Posts Tagged ‘business’
April 25, 2014 | by Dan Piepenbring
- Shakespeare: playwright, poet, armchair astronomer. “Peter Usher has a very elaborate theory about Hamlet, in which the play is seen as an allegory about competing cosmological worldviews … Claudius happens to have the same name as Claudius Ptolemy, the ancient Greek mathematician and astronomer who we now associate most closely with the geo-centric Ptolemaic worldview.”
- From the mideighties: Andy Warhol’s rediscovered computer art.
- New research by the University of California-San Diego’s Rayner Eyetracking Lab—nobody tracks eyes like the Rayner—suggests that speed-reading apps might rob you of your comprehension skills.
- “I have been surreptitiously scrutinizing faces wherever I go. Several things have struck me while undertaking this field research on our species. The first is quite how difficult it is to describe faces … We might say that a mouth is generous, or eyes deep-set, or cheeks acne-scarred, but when set beside the living, breathing, infinitely subtle interplay of inner thought, outward reaction and the nexus of superimposed cultural conventions, it tells us next to nothing about what a person really looks like.”
- In Germany, business is booming. The secret: pessimism. “German executives are almost always less confident in the future than they are in the present.”
- Discovered in an archive of the LAPD: more than a million old crime-scene photographs, some of them more than a century old.
February 18, 2014 | by Dan Piepenbring
The poet A. R. Ammons was born on this day in 1926.
I know that you worked in your father-in-law’s biological glass factory as a vice president in charge of sales. Were you interested in the work or was it dull?
It wasn’t dull. I have a poem somewhere explaining how running a business is like writing a poem. In business, for example, you bring in the raw materials and then subject them to a certain kind of human change. You introduce the raw materials into a system of order, like the making of a poem, and once the matter is shaped it’s ready to be shipped. I mean, the incoming and outgoing energies have achieved a kind of balance. Believe it or not, I felt completely confident in the work I was doing. And did it, I think, well.
—A. R. Ammons, the Art of Poetry No. 73
March 25, 2011 | by Lorin Stein
“Writing about music is like cooking about architecture” is a quote that has been variously ascribed to Frank Zappa, Elvis Costello, and Brian Eno, but can you suggest any books that suggest contrariwise? Or should I set to work on that cassoulet about Le Corbusier? —Arnold S.
My favorite newish book of criticism, August Kleinzahler’s Music: I-LXXIV moved me to tears and laughter, generally at once. Kleinzahler is equally opinionated on the subjects of German Romantics, hard bop, and Liberace. The fact that I knew nothing about any of them did not lessen my enjoyment of Kleinzahler’s prose. When Kleinzahler’s writing, I could happily read an essay about riding the bus in San Diego or seeing a stupid movie on Christmas Eve. (In fact I recommend that book, too.) If you are a midcentury jazz guy, I suggest Geoff Dyer’s But Beautiful, biographical vignettes that manage (at least for this reader) also to be about the music. If you want to read about pop music, check out Heavy Rotation: Twenty Writers on the Albums That Changed Their Lives, with standout essays by Benjamin Kunkel, Sheila Heti, Peter Terzian, and our own John Jeremiah Sullivan. And if you want to read a deceptively deep little treatise on the whole idea of music criticism—at least when it comes to pop—read Carl Wilson’s contribution to the 33 1/3 series: Celine Dion’s Let’s Talk About Love: A Journey to the End of Taste.
True story: I know a guy who wrote to CEOs as a kid, proclaiming how strongly he wanted to be a top business executive when he grew older. Years of persistent snail mail, and finally, in his late teens, he caught the attention of a wealthy business tycoon who offered him an internship at his company. Now, in his mid-twenties, this man is the head of university relations at an educational start-up company, working under the same businessman that hired him as a teenager. And now for my question: what is the likelihood of such dreams coming true in the literary sphere? —Fred
Happens all the time. Just replace CEOs with quarterlies, business executive with poet, wealthy business tycoon with editor, head of university relations at an educational start-up company with poet, and subtract several hundred thousand dollars a year.
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