Posts Tagged ‘Brooklyn Book Festival’
September 20, 2012 | by Sadie Stein
When BAM asked The Paris Review to choose a film for screening in concert with the Brooklyn Book Festival, the choice was obvious. So, tonight, please join Leanne Shapton, Lorin Stein, and yours truly for a special screening of the cult classic Withnail and I. To the uninitiated: the film, directed by Bruce Robinson, stars Paul McGann and Richard E. Grant as two wastrels in 1969 London who decide to take a restorative holiday in the countryside; obsessively quotable mayhem obviously ensues. Some find it baffling; some find it disturbing; for the rest of us, it is a magnificent obsession. All three camps are invited!
Starts at 7 P.M. Discussion to follow. Click here for tickets.
September 30, 2011 | by The Paris Review
Elaine Blair says let your children read Nicholson Baker: “House of Holes will introduce impressionable readers to many interesting sexual possibilities without a whisper of stereotype or slur. You can be sure that no matter what scene your children are masturbating to, they are not objectifying women. But you will have to make sure that they accidentally stumble on it soon, before they find the Internet, if they are to have a fighting chance at being wholesome and delightful fuckers instead of hopelessly depraved ones like yourself.” —Lorin Stein
My friend Pete turned me on to Ephemeral New York, which, along with Vanishing New York, has immediately entered my personal must-read feed. And if you really want to feel melancholy about our city’s lost treasures, take a look at this. (And thanks to Vanishing New York for turning me on to Karen Lillis’s Bagging the Beats at Midnight, a memoir by a long-time employee of beloved—and endangered—St. Mark’s Bookshop.) —Sadie Stein
Is print dead? Not at all. The New York Art Book Fair, hosted by Printed Matter this weekend at P.S. 1, is probably the best browsing experience you’ll have all year. Photobooks, artist’s books, antiquated books, ephemera, zines: it has everything from the small to the massive, the odd to the vintage, the practical to the whimsical. —Deirdre Foley-Mendelssohn
I’ve been poking around in Asymptote, a new and impressively eclectic online magazine, with fiction and nonfiction, poetry and criticism, all in translation. I’ve especially enjoyed the (very) short story by Robert Walser, translated by Susan Bernofsky, Adonis’s “Ambiguity,” translated by Elliott Colla, and an essay about riddles by the Russian formalist Viktor Shklovsky, translated by Shushan Avagyan. There is, in other words, something for everyone. —Robyn Creswell
I picked up a copy of Mr. Fox by Helen Oyeyemi in the office and am thoroughly enjoying doses of Wes Anderson-esque whimsy. It’s a fairy tale disguised as a novel about a writer (named Mr. Fox), his muse (Mary Foxe), and his characters. Like all good fairy tales, the story is told over and over again in various romantic settings, in this case involving plenty of typewriters, brownstones, and flower shops. —Artie Niederhoffer
An old interview between Borges and Enrique Krauze, devoted mainly to Spinoza, is newly translated in the current issue of The Reading Room: “Descartes let himself be seduced by that abominable little Protestant sect, the heresy that is the Church of Rome; but if one accepts his premises, one arrives either at solipsism or Spinozism. Which means that Spinoza was a more coherent thinker and certainly much braver than Descartes. For me—simply because I'm a coward myself—bravery is an essential virtue.” –L. S.
Much has already been written on the immersive, off-broadway theatre experience, Sleep No More. Recently extended through November 5, this eerie production has been haunting me all week. Though the storyline (based on Macbeth) left me a bit puzzled and frustrated, the sets, music, and lighting design alone are worth the price of admission. If you go, stick as close to the actors as you can (even when that means literally running up and down stairs) and you might get as lucky as I did to get locked in a room alone with one of the players. What a memorable and bewitching treat to have a monologue recited to you and you alone—sans mask. —Charlotte Strick
September 16, 2011 | by The Paris Review
This Sunday is the Brooklyn Book Festival, and we’ll be there with bells on. From 10 A.M. to 6 P.M., you’ll find us in the plaza outside Borough Hall, where we’ll have T-shirts and tote bags for sale, as well as our new issue and special offers on subscriptions. Come say hello!
September 15, 2011 | by Dawn Chan
It’s late August in Brooklyn, and two men are trying to figure out how to hoist a piano up to a third-floor window and then release it so that it smashes onto the sidewalk below. “I think the major issue is just balancing out its weight,” says one. They push open a door to the roof to explore their options. A security alarm goes off; they’re undeterred.
The two men, director Chris McElroen and “professional problem solver” Dan Baker, are part of the team behind Chaos Manor, a multimedia performance inspired by the unconventional life of W. Eugene Smith. In the 1950s, Smith, celebrated for his front-line World War II photography, found himself increasingly at odds with his Life magazine editors. He quit his job and, several years later, embarking on what some might call a midlife crisis and others a visionary project, left his wife and children and moved into a dilapidated Manhattan building frequented not only by “derelicts, hustlers, and thieves” (in the words of his biographer) but also by some of the “biggest names in jazz.” From his fourth-floor apartment, Smith spent the next eight years relentlessly documenting the sights and sounds around him. His forty thousand photographs and 4,500 hours of audio reels captured hundreds of musicians, including legends such as Thelonious Monk, Sonny Rollins, Bill Evans, and Roy Haynes. Read More »