Posts Tagged ‘Belgium’
April 2, 2015 | by Dan Piepenbring
The Belgian artist Hans Op de Beeck’s new show, The Drawing Room, opens tonight at Marianne Boesky Gallery. Among its sculptures and watercolors—painted after nightfall, when “all of the machines in his studio were switched off, the phones stopped ringing, and his staff had left”—is a fifteen-minute animated film, Night Time, produced from some six years of paintings. These three stills give a sense of its perturbing, placid, faintly vatic style: they read as a series of nocturnal establishing shots, each a study in tranquil desolation. They put me in mind of Daniel Lopatin’s synthesizer composition “Zones Without People.” “I just like the spectator to be on his or her own,” the artist told Elephant Magazine in 2011. “Having a fictional or fantasy character sitting there would be like an interruption.”
The Drawing Room shows through May 2. Read More »
January 21, 2015 | by Dan Piepenbring
- “They lost their identity … We’re going to give it back to them.” In which the New York City medical examiner’s office teams up with fine art students in a last-ditch effort to ID crime victims: “Each student was given a skull—a replica made by the medical examiner’s office of each victim—and a block of clay to sculpt a face. The students were told to incorporate whatever information investigators recorded in finding and examining the skeleton, including estimates of the victim’s age and height, maybe a hair type or style, and possible clothing sizes.” (Listen to the sound of hundreds of television executives thinking, Could this be our next big crime series?)
- Leslie Jamison on the enigma of natural beauty in Whitman’s Specimen Days: “Part of our pleasure in reading his book … is not just feeling close to his sensory perceptions, but feeling invited more deeply into our own—to feel the world more fully in all its snorting ice and malachite cabbages and whirling locusts and wriggling worms.”
- In the thirties, a Grade A swinging-dick asshole named Harry Anslinger took over the Federal Bureau of Narcotics, then on the verge of being dissolved. So he set himself a reasonable goal: lock away Billie Holiday for drug abuse. Jazz to him sounded “like the jungles in the dead of night.” His agents wrote that “many among the jazzmen think they are playing magnificently when under the influence of marihuana but they are actually becoming hopelessly confused and playing horribly.”
- In sci-fi, where exactly do the science and fiction collide? “Science writing isn’t the same as fiction writing. Sometimes people who read popular science about scientific theories like loop quantum gravity say ‘it’s like reading science fiction.’ But no, it isn’t.”
- Painting and boozing in Belgium: Two years after Waterloo, J. M. W. Turner “visited the Belgian battlefield where the Brits, Prussians, Dutch and Belgians finally put paid to Napoleon’s dreams of empire. The resulting painting, an unnerving clash between dark, roiling clouds and corpses illuminated by the torches of the bereaved, is no paean to victory … What does a thirsty man—which Turner was, by all accounts—drink after a day sketching carnage?”
July 2, 2014 | by Jonathan Wilson
Americans are learning how to lose, and soccer is teaching them how to do it. For the longest time, second place in any competition, domestic or international, has been regarded in the USA as a disaster of unmitigated proportions. (Third was not even worth acknowledging.) While other countries celebrated their silver or bronze medals with parties and parades, American commentators thrust microphones into the faces of the “losers” and asked, sotto voce and with unconcealed disappointment, “What happened?” or “What went wrong?”
But this time around, American irreality, with its dangerous admixture of heady confidence—recall that Times poll, which revealed that a majority of fans in only three countries believed their nation would win the World Cup: Brazil, Argentina, and … the USA?—and its obliviousness of “failures,” has not translated into terminal disenchantment with the U.S. team. Okay, they lost to Belgium, the smallest country (in terms of land mass) in the competition, but the goalkeeper, Tim Howard, put on one of the greatest displays in the history of international football. The team fought until the very end, scored a fine goal, and almost forced the game to penalties. Americans may have thought—absurdly? endearingly?—that their team was going to win the whole shebang, but when it didn’t, they were content to take their place among the multitude of also-rans.
This is extraordinarily good news, psychologically, philosophically, and maybe even in terms of foreign policy. In a way, it made the front page of most papers this morning. Few journalists reporting on the game, or on President Obama’s supportive tweets, failed to observe the good-spirited way in which the team’s fans, both locally and abroad, took the loss. If the U.S. can come to terms with the fact that it doesn’t have to be No. 1 in everything, who knows how far this new humility will take it?
