Posts Tagged ‘Bangkok’
July 24, 2015 | by The Paris Review
A memorial service for James Salter will be held at five P.M. on Tuesday, July 28, at the Unitarian Church of All Souls in New York. All members of the public are welcome to attend.
Salter, who died last month, was a longtime member of the Paris Review family. His first published short story, “Sundays,” appeared in The Paris Review no. 38, and he followed with four others (“Am Strande von Tanger,” “Via Negativa,” “The Cinema,” and “Bangkok”); his third novel, A Sport and a Pastime, was published by Paris Review Editions in 1967; his Art of Fiction interview appeared in the magazine in 1993; and he won the Hadada Prize, The Paris Review’s lifetime-achievement award, in 2011—where he announced to the admiring crowd, “This is my Stockholm.”
Jim will be missed by all of us at the Review and by his many Paris Review colleagues from years past. We hope you’ll join us—and his family and many friends—in celebrating his life at his memorial on Tuesday.
April 15, 2013 | by Lary Wallace
In the study of the Jim Thompson House & Museum in Bangkok, just above Thompson’s old desk, are two separate horoscopes, foretold and framed, hanging on the wall. One of them predicts good luck in 1959, the year Thompson chose to move into this house, retired from the U.S. Army and the Office of Strategic Services (OSS), having already relocated to Bangkok and gotten rich revitalizing the Thai silk industry. The other horoscope included in the frame predicts bad luck at the age of 61 for he who was born in the Year of the Horse. Thompson had been born in the Year of the Horse, and in 1967, at the age of 61, he went for a walk in the woods of Malaysia just south of here and never came back. Not even his remains have ever been found.
Thompson’s house is now a museum, although during his lifetime this city would never have accommodated such a thing. He perfected a popular silk that was better than other silks—a silk cut from lengthier cloths and colored by stronger and faster-acting and better-varied dyes. When it was chosen for all the silks used in the movie version of The King and I (1956), it became more popular still. At the time, Thailand had given up on its own silk industry, importing a cheaper fabric from other countries. The localized empire Thompson established would improve the lives of Bangkok’s citizenry, handsomely employing them in a business benevolently run. Still, his enemies were legion, and they extended all the way up into society’s highest strata. The mystery of just why and how Thompson disappeared, and by the agency of whom, is one that persists still and probably always will.
March 2, 2012 | by Matteo Pericoli
A series on what writers from around the world see from their windows.
My study window looks out over an incongruous jungle located in the heart of Bangkok. As the rest of the neighborhood is dominated by high-rises and townhouses that have sacrificed yards for concrete parking spaces, all remaining wildlife seems to gravitate to our garden. Myopic fantail birds tap against the windowpanes, squirrels chew on the frayed corners of the shutters, and neon-green tree snakes sunbath silently in the rain gutters. (I keep the number of a local snake catcher in my phone, as the lack of rats suggests the presence of a well-fed python somewhere in the vicinity.)
There is another type of wildness here, too. The ficus tree on the right-hand side of this drawing is where the house spirits now reside. At the advice of a fortune-teller, a tricolored band of cloth was tied around its trunk not long after we moved in. In accordance with Thai custom, regular offerings of food and flower garlands are laid out for the spirits so that they might be enticed to exist outside the house, rather than inside—a practice that has put a stop to most (but not all) of the inexplicable shadows and footsteps that flit through these old wooden rooms.
This scene encompasses both the wild and the urban, the known and the unknown. It reminds me that the dividing line between fact and fiction is less clearly defined here in Thailand and that the boundary between the two is porous. In such a place, stories thrive. —Emma Larkin