Posts Tagged ‘Bastille Day’
July 14, 2016 | by The Paris Review
George Plimpton loved Bastille Day. He also loved the Fourth of July and Saint Patrick’s Day—any event, really, that occasioned a parade and the shooting off of fireworks. “Ecstasy after ecstasy” and “transfixed with joy” is how his friends have described his appreciation for the colorful explosions. We’d like to think that Bastille Day was special for him: Paris was, of course, where the magazine was born. The storming of the Bastille is a decidedly different venture from initiating a literary magazine, but our founders had revolution in mind.
To celebrate the Republic and the Review, we’re offering our most Parisian issues (judging by their covers, anyway) at a discount. Through midnight tomorrow (July 15), use the code BASTILLEDAY to get 40% off all the issues in this collection. Details below. Read More »
July 15, 2013 | by Ted Scheinman
So hangs it, dubious, fateful, in the sultry days of July. It is the passionate printed advice of M. Marat, to abstain, of all things, from violence. Nevertheless the hungry poor are already burning Town Barriers, where Tribute on eatables is levied; getting clamorous for food.
—Thomas Carlyle, History of the French Revolution
The old saw that “an army marches on its belly” was blunted on July 14, 1789, as a half-starved, bibulous mob overran the walls of the Bastille, the Bourbon kings’ infamous political prison-turned-armory. Leaders of the rabble were more excited about hoarding gunpowder and fusils than about liberating the prison’s seven remaining, apparently apolitical inmates. Over the next two centuries, La Fête Nationale (or simply “le quatorze Juillet”) has metastasized from a Gallic celebration of freedom to a worldwide excuse for holding a multiday anarchic party, ideally with decent wine and minimal casualties. Read More »
July 14, 2011 | by Lorin Stein
You’re probably still in bed, or finishing up a short story, but here in Paris it’s four o’clock; across the street from my hotel the bells of Nôtre Dame are playing “Three Blind Mice”; and I owe you an update from the Ville-Lumière.
It’s my first time here in years, since the indoor smoking ban in fact, but no sooner did I get through customs than I started craving a cigarette. I think it must be the strain of reading airport signs in French. This craving intensified in the taxi. By the time I got through breakfast at a tourist café on Saint Germain—jambon beurre, three cafés crèmes—it was time for a Gauloise Blonde and a nap.
My hosts at Shakespeare & Co. kindly booked me a room around the corner from the famous shop. Mine is the best room the Hotel Esmeralda has to offer, and one of the highest, smelling faintly but not unpleasantly of blow-dryer and dead mouse. It is five flights up. Reaching the top of the stairs, I dropped my bag, conked out, and dreamed of Robert Silvers: he had climbed up after me to inquire about an essay he had written on the early history of The Paris Review—an essay slated to run in our last issue, but it hadn’t.
This anxiety dream is easy to explain. You see, on the flight over I’d been reading a doctoral dissertation, Enterprise in the Service of Art: A Critical History of The Paris Review, 1953–1973, in preparation for my talk at the bookstore: “The Paris Review: Past, Present, Future.” I had taken plenty of notes, but nothing that added up to a talk.