Posts Tagged ‘Brooklyn’
July 19, 2016 | by Caitlin Love
Emma Cline’s debut novel, The Girls, may be loosely based on the Manson murders, but it isn’t really about Manson at all—it’s about the women around him, those attracted to life at the edge of the world. Though the book circles around the blunt facts of Manson’s crimes, it sidesteps the particulars, reducing him to a pitiful, failed musician named Russell whose only talent is tending to his wilting garden of devotees. Instead of dwelling on him, the novel follows fourteen-year-old Evie Boyd, who’s increasingly enthralled by one of the older girls in Russell’s circle.
Cline, a winner of The Paris Review’s Plimpton Prize, writes with the kind of beauty the painter Agnes Martin once described as “an awareness in the mind.” “Marion,” Cline’s story in the Review’s Summer 2013 issue, opens with the line, “Cars the color of melons and tangerines sizzled in cul-de-sac driveways.” The Girls is set against a dreamy, at times abstracted, California landscape. Her descriptions shimmer on the page: trying to mimic a girl she admires, Evie stands straighter, “holding my head like an egg in a cup”; a teenage boy’s room reeks of masturbation, “a damp rupture in the air”; girls are “swampy with nostalgia.”
Though she’s encouraged by the warm response The Girls has received, Cline eschews the public eye. “I’m used to the isolated part of writing, the part where you’re doing a lot of work alone, in solitude,” she told me. When we spoke on the phone last month, she’d just landed in LA for a reading. I asked her how long she’d be out West. “Just another week or so,” she said, “and then I’m at large.” Read More »
July 12, 2016 | by Dan Piepenbring
- In 2003, as the U.S. mustered its forces for a long, messy invasion of Iraq, Saddam Hussein sat in solitude. He had an important task: he was putting the finishing touches on a piece of fiction. Not a novel, mind you—he’d already written three of those, and now he was just slightly too busy for another—but a novella, yes, called something like Get Out, You Damned One, and soon to arrive in English, at last: “The manuscript was reportedly carried out of Iraq by Saddam’s daughter, Raghad Saddam Hussein, in 2003. She announced plans to publish the 186-page novel in Jordan in 2005, before it was quickly banned from sale, resulting in multiple bootleg versions appearing … Hesperus has yet to announce what its English title will be. A spokesman for Hesperus described the book as ‘a mix between Game of Thrones and the UK House of Cards–style fiction,’ and said it was full of political intrigue, but that the publisher would be ‘keeping the rest secret until Christmas.’ ”
- Like thousands before her, Elif Batuman has learned to love her fate, to heed the call of an ancient destiny: she’s moved to Brooklyn. “For a long time,” she writes, “I used to make fun of writers who lived in Brooklyn. There are a lot of things about Brooklyn that are both funny and sad, but none more so than the density of writers per square yard. I was trying to explain it once to a Russian novelist, back in the old days. We were sitting at a table. ‘There are writers everywhere. If this table was in Brooklyn, you would look under it, and there would be a writer.’ The novelist looked under the table, and said: ‘Like mushrooms.’ ”
- Akhil Sharma, on the other hand, stood in bold defiance of his fate, which was to spend way too much money on a bespoke Savile Row suit cut by Davide Taub. He tried to get another tailor in Vietnam to fake it instead. It did not go well. And thus he came to understand Taub’s art: “As I sat in a corner of the living room, a tall young man stood before the mirror and tried on a dark blue suit that was gridded with threads and chalk. Taub stepped back and forth and walked around him. To me, the suit looked great and the young man very handsome. Then, Taub pinched a bit of cloth at the bottom of the trousers. The line of the back of the legs became much more legible and the young man grew taller by an inch. Taub fiddled with how a sleeve entered the jacket’s shoulder and this made the customer look longer-armed and more elegant. Taub spent about thirty-five minutes making small adjustments, and I felt as though I were watching a writer polish the final draft of a paragraph.”
