Posts Tagged ‘babies’
April 2, 2014 | by Dan Piepenbring
- “Delicious, unkosher, dark, vague, the Cloud / Of Mexico Pork threatens our borders.” In a new forum, John Ashbery, Cathy Park Hong, Charles Bernstein, Robert Pinsky, Rae Armantrout, and others contribute poems about the surveillance state in the twenty-first century. (Those lines are Pinsky’s.)
- Good news for grad students reluctant to enter academia: “Humanities Ph.D.s are all around us—and they are not serving coffee.”
- The Mets blew what now? An unfortunate headline teaches us the everlasting value of commas.
- Anyone who worships at the altar of user experience will wince at these designs by Katerina Kamprani, who has made it her task to suck the utility out of everyday objects.
- One man’s strangely inspiring search for a vocation: “He started the Restroom Association of Singapore to clean up the public toilets. People loved it. He then realized there were fifteen toilet associations around the world, in cities in Britain and Germany and Japan and some other places, too, but no world headquarters. So he started the World Toilet Organization … and that is how Jack Sim became the Toilet Man.”
- A brief history of naked babies in fashion magazines.
March 18, 2014 | by Sadie Stein
Since I wish to spare you the disappointment I myself experienced Sunday morning, I’m going to give it to you straight. Despite what the New York Times headline—“A Star Was (Recently) Born: A Play Boldly Casts Babies”—may imply, the current production of A Doll’s House at the Brooklyn Academy of Music does not feature an all-baby ensemble. The baby in question plays Nora’s youngest child, and merely makes a brief cameo, apparently sporting a sheepskin vest.
It’s not that I don’t understand the risks inherent in having a real baby onstage, or the novelty of going for verisimilitude in a role customarily played by a doll. But having had five seconds of imagining baby Ibsen, it was hard to go back. Those five seconds were some of the most glorious of my life. Read More »
March 5, 2014 | by Sadie Stein
Once upon a time, a very nice couple whom I didn’t know very well threw some kind of party. I can’t remember what the occasion was, but I do know that they lived in a nice apartment near the Broadway-Lafayette F stop, and that I went to the party with a former boyfriend. It proved to be a memorable evening.
We made small talk with lots of nice people. At some point we found ourselves clustered together with two other couples; at least one component of each was an architect. Some public figure had just come out as gay, and one of the guests said something innocuous about the importance of being true to oneself.
“Oh, I agree,” said one of the women, blandly. “Take my father-in-law, for instance. It wasn’t until he got terminal cancer that he was able to tell the world who he really was.”
“What was that?” said my ex-boyfriend. Read More »
April 4, 2013 | by Sadie Stein
Alexandra Socarides of The Los Angeles Review of Books’s has a lovely and informative piece on “New Colossus,” the Petrarchan Emma Lazarus sonnet that famously adorns the pedestal of the Statue of Liberty. We learn about the poet and the poem’s formal and political import; Socarides frames “New Colossus” as a bold statement for immigrant reform and tolerance, Lazarus herself as an engaging figure worthy of study.
My own history with the iconic poem is less exalted. I remember distinctly the first time I heard it: I was three years old, in bed with one of the migraines that had arrived with the news of my mother’s pregnancy with a new brother. My father read me the poem, his voice choked with emotion, explaining that it had heralded my great-grandparents’ arrival in New York. Then he left me to sleep, drugged with pain and the red liquid children’s Tylenol that always stained the sheets.
When I woke up a few hours later, cautiously better, the words were still in my head. “Yearning to breathe free …” I thought.
I wandered into the other room, where my parents were sitting on the bed with my new baby brother, hideous and red-haired. My father was making a videotape with his Betamax camera, not that the baby was doing anything interesting. I casually stripped off my cotton underpants, lay down on the bed, and began kicking my legs in the air.
“Look at me!” I said. “Look at me!”
“Sadie, put on your underpants,” said my mother.
“But, Mama!” I cried. “I’m yearning to breathe free!”
The baby rolled or something.
“MY VAGINA IS YEARNING TO BREATHE FREE!” I shouted, in case they’d missed it.
“Today, Charlie is four months old,” my dad was narrating. “We are on Seventy-Sixth Street. Sadie, would you like to say something to the camera?”
“Camera!” I screamed. “MY VAGINA IS YEARNING TO BREATHE FREE!” I waved my legs in the air vigorously.
“Enough with the vagina, Sades,” said my dad.
This is all on videotape. I recently saw it when I took a bunch of Beta tapes to be digitized. I apologize to Emma Lazarus.
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”
December 12, 2012 | by Sadie Stein
Here at The Paris Review, we have all your holiday shopping covered! And for the youngest Parisians among us, we bring you our adorable onesie, in 100% cotton, with a hand-drawn logo. Your choice of custard or baby blue. Get yours here!