Posts Tagged ‘books’
December 5, 2014 | by The Paris Review
Our Summer issue this year included Garth Greenwell’s story “Gospodar.” Though I didn’t then know that Greenwell is also a poet, it now seems obvious: his language in the story is economical and precise and yet so fluid. Two and a half years ago, Greenwell’s friend, Max Freeman, a filmmaker and photographer, filmed him reading three of his poems. Greenwell is a superb reader, and I was transfixed by the movement of his face on camera—“enthralled like a bird before a snake,” as he says in the first poem. (Actually, I had to watch the video a couple times because I forgot to pay attention to the words the first time.) The oddly touching “Faculty Meeting with Fly” is the second poem, in which a fly provides interest and pleasure during an otherwise dull moment: “No one before has traced precisely that path / along the thinner vein of my wrist, yet you take / such delight there / … while / beneath you subterraneously my blood must roar / and thrum you like a lyre.” But it’s the last poem, “An Evening Out”—wistful, gorgeous, and sad—that makes the video, and Greenwell’s face, so compelling. —Nicole Rudick
I haven’t read many novels as spooky and sublime and psychologically acute as Forrest Gander’s The Trace. It’s the portrait of a couple in crisis and their misguided road trip through the Chihuahua desert, on the tracks of the writer Ambrose Bierce. Gander’s landscapes are lyrical and precise (“raw gashed mountains, gnarly buttes of andesite”), and his study of a marriage on the rocks is as empathetic as it is unsparing. —Robyn Creswell
Sarah Lazarovic sat down with her brushes and did not stop painting until she’d revealed her entire messy, colorful, and witty journey from a teenaged “fashion-maybe” to a bona fide adult shopping ambassador. In her charmingly illustrated new book, A Bunch of Pretty Things I Did Not Buy, Lazarovic explains how a mall-lovin’ middle-schooler’s early obsession with scrunchy socks later ballooned into a full-blown consumer obsession with clothes of every possible description. Lazarovic’s story will especially resonate for the late Gen Xer who may have similarly cycled through the Gap Girl to Thrift Girl to Goth Girl to I-just-can’t-have-enough-little-rayon-dresses-for-under-twenty-bucks Girl, who along the way also made good use of the venerable scrunchie and the ubiquitous safety pin when the outfit or occasion called for it. Lazarovic meditates on the “ill-defined distinction between fashion and shopping,” stating that “in childhood we create fashion with very little shopping (except you, Suri Cruise).” Her adult self craves a minimal wardrobe and a spare closet. She writes, “What I love best is how time often reveals a solution to what I need that doesn’t involve buying.” She closes her diary with expert tips on how to fill your own closet with quality over mass quantity. —Charlotte Strick
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November 21, 2014 | by Dan Piepenbring
- At Florida State University, a student’s life was saved when the books in his backpack stopped a bullet. (Insert joke about e-books, importance of print here.)
- On Boston’s David R. Godine, a publisher who “specializes in books nobody buys … Godine has a knack for nurturing Nobel Prize recipients; he was the first in the United States to publish Modiano as well as 2008 Nobel laureate J. M. G. Le Clézio. He is renowned for producing—if not always selling—eclectic and fastidiously assembled and designed books.”
- “Like eros, wonder was once considered a dangerous passion. Much of the traditional intellectual ambivalence surrounding wonder derived from its affinity to the passions of horror and terror … Modern wonder, like many of the traditional passions, has faded from the saturated hues of blood red and lapis lazuli blue to baby pink and blue pastels. ‘Baby’ is used advisedly in this context: modern wonder has become infantilized, the stuff of children’s entertainment, whether in the form of cartoon fairy tales or science museum exhibitions.”
- The first-ever weather forecast, from 1861: “North—Moderate westerly wind; fine. West—Moderate south-westerly; fine. South—Fresh westerly; fine.” (It was mostly accurate.)
- … And today there are, apparently, commercial meteorologists, who “work behind the scenes to provide companies with customized weather data and analysis. On some days, like last Wednesday, that can entail cooling unfounded fears, while on others it means assisting corporate clients in prepping for a natural disaster. Whatever the weather throws at stores and shoppers, it’s the job of commercial meteorologists to help stores and their emergency management teams put a plan in place.” (Leaving their customers to make do with good old network-television meteorologists.)
November 1, 2014 | by Dan Piepenbring
For the past few years, readers of the Daily have enjoyed an occasional series called “Windows on the World,” featuring Matteo Pericoli’s intricate pen-and-ink drawings of the views from writers’ windows around the world. Now those drawings are available in a book—Windows on the World: Fifty Writers, Fifty Views—and we’re celebrating with a contest. You can have your view illustrated by Pericoli, too.
