Posts Tagged ‘Booker Prize’
October 15, 2014 | by Dan Piepenbring
- Richard Flanagan has won this year’s Man Booker Prize for his novel The Narrow Road to the Deep North. “He instinctively hugged the Duchess of Cornwall as he received the award at a black tie dinner in London.”
- Last night everything was peachy, but the Booker has a history of dust-ups and disorder. Also idiocy—Julian Barnes recalls an encounter after his novel Flaubert’s Parrot failed to win the prize: “I was introduced after the ceremony to one of the judges, who said to me: ‘I hadn’t even heard of this fellow Flaubert before I read your book. But afterwards I sent out for all his novels in paperback.’”
- The guillotine at the dawn of the media age: in the Paris of 1939, the simplest way to stop executions was to film them. “Unbeknownst to Parisian prison officials, a film camera had been set up in one of the apartments overlooking the Place Louis-Barthou. The film recorded [an] execution and by the next morning photographic stills appeared on the cover of nearly every French newspaper … The public was scandalized by their own violence; the government embarrassed. In response France banned public executions.”
- James Wood on the Australian novelist Elizabeth Harrower, whose work is back in print after twenty years: “[Harrower] essentially terminated her literary career. She has said that she thinks of her fiction as something abandoned long ago, buried in a cellar. She can’t now be bothered with writing. ‘I don’t know anybody who knows I’m a writer,’ she said in 2012.”
- Against basic, the most modish putdown of 2014: “While what it pretends to criticize is unoriginality of thought and action, most of what basic actually seeks to dismiss is consumption patterns—what you watch, what you drink, what you wear, and what you buy—without dismissing consumption itself. The basic girl’s sin isn’t liking to shop, it’s cluelessly lusting after the wrong brands, the ones that announce themselves loudly and have shareholders they need to satisfy. (The right brands are much more expensive and subtle and, usually, privately owned.)”
September 11, 2014 | by Dan Piepenbring
- Young Americans at the library: do they even, like, get it, what with all their young-person gizmos and e-gadgets? They do, kind of. Among the findings of a new Pew survey: “Despite their embrace of technology, 62% of Americans under age thirty agree there is ‘a lot of useful, important information that is not available on the Internet,’ compared with 53% of older Americans who believe that … 88% of Americans under thirty read a book in the past year, compared with 79% of those ages thirty and older.” But: “36% of Millennials say they know little or nothing about the local library’s services, compared with 29% of those thirty and older.”
- Not unrelatedly: “In 1943, in the middle of the Second World War, America’s book publishers took an audacious gamble … over the next four years, publishers gave away 122,951,031 copies of their most valuable titles … By giving away the best it had to offer, the publishing industry created a vastly larger market for its wares. More importantly, it also democratized the pleasures of reading, making literature, poetry, and history available to all.”
- Fact: Tolstoy was, in 1910, captured on film. (Alas, by the time the talkie was invented, he was no longer among the living.)
- The history of “Can This Marriage Be Saved?”, the once-thriving advice column from Ladies’ Home Journal: “For a modern reader of the column’s 1950s and sixties archives, it’s hard not to be horrified by the complete and utter awfulness of many of the husbands … more shocking still are the counselor’s responses. No matter how bad it got, the counselor always managed to find a way to blame the woman for the couple’s problems.”
- Before the Man Booker Prize shortlist, with only two of its six authors hailing from the U.S., was announced, defeatist British novelists feared the list would be overrun with Americans. “Why did they assume their American counterparts were better? Or if they thought Americans were just different, why did they assume judges would prefer the game the Americans were playing? Saul Bellow is dead. John Updike is dead. David Foster Wallace is dead, and Philip Roth has made announcing his retirement a full-time job.”
June 25, 2014 | by Dan Piepenbring
The old girl kept writing and complaining about the police. It was enough to start Townrow on a sequence of dreams. Night after night he floated in the sunset-flushed, marine city. He could smell the salt and the jasmine. He dreamed that Mrs Khoury, Mr Khoury and he were all sailing out of the harbor in a boat that slowly filled with water. He dreamed he was in a hot, dark room with a lot of men who argued and shouted. It must have been in the Greek Sailing Club because when a door opened there were oars and polished skiffs; and opposite, high over Simon Artz’s, of the other side of the Canal, was Johnnie Walker with his cane and his top hat setting off for Suez. Or was it the Med.?
