Posts Tagged ‘character names’
September 8, 2014 | by Dan Piepenbring
Sometimes you go to Wikipedia to see whose birthday it is and you end up spending the next thirty minutes reading flap copy from old Harlequin romances. By “you” I mean me, here—I’ve just now crawled up out of the Jane Arbor mineshaft I fell into.
Arbor, who was, yes, born today in 1903, wrote fifty-seven romance novels in her day, all of them published by Mills & Boon, a UK imprint of Harlequin. Even without their florid illustrations, their titles are terrific; they sound variously like managerial concepts, short-lived sitcoms, or Yankee Candle scents. In addition to those in the slideshow above, here are a few favorites:
- Ladder of Understanding (1949)
- My Surgeon Neighbor (1950)
- Memory Serves My Love (1952)
- Jasmine Harvest (1963)
- The Feathered Shaft (1970)
- Two Pins in a Fountain (1977)
But Arbor’s true talent was in naming her characters, a gift that extended to the author herself. Jane Arbor is a pseudonym—and a pretty perfect one, dainty without lacking in heft and authority—for the comparatively ungainly Eileen Norah Owbridge. Arbor had a knack for naming her heroines’ love interests, all of whom have strong but subtle appellations of three or four syllables. They’re impossibly perfect names that seem hewn from granite, as are, presumably, the abdomens of the men they belong to. Names like Erie Nash. Dale Ransome. Elyot Vance. Lewis Craig. Mark Triton. Raoul Leduc. Grandmere Cordet. You see how a Piepenbring could be envious.
Without further prologue, then: the flap copy for three of Arbor’s novels. Read More »
November 4, 2011 | by Lorin Stein
Just this morning—at five o’clock, to be exact—I was staring at the ceiling, thinking about Krapp’s Last Tape and how shocked my favorite college professor would be if he knew I still haven’t seen or read it. At least I hope he’d be shocked. I have never got through any of Beckett’s novels (and have seen almost none of his plays, or anybody else’s). I have never got through Henry Green’s Living or Concluding, though neither one is a long book, and I have sometimes heard myself call Green my “favorite” postwar English novelist, as if I had read enough to have one. I have never got through Jane Eyre or Giovanni’s Room or Journey to the End of the Night or Zeno’s Conscience or Pierre—I have never got through chapter one of Pierre. I have never read The Life of Henry Brulard and am not sure it’s even a novel. I have never read Memoirs of an Anti-Semite (but have said I have). I will never reread Dostoevsky as an adult, which in my case is more or less the same as not having read him. I couldn’t finish The Recognitions: I stopped 150 pages from the end, when the words just stopped tracking, and have never managed five pages of JR. I can’t remember which Barbara Pym novels I read, it was so long ago, and there are so many I haven’t. I have never made it to the cash register with a novel by Ronald Firbank. Thomas Hardy defeats me. So does D. H. Lawrence: you can love a writer and never actually feel like reading any more of his novels. I have never read Lady Chatterley’s Lover. I never got to the end of Invisible Man. I have never read Stoner or Gormenghast or Blood Meridian or Wide Sargasso Sea (see Jane Eyre, above). Or any Faulkner novel all the way through besides The Sound and the Fury. I have never enjoyed a novel by Eudora Welty enough to keep going. I think I got to the end of V., which may be even worse than having put it down, and know for a certainty I never got far in Gravity’s Rainbow. I have never read U.S.A. or Tom Jones or Tristram Shandy or Pamela or any novels by Irwin Shaw, James Jones, Mavis Gallant, or Dashiell Hammet. Or Raymond Chandler. I have never read Tender Is the Night, but just the other night someone used it as an example of something, and I nodded. Read More »