Starting today, submit a photograph of the view through your window—including the window frame—along with three hundred words about what you see, to email@example.com. Submissions will be judged by the editors of The Paris Review and Penguin Press, and by Matteo Pericoli. The winner will receive Pericoli’s original sketch and have his or her essay published on the Paris Review Daily. Five finalists will receive signed copies of Windows on the World.
For all the details, click here, and then get cracking: we’re only accepting submissions until November 15.
October 31, 2014 | by Sadie Stein
As we all know, the world divides, evenly or otherwise, between those of us who grew up reading In a Dark, Dark Room and those who did not. Those of us who have read it (I got my copy at one of those sponsored school book sales, noteworthy for its bake sale and wealth of Klutz-brand books, one of which came with a Koosh ball) will never look at a green ribbon the same way again.
Spoiler alert for “The Green Ribbon”: Girl has green ribbon around her neck. Grows up, marries, ages, dies. Ribbon is untied, head falls off. It is a perfect scary kid’s story: simple, terrifying, pleasantly idiotic. Certainly, I didn’t feel it to be in any conflict with the basic facts of anatomy. Certainly not doll anatomy. In Alvin Schwartz’s 1984 I Can Read! version, the girl—Jenny—looks sort of like Laura Nyro and rocks a really good look.
If I have a beef with most modern fright-fests, it’s that they’re too complicated: over-plotted, spilling over with various malignancies and kinds of dark magic. “The Green Ribbon” is an antidote to this. Unlike, say, the Koosh ball, it has aged well. After its fashion, it is the perfect scary story. But you don’t have to take my word for it!
October 15, 2014 | by Dan Piepenbring
Of all the books you’ve written, do you have any favorites?
Oh, I’m very fond of a book called Quick Service and another called Sam in the Suburbs, a very old one. But I really like them all. There are very few exceptions.
—P. G. Wodehouse, the Art of Fiction No. 60, 1975
I wonder how Wodehouse (born today in 1881) came down on Love Among the Chickens, one of his earlier novels and, to my mind, one of his strangest. It is, as its title page quite clearly states, “A Story of the Haps and Mishaps on an English Chicken Farm.” (Wonderful use of haps, there. Why is it that we only hear of mishaps these days?) Read More »
October 15, 2014 | by Kerry Howley
Watching a cage fighter starve himself.
“Four eggs,” I instructed the waiter at the finest restaurant in the Palms Casino Resort.
“Egg salad?” He was in a starched suit, pouring water into a delicately lipped glass.
“No, four hard-boiled eggs.”
The waiter returned with four eggs huddled in the slight depression of a sizable dinner plate, as if to further diminish the sad feast through a trick of scale. Each egg had been deshelled, which was, I supposed, the benefit of ordering hard-boiled eggs at the finest restaurant in the Palms. Erik was a few flights up in his hotel room, showering after a workout, but he had asked that his meal be ready when he descended, and I feared displeasing him.
Though his mentor Duke, his roommate Pettis, and his manager could be found dispersed among the card tables and slot machines, not a single member of Hard Drive, Erik’s fighting collective in Cedar Rapids, had ventured with us to Las Vegas. Following a momentous schism between him and his brother, Erik had been “banned for life” from the gym and its environs.
Banished, Erik had returned to Milwaukee, to his warm, fast-talking Italian American coach, to his potential as one of the youngest men in the most prestigious promotion open to men who weighed in at 155 pounds. From their offices in Vegas, connected people continued to call him in Milwaukee, and it was as if he had never made the mistake of going home. Would he like to be in the official UFC video game? They would fly him out to LA, take measurements, and then boys everywhere would fight their friends in the avatar form of Erik “New Breed” Koch. Pettis was asked to be a judge for the Miss Wisconsin USA pageant and, in declining the offer, sent Erik in his stead. Erik met, at the event, the manager of a Jersey Shore cast member. Would Erik like to be on an episode of DJ Pauly D’s upcoming reality spin-off show? He said he very much would like that. He was unattached, alone, free to make commitments to as-yet-theoretical reality shows as he pleased.
Erik at last arrived at the restaurant, sat across from me without a word, unrolled from the napkin his knife and fork, and began the surgical egg procedure with which I was, by then, familiar. I would have liked to discuss our surroundings, as it was my first encounter with a professionally run promotion and I had many astute observations on the subject, but he ate with an air of sacral solemnity I did not wish to desecrate by speaking. It was my twenty-ninth birthday and I had not told a soul in the world. Read More »