) teamed up to share his thirty years of design expertise. The results? Classic styles that feel as current now as they will in seasons to come. And to ensure they’ll last, every pair has been crafted by artisans in Italy.
But with all respect to Parker and “the Tartt,” when I think of literary fashion influencers, I think of Barbara Pym. Read More »
April 10, 2015 | by Sadie Stein
At what age does one outgrow the belief that a new coat will change one’s life? The belief that somehow, the you who wears this costume will grow worthy of it, will stride around a rosy future with a different sound track entirely? Plenty of garments can acquire this magical allure, but because a coat is something one wears every day—something everyone sees, something that has to serve a function and therefore has moral fiber as well as fabric—gives it extra importance.
And they’re expensive. Read More »
July 3, 2014 | by Dan Piepenbring
Kafka was born on this day in 1883.
But while I thought I was distinguishing myself—I had no other motive than the desire to distinguish myself and my joy in making an impression and in the impression itself—it was only as a result of giving it insufficient thought that I endured always having to go around dressed in the wretched clothes which my parents had made for me by one customer after another, longest by a tailor in Nusle. I naturally noticed—it was obvious—that I was unusually badly dressed, and even had an eye for others who were well dressed, but for years on end my mind did not succeed in recognizing in my clothes the cause of my miserable appearance. Since even at that time, more in tendency than in fact, I was on the way to underestimating myself, I was convinced that it was only on me that clothes assumed this appearance, first looking stiff as a board, then hanging in wrinkles. I did not want new clothes at all, for if I was going to look ugly in any case, I wanted at least to be comfortable and also to avoid exhibiting the ugliness of the new clothes to the world that had grown accustomed to the old ones. These always long-drawn-out refusals on the frequent occasions when my mother (who with the eyes of an adult was still able to find differences between these new clothes and the old ones) wanted to have new clothes of this sort made for me, had this effect upon me that, with my parents concurring, I had to conclude that I was not at all concerned about my appearance.
—Kafka’s diary, December 26, 1911.
November 13, 2013 | by Sadie Stein
It was not until I went away to college that I realized how much laundry my mother did. I don’t mean that my family of four generated an unusual amount—none of us changed more than once a day, or had especially extensive wardrobes—or that she stood around an industrial-sized cauldron like Mrs. Buckets in “Cheer Up, Charlie.” Rather, at any given moment, some step of laundry-washing was in process. If the washer or dryer wasn’t running, clothes were being sorted. Large piles of lights and darks littered the hall floor. There was a wicker hamper of some description, in a nook under the linen closet, but things either didn’t make it there or were sorted with such dispatch that they never reached its limbo. And always, always, there was the folding. My parents’ bed was generally covered with a large pile of clean clothes; anyone who happened to be sitting on the bed watching TV would either fold a few napkins in the course of a show (me) or sit atop a mound, occasionally knocking clothes onto the floor (my brother.) Then there was the hand-washing, or those pieces my mother had deemed too delicate for the dryer: there were usually a few of these hanging damply in the bathroom. She did not work full-time back then; one wonders how all the laundry might have gotten done if she had.
It’s not that she was compulsively clean in other ways; if anything, the house was fairly chaotic. Indeed, when we did have guests over, the door to the master bedroom had to be kept rigorously shut because there was so much laundry on the floor. We always had plenty of clean clothes, which is of course nice, but in retrospect I think she washed things too much: towels got frayed and faded long before their times, the knees of our jeans seemed to have unusually short lifespans. She used utilitarian detergents; there was some vague but distinct taboo against fabric softener that made the first sheet I borrowed in the college laundry room feel deliciously illicit.
Her constant laundry-doing was a running joke in the family, as well as something of a mystery. How was there always so much laundry? The mystery only deepened when I moved out on my own and realized that one load a week was sufficient to keep me in clean clothes and sheets, and that the whole process only took a couple of hours. Read More »