Posts Tagged ‘children’s books’
July 14, 2014 | by Sadie Stein
On Saturday, in Maine, I rode my bicycle the mile and a half to the very comfortable Northeast Harbor Library, which contains well-stocked “Maine” and “Garden” rooms; it’s currently showcasing a collection of antique “woolies,” folk-art embroideries made by extremely secure nineteenth-century sailors. Patrons who wish to memorialize their visit may buy “postal cards,” which are subcategorized accurately under such headings as “Circulation Area” and “Reference Desk.” I bought six for a dollar.
It is always awkward to be the only adult in the children’s room, and repetition does not make it any easier. But I went down the hall, past the mat where very young children have story time. I took a left at an enormous stuffed mouse and ran my finger along the “F” shelf in chapter books until I came upon my quarry: Hitty, Her First Hundred Years.
I knew they would have it, not just because it won the Newbery in 1930 and is considered a classic, but because it is one of the great Maine children’s books. Hitty is an imagined history of a small doll carved from a piece of mountain ash—inspired by a real doll that its author, Rachel Field, found in a New York City antiques shop—which takes its heroine around the globe via whaling vessel and Missisippi river boat, and in the custody of many different children. But Hitty is born in Maine, specifically on Cranberry Island, some two nautical miles from the library itself. In the course of her travels, she bears witness to the events of the nineteenth century, all of which she relates with serene pragmatism, in the manner of a doll Forrest Gump. Read More »
July 8, 2014 | by Dan Piepenbring
If baseball remains, however tenuously, our national pastime, then Joe Matson, the eponymous hero of Lester Chadwick’s Baseball Joe series, remains our all-American man: an “everyday country-boy” with a can-do attitude, an unimpeachable sense of right and wrong, and a fucking cannon-arm. Chadwick’s sequence of boys’ novels, published from 1912 to 1928, follows Joe on a Horatio Alger–esque journey from small-town schoolyard star to World Series slugger. Spoiler alert: Joe wins. Joe always wins.
With their cheery illustrations and gee-whiz spirit, the Baseball Joe novels emblematize a brand of wish fulfillment that stands at a far remove from the young-adult fiction of today: there’s no dystopia here, nor even a whiff of the supernatural, unless you count Joe’s otherworldly batting average. What we have instead is the distillate of dozens of summers spent dreaming in baseball diamonds, redolent not of beer and nuts but of Wonder Bread and whole milk and Jerry Mathers as the Beaver.
Or so it seems. Turns out the Baseball Joe books had some dark subplots, though you’d never know it to look at their publisher’s catalog, which supplies breathless titles with curiously terse synopses: Read More »
May 7, 2014 | by Dan Piepenbring
- In the late seventeenth century, long before the age of Sherwin Williams and Pantone, a Dutch artist known as A. Boogert (!) compiled Traité des couleurs servant à la peinture à l’eau, an eight-hundred-page compendium of paint and color.
- The literary critic Randall Jarrell also wrote five children’s books—several of them illustrated by Maurice Sendak. “The Bat-Poet is the sweetish story of a bat who longs to stay up during the day and sing the song of the mockingbird; to his delight, he discovers that he himself can be a songster … ‘on the willow’s highest branch, monopolizing / Day and night, cheeping, squeaking, soaring / The mockingbird is imitating life.’”
- Rupert Murdoch’s News Corp has acquired Harlequin, whose romances offer “empathetic insight into contemporary cultures.”
- EBay is launching a “digital magazine” at “the intersection of retail and publishing.” The president of eBay marketplaces, Devin Wenig, says, “We’re now in the content business … for the first time, eBay has a voice. We’re telling stories. We have an editor. We have curators. And we have writers on-staff. You’ll see that evolve to some longer-form stories, some really beautiful pictures... It’s media-like.” He adds: “We’re entering a post-mobile age now,” he said. “Mobile is so important that it’s almost silly to talk about mobile.” (By the way, did you know The Paris Review has recently unveiled our new mobile site?)
- In Paris, to “lock in their love,” tourist couples put locks on the Pont des Arts and other bridges—which would be an innocuous tradition, as far as these things go, except it makes the bridges ugly and dangerous. Two unlikely Americans are trying to end the practice.
April 30, 2014 | by Sadie Stein
If you get the chance before September 7, make a point of checking out the New York Public Library’s exhibition “The ABC of It: Why Children’s Books Matter.” Even if you need no convincing on this score, you’ll love it: the exhibition is divided into a series of roughly chronological sub-categories—“Artistry of the Picture Book,” “From Page to Stage”—and illustrated with a wealth of amazing original sketches and manuscripts from iconic children’s books. Then there are the artifacts; you can see P. L. Travers’s parrot-head umbrella, and the original Winnie the Pooh stuffed bear, surrounded by his menagerie of equally well-worn friends.
If you are someone who loves children’s books, you may find yourself overwhelmed by the onslaught of Proustian reveries the show inspires. It feels a bit the way psychics say hospitals and graveyards feel to them—too many memories and associations and forgotten feelings clamoring to be heard at once. Certainly you will have to leave and come back. Read More »
February 5, 2014 | by Dan Piepenbring
- “Auden said something disparaging about Samuel Beckett getting the Nobel Prize for Literature. Nikos said: ‘Who else is there?’ Auden shook his head so all the sagging wrinkles shook and said: ‘There’s me.’” The gossipy diaries of David Plante.
- Speaking of Beckett, “Fail better,” a quotation from his Worstward Ho, continues to be wildly misappropriated by Silicon Valley execs who refuse to pay obeisance to its pessimism.
- In the UK, a children’s book about a foulmouthed boy with Tourette’s syndrome prompts a debate: Should salty books for young readers come with a warning?
- Now in print: “Footlights,” a novella by Charlie Chaplin that inspired the screenplay for Limelight. “‘Footlights’ is 70 pages long and contains around 34,000 words,” notes the BBC. Gosh, tell me more!
- The New York Times’ facile editorial page is under fire from its own staff: “Largely irrelevant.” “A waste of money.” “An embarrassment.”
- Facebook, Gmail, and Twitter are classically conditioning us. Notifications are a “never-ending arms race of cheap con games to compete for user attention.”
July 18, 2013 | by Justin Alvarez
Inside the Rainbow: Russian Children’s Literature 1920–35: Beautiful Books, Terrible Times is a stunning compendium of illustrations from the twenties and thirties. As Philip Pullman writes in his introduction,
In the dark and dangerous world of revolutionary Petrograd, a group of Russian poets and artists, among the greatest of the century, came together to create a new kind of book for children about to enter a Brave New World. These artists and writers dreamed of endless possibilities in a new world where children and grown-ups alike would be free from the bitterness of ignorance. For a time, when children’s publications still escaped the scourge of state censorship, their books became a last haven for learning, poetic irony, burlesque and laughter.