Of course, the loss was made easier to swallow by Howard, who broke the record for saves in a single World Cup match—and they were quality saves, to boot. Howard was by turns brave, acrobatic, positionally astute, commanding, and almost invincible. In Howard, Americans discovered a true hero … and he was a loser.
So now that Belgium, in the powerful form of Romelu Lukaku, has turned out the light, is another big switch soon to be flipped? Last night ESPN culled the highest overnight TV rating ever for a World Cup game. There were 25,000 at Soldier Field in Chicago, outdoor screens and crowds all across the country, riveted attention in offices, packed bars. Is the nation so fickle that France vs. Germany and Brazil vs. Colombia will now hold no interest?
All the signs point in the other direction—and FIFA is already mooting the possibility of the U.S. hosting the World Cup in 2026, smack in the middle of Chelsea Clinton’s second term.
Jonathan Wilson’s work has appeared in The New Yorker, Esquire, The New York Times Magazine, and Best American Short Stories, among other publications. He is the author of eight books, including Kick and Run: Memoir with Soccer Ball. He lives in Massachusetts.
July 1, 2014 | by Rowan Ricardo Phillips
The United States plays Belgium today in the round of sixteen, with the winner moving on to the quarterfinals of this 2014 World Cup. It’s an accomplishment the U.S. has only managed once before, in 2002, by beating Mexico, before losing a tightly contested match to Germany, the eventual tournament runners-up. Belgium has gone further—they arrived as far as the semifinals in 1986 before succumbing to two Diego Maradona goals and then losing to France 4-2 in extra time in the consolatory third-place game. That was an extraordinary Belgian side: Enzo Scifo, Eric Gerets, Jean-Marie Pfaff in goal, Jan Ceulemans. Since then, Belgium has fared no better in the World Cup than the U.S. has—three exits at this very same round of sixteen, one exit at the group stage, and, in 2006 and 2010, a failure even to qualify for the tournament. The U.S. hasn’t missed a World Cup since, coincidentally, 1986.
During those bleak years of nonqualification, something was quietly cooking in Belgium: a second golden generation of topflight players that would be the envy of any nation. Now they have arrived. They may lack a little something special in their midfield, but that’s a mere quibble. They are not only an embarrassingly deep side—they’re also the third youngest squad in the tournament, and the youngest still standing. There would be no shame in the U.S. losing to a side as good as Belgium, especially not at such rarefied heights; by the time of kickoff today, there will be only nine teams left.
Yet there’s a beautiful, mind-bending quality to the self-belief of this U.S. team, no matter how many passes they misplace. You can’t blame them for thinking Belgium is there for the taking. As good as the Belgium roster may be, they haven’t been very good in the tournament thus far, having squeaked out very late wins in all three of their matches without showing much cohesion in the process. They play in the formation of choice these days, 4-3-3, but as I said above, they lack fluidity and hierarchy in the middle three; their wide defenders are central defenders by trade and don’t provide much elaboration on offense. These constant headaches have obliged their best attacking player, Eden Hazard, to drop deep and look for the ball, causing a bottleneck in the middle of the field. Pure, outrageous talent has gotten them through. Their coach has said that all of this is intentional, that they’ve paced themselves in the heat, have sought to avoid doing anything rash, and have then, at the end of the game, put their foot on the accelerator. He’ll be in New York selling the bridges along the East River at the end of July. Read More »
April 1, 2013 | by Simon Akam
Nine weeks ago, a frigid, low-pressure system deposited some six inches of snow on central Belgium. On a Tuesday evening my girlfriend returned from work to her parents’ house outside Brussels and attempted the construction of a snowman in the garden. The process was unsuccessful; it was very cold and the snow was dry powder, with none of the cohesive properties required for the manufacture of what the Flemish call a sneeuwman. Abandoning the original project, my girlfriend sat down on the submerged lawn. As her body reached this thrillingly accessible position her dog attempted to mount her, over and over again. He would not desist. Exasperated, my girlfriend made a decision she had long toyed with. She condemned his balls. Read More »