Posts Tagged ‘Bob Dylan’
May 22, 2014 | by Dan Piepenbring
- Was Frank O’Hara the social-media whiz of his day? Well … “O’Hara’s Lunch Poems—like Facebook posts or tweets—shares, saves, and re-creates the poet’s experience of the world. He addresses others in order to combat a sense of loneliness, sharing his gossipy, sometimes snarky take of modern life, his unfiltered enthusiasm, and his boredom in a direct, conversational tone. In short, Lunch Poems, while fifty years old, is very a 21st-century book.”
- With apologies to Keats, beauty is likely not, in fact, truth; nor, by transitive property, is truth beauty. “The discourse about aesthetics in scientific ideas has never gone away … Today, popularizers such as Greene are keen to make beauty a selling point of physics … the quantum theorist Adrian Kent speculated that the very ugliness of certain modifications of quantum mechanics might count against their credibility. After all, he wrote, here was a field in which ‘elegance seems to be a surprisingly strong indicator of physical relevance’ … We have to ask: what is this beauty they keep talking about?”
- “The Chinese name diseases based on symptoms, so diabetes is known as ‘sugary pee.’” A few doctors wish to remedy this.
- “Beginning in the late 1930s, Richard Edes Harrison drew a series of elegant and gripping images of a world at war, and in the process persuaded the public that aviation and war really had fundamentally disrupted the nature of geography … Harrison dazzled readers of Fortune with artistic geo-visualizations of the political crises in Europe and Asia. The key decision he made was to reject the Mercator projection, which had outlived its purpose.”
- The anxiety (and ecstasy) of influence in Bob Dylan: “With the help of Google Books, Scott Warmuth, a fan from New Mexico, has been delving deeper into Dylan’s recent writing and finding all kinds of odd, uncredited borrowings. Passages from Dylan’s memoir, Chronicles: Volume One (2004), were taken from disparate sources: from H. G. Wells, Jack London, Hemingway, and Fitzgerald; from Tony Horowitz’s nonfiction book “Confederates in the Attic,” a travel guide about New Orleans, and an issue of Time, from 1961 … Dylan’s ‘appropriations were not random. They were deliberate. When Scott delved into them, he found cleverness, wordplay, jokes, and subtexts.’”
September 5, 2013 | by Jonathan Franzen
This week, to celebrate the launch of our Fall issue, we will preview a few of our favorite footnotes from “Against Heine,” Jonathan Franzen’s translation of the Austrian writer Karl Kraus. Click here to get your subscription now!
And Heine had a talent for being embraced by young souls and thus associated with young experiences.48
48 J. D. Salinger might be an example of an American writer whose reputation has similarly benefitted from being read in people’s youth. But consider here, too, the periodic arguments from Bob Dylan fans that Dylan deserves the Nobel Prize in Literature.
June 18, 2013 | by Sadie Stein
March 14, 2013 | by Matt Domino
No one under the age of fifty really listens to Frank Sinatra anymore. Like anything else, there may be exceptions to this fact, but overall it’s true. Frank Sinatra is a legendary artist whose work will always be enjoyed and referred to. However, his era of direct relevancy is obviously long gone, and his era of anecdotal relevancy is starting to fade.
We associate Frank Sinatra with a bygone era of America, a time of guys and dolls, a time when people would swing and dance and when the lounge singer was king. Sinatra’s unique talent was maintaining this vision even as it eroded away over time—to make you feel old-fashioned feelings in a modern era. Sinatra’s heyday was from the late forties to the late fifties, yet he recorded “New York, New York” in 1977. And “My Way” makes you feel like a proud man looking over the skyline of post–World War II Manhattan, even in 2013.
Still, Sinatra’s most overlooked achievement is perhaps the one album he made that did not feel as though it was evoking the era he loved or knew the most. In 1969, the same year that Frank Sinatra recorded “My Way,” he released an album called Watertown. Chances are, even some of the biggest Sinatra fans—like my grandparents and great aunts and uncles—have forgotten about Watertown. But Watertown is Frank Sinatra’s best album and his most enduring contribution to American culture. Read More »
February 20, 2013 | by Sadie Stein
While we can’t pretend to have actually asked the question, “What if best-selling albums had been books instead?”, we can all agree that the answer, from British designer Christophe Gowans, is brilliant. (We’d suggest The White Album, but, well.)
January 16, 2013 | by Jessica Gross
In October, Marie-Helene Bertino published her debut collection of short stories, Safe as Houses. Her writing often involves fantastical elements—an embodied idea of an ex-boyfriend, an alien who faxes observations about human beings to her home planet, a woman who brings Bob Dylan home for Thanksgiving dinner—that advance painful story lines. Her language is spare, direct, and hilarious, which makes the characters’ losses that much more deeply felt. Bertino is now at work on a novel centering on a jazz club in Philadelphia called the Cat’s Pajamas.
We spoke for two hours in a Brooklyn coffee shop, which was flooded with girls on their lunch break from school.
Reading Safe as Houses, I was struck by the number of characters who aren’t really seen by others. By the last few stories, the characters start to become more visible. Does that theme ring true to you?
I would totally agree with that, though I was not conscious of it. I was aware that a lot of characters were on the outskirts of something—of their towns, their groups of friends, their families, their societies. And at the risk of sounding cliché, I think that’s a metaphor for being a writer. I mean literally and figuratively—you have to stand on the outside to watch a group of people and then be able to write about them, but in practice, it’s also a solitary art, as they say. And I think that those characters definitely are a reflection of that kind of observer quality in me.