Posts Tagged ‘China’
September 24, 2013 | by Sadie Stein
March 15, 2013 | by Sadie Stein
- Sheryl Sandberg: “I probably shouldn’t admit this since I work in the tech industry, but I still prefer reading paper books.”
- Perhaps this explains why January bookstore sales were up 5.5 percent ($2.1 billion)!
- KFC is recovering from a Chinese chicken scandal with a Twitter poetry contest. “KFC kicked off a poetry contest on social media. The company asked fans to pen poems that include the phrase, ‘The chickens are innocent,’ laying the blame on illicit drug use at the farms. Best poem wins an iPad mini.” Yes, you just read that correctly.
- We can’t get enough of Nina Katchadourian and her “Sorted Books” project.
January 30, 2013 | by Sadie Stein
January 3, 2013 | by Jiayang Fan
Well into my adolescence, New York City began and ended with a single street. For a long time, it did not even seem important that I learn the name of the street; everyone simply called it the Street of the People of Tang. The Tang, of course, were the Chinese, and Americans, foreigners to the street, named it Chinatown.
Of course, strictly speaking, I was a foreigner too. Because my mother worked in a suburban Connecticut town, all colonnaded colonials and frosty-haired WASPs, and spoke halting English, we boarded the Metro-North only when desperation over the last can of aoki mushrooms made it imperative. Later, when I grew to speak better English than she, I became the navigator. “So when we take the downtown green line, where is it that we get off again?” my mother would ask, eyes squinting nervously over the teeming throngs we would soon join at the mouth of Grand Central. Canal, I answered, always the same answer. We get off at Canal Street.
October 11, 2012 | by Sadie Stein
Chinese author Mo Yan—whose pen name translates to Do Not Speak—has won the 2012 Nobel Prize for Literature. A short-story writer and essayist who, says the Nobel citation, “with hallucinatory realism merges folk tales, history and the contemporary,” Mo Yan said he was overjoyed and scared by the honor.
Continued the citation, “Through a mixture of fantasy and reality, historical and social perspectives, Mo Yan has created a world reminiscent in its complexity of those in the writings of William Faulkner and Gabriel García Márquez, at the same time finding a departure point in old Chinese literature and in oral tradition.”
August 2, 2012 | by Jillian Steinhauer
In November 2010, ArtReview magazine published its annual Power 100, a list of the most powerful people in the art world. The highest-ranked living artist, coming in at number thirteen, was the Chinese artist and activist Ai Weiwei. Two months later, the Chinese government demolished Ai’s brand new, two-thousand-square-foot studio in Shanghai in one day—this despite the fact that officials had approved (and by some accounts invited) Ai’s plans for the studio, which took a year and almost a million dollars to build. Then, in April 2011, Chinese authorities took Ai into custody. Without announcing charges against him or when he would be released, they held him in detention for eighty-one days, during which time guards watched him constantly, even when he went to the bathroom or slept. He was released in June and, a few months later, charged with “economic crimes” and an accompanying bill of $2.4 million.