So begins P. H. Newby’s Something to Answer For, the 1969 novel that won the first-ever Booker Prize. “The Booker was not, as it is now, a high media event,” Anthony Thwaite wrote in an obituary for Newby in 1997. “I remember the then–sales director of Faber & Faber, the book’s publisher, telling me that the prize probably resulted in no more than about four hundred extra copies.”
That’s a shame, because Newby, who was born today in 1918, deserved, and deserves, more attention. Graham Greene called him “a fine writer who has never had the full recognition that he deserves,” and that’s as true now as it was in Newby’s lifetime. Very few of his twenty novels are still in print; in the whole of The Paris Review’s archive, his name comes up only once, in Truman Capote’s 1957 Art of Fiction interview: “Well, who are some of the younger writers who seem to know that style exists? P. H. Newby, Françoise Sagan, somewhat.”
In additional to his success as a novelist, Newby enjoyed a long career as a broadcast administrator—he rose through the ranks to become the managing director of BBC Radio. He lived in Cairo from 1942 until 1946: it was “like living in a human laboratory, in which there were no inhibitions,” Thwaite writes, and it informed a number of his novels, Something to Answer For among them. Read More »
September 19, 2013 | by Justin Alvarez
- Booktryst highlights well-known lepidopterist Vladimir Nabokov’s butterfly drawings.
- Has the Royal Hall from Beowulf been found? Archaeologists believe they now know the location of the hall where Hrothgar’s warriors once feasted.
- Cal O’Mara, Jerry Potts, Bob Lang: author D. W. Wilson lists the top ten absent fathers in literature.
- In feline book news, a cat procures the job title of “assistant librarian” at a Russian library. Perks include a raise in packs of cat food a month and “a spiffy bow tie.”
- “Well, that’s the end of the Booker Prize, then.”
April 2, 2012 | by John Banville
Our Spring Revel will take place tomorrow, April 3. In anticipation of the event, the Daily is featuring a series of essays celebrating Robert Silvers, who is being honored this year with The Paris Review’s Hadada Prize.
“I first met Robert Silvers in 1989 at a party that George Plimpton gave for me at his apartment on Sutton Place.” It would be hard to exaggerate how gratifying it is to be able to write down such a sentence. Those were heady days. My novel, The Book of Evidence, had been shortlisted for that year’s Booker Prize, and I was riding on the crest of a wave that, as it turned out, would quickly run into the sands, though the ride was fine while it lasted. I may not have been exactly the toast of New York, but an evening at George’s place that included an encounter with the editor of The New York Review of Books was bubbly enough for me.
Bob that night inquired where I was staying in New York and said he would “send something round.” When I got back to my hotel room there was a parcel waiting for me, containing Denis Donoghue’s memoir Warrenpoint, along with a note from Bob asking if I would write on it for the NYRB. At least, that was what it seemed to be asking, for this was my first experience of Bob’s handwriting and it took a good ten minutes of peering and squinting before I had deciphered enough of the message to guess at the overall import.
I have had many notes from Bob since then, most of them brief and all of them hard to read, but never less than courtly in tone. The few longer ones have tended to be typed, on what is evidently a real typewriter. This last is oddly comforting; somehow a man who continues to type is a man one can trust. Read More »
October 25, 2011 | by Miranda Popkey
The writer Anne Enright, a native of Ireland, is perhaps best known for her 2007 Booker Prize winning novel The Gathering, a darkly beautiful novel about a family gathering in the wake of a suicide. In The Forgotten Waltz, her fifth novel and her first since winning the Booker, she takes up a seemingly more mundane plot: that of adulterous love. Gina, married to Conor, narrates her affair with Séan—himself married and father to a troubled daughter, Evie—which comes to a head as Ireland’s economy collapses.
It’s an affair whose outcome is known from almost the very first pages, and Enright is not interested in judging Gina or Séan—Gina believes, ultimately, that there is nothing to forgive and, if Enright does not agree with her outright, she makes Gina a sympathetic enough character that it is possible for the reader to do so. The considerable narrative pleasures of this novel lie in Enright’s luminous language, as she sketches Gina’s attempts to figure out what happened and how and why. The author, who has a quick wit and a hearty laugh, as well as a refreshingly no-nonsense attitude, spoke to me recently from the West Coast, where she was on book tour. Read More »