Photo: Paulo Gurgel Valente
I’ve gotten accustomed to talking about the “Clarice Lispector tidal wave.” For weeks on end, I’ve scarcely been able to go online without seeing Lispector, who died in 1977, raved about, serialized, reviewed, discussed, or marveled at.
The occasion for this outpouring of attention is the publication of The Complete Stories by Clarice Lispector, translated by Katrina Dodson and edited by Benjamin Moser. But this story goes back much further, at least to 2009, when Moser published his biography of Lispector, Why This World. Since then, we’ve seen a remarkable resurgence of interest in the author, whom many consider to be among the best Brazil ever produced, and one who is often compared to Virginia Woolf. Why This World was followed by Moser’s translation of Lispector’s final novel, The Hour of the Star, and then new translations of four of Lispector’s major novels, each by a different translator.
With The Complete Stories upon us, I asked Moser why Lispector is worthy of all this effort, what makes the new book such a monumental publication, and what’s next for the Brazilian author.
Let’s begin with a very basic question—why Lispector?
Sometimes you meet someone in a bar and end up in bed after a few drinks. And sometimes you wake up and look over at the person snoring by your side and gasp and say, What was I thinking? But other times that person turns out to be the love of your life. With Clarice, I certainly had no idea that our relationship would be as long or as intense as it turned out to be. Writing her biography taught me about her life, introduced me to her world, her country, her friends. Translating her books brought me into her mind on the molecular level where the translator has to work. And the better I got to know her, the more my love deepened. Read More