By now it is clear that this season’s sleeper star is the breakout show-runner, Dante Alighieri. His show The Inferno, an unlikely gem of narratological genius, has consistently stood out from the televisual pack, relying for the most part on the rarefied taste of its audience and the poignant, lyrical style of the head writer. This most recent episode, canto 31, is no exception.
This divine segment uses, as ever, a canny rhetorical device to dispense with exposition: the question. In this case, our hero, Dante, entering the next circle of hell, gazes through a thick fog, through which he can faintly perceive the outline of various towers. So what does he do? He asks a question about them, of course, and his companion Virgil helpfully informs him—and us—that these are giants, not towers. Simple! Elegant! Where other shows go in for flash and gimmickry, The Inferno just tells us what’s what. Read More