- Whither the stochastic, parodic Garfield spin-off? Anyone looking for an undercurrent of existential dread in America’s fattest cat can find it in any number of unauthorized novelty sites: there’s Garfield Minus Garfield, Minus Jon Plus Jon, Square Root of Minus Garfield, Garkov, and Random Garfield Generator. One artist explained the appeal: “The relative inanity of the original strip’s dialogue is a uniquely strong setup for weird/broken/scrambled non-sequitur text. I think that’s what works so well about so many Garfield variations, really; it’s such a sterile, safe, drama- and menace-free strip that injecting any kind of Dada strangeness or emotional complexity into it makes it jump off the page a bit.”
- In New York, the long-awaited revitalization of Governors Island is finally complete, and it promises to be a nice park and all, but Martin Filler sees more in it than that: “Symbolically, the completion of the Hills could not have come at a more opportune moment. During a season when mindless hatred against immigrants runs rampant in our land, the vista from the top of Outlook Hill offers an instructive panorama. It begins at the mouth of the Atlantic beyond the Verrazano-Narrows Bridge, continues past the Statue of Liberty and her upraised torch in full-frontal welcome, moves toward the longed-for gateway to freedom, Ellis Island, and then culminates with the skyscrapers of Lower Manhattan … The Golden Door, as the poet Emma Lazarus called this stretch of waterfront, has never been presented in a more inspiring visual perspective than is now available from Outlook Hill.”
July 7, 2016 | by Wei Tchou
Two trees grow in Brooklyn.
Lately I’ve come to love the empress trees that stand at either end of the Union Street Bridge, which crosses the Gowanus Canal, in Brooklyn. The pair aren’t much in winter, but come spring their canopies grow heavy with grand cascades of lavender flowers. The display is especially remarkable because the canal that flows beside the trees is polluted by heavy metals, pathogens, polychlorinated biphenyls, polycyclic aromatic hydrocarbons, and other suspiciously unpronounceable toxins. Whatever perfume might drift from the purple blossoms is instantly overpowered by the rot that wafts from the canal’s murky, iridescent waters. Read More »
July 6, 2016 | by Caitlin Love
“Bad Behavior,” a short story by Alexia Arthurs in our new Summer issue, follows Stacy, the teenage daughter of Jamaican immigrants living in Brooklyn. After a series of troubling events at home and school, she’s sent to live with her grandmother in Jamaica.
Arthurs, a graduate of Hunter College and the Iowa Writers’ Workshop, was born in Jamaica and moved to New York with her family at the age of twelve. She wrote to me about her story by e-mail.
Where did “Bad Behavior” come from?
I wondered what an immigrant mother sacrifices when she raises her children in America—so many of her energies are directed toward survival and providing. I babysat to pay for my undergraduate education in New York City, and I noticed that women who were more financially settled—who could afford expensive childcare and someone to clean for them—were particularly concerned with the anxieties of their children. It’s interesting to consider which mothers have that privilege, to be present in a vigorous way. “Bad Behavior” deals with this—“Not all mothers could afford to be kind.” Also, once I knew of a young girl who was dangerously reckless, and I remember that someone suggested sending her to Jamaica as a last resort. I don’t know what became of the girl. Read More »
June 21, 2016 | by Dan Piepenbring
Jay Miriam’s first solo show in New York, “Catch the Heavenly Bodies,” opens tonight at Half Gallery. “I think there’s something strange going on right now,” Miriam, who paints from memory, told Adult Magazine last year: “People aren’t okay with being ordinary. I think that sentiment has existed for a long time, but it feels really amplified right now with social media and our online culture, where everyone’s competing for attention, and even being normal is a trend. I don’t see ordinariness as negative. The characters in the paintings can be anyone. Even though I like painting women, they’re not necessarily defined as women … Now everyone is so aware of their behavior and how it looks to others, and there’s not the same freedom in our bodies.”
December 9, 2015 | by Ben Lerner
Last night, Pioneer Works, an artists’ space in Red Hook, Brooklyn, hosted a celebration of John Ashbery, who turned eighty-eight this year. The poets Geoffery G. O’Brien, Mónica de la Torre, and John Yau read some of their work and their favorite poems by Ashbery. Before Ashbery came to the stage, Ben Lerner made the following remarks. —D. P.