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Posts Tagged ‘authors’

Where Are They Now? Part Five

August 29, 2014 | by

The last in a week-long series of illustrations by Jason Novak, captioned by Eric Jarosinski.

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Where Are They Now? Part Four

August 28, 2014 | by

The fourth in a week-long series of illustrations by Jason Novak, captioned by Eric Jarosinski.

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Where Are They Now? Part Three

August 27, 2014 | by

The third in a week-long series of illustrations by Jason Novak, captioned by Eric Jarosinski.image_8

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Where Are They Now? Part Two

August 26, 2014 | by

The second in a week-long series of illustrations by Jason Novak, captioned by Eric Jarosinski.

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Where Are They Now? Part One

August 25, 2014 | by

The first in a week-long series of illustrations by Jason Novak, captioned by Eric Jarosinski.

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Authors Can’t Make Ends Meet, and Other News

July 10, 2014 | by

Hobos

Photo: Library of Congress

  • New statistics—the Guardian calls them not “shocking” but “ ‘shocking’ ”—suggest that “the number of authors able to make a living from their writing has plummeted dramatically over the last eight years, and that the average professional author is now making well below the salary required to achieve the minimum acceptable living standard” …
  • … So why are authors undervalued? If they’re “reluctant to see what they do as a real job, deserving of a real salary, then who can blame the public for taking advantage of their work? … In the dark old days, the storyteller always had the best place by the campfire. Those days may be gone, but the power of story remains.”
  • On palimpsests, digital reading, and erasable books: “To make a kind of loose analogy between a palimpsest and modern technology, computers often use a codec, or program that transfers information from one format into another, and a codec often loses content when moving between formats … What information are we devaluing now?”
  • Talking to Richard Linklater about his new movie, Boyhood, which was filmed over twelve years as its lead grew into an adult: “There would be few big moments. Instead, Linklater sought out the small truths of youth: friends lost forever after a move, adult choices children can’t understand, dull shifts at minimum-wage summer jobs. Passivity—not drama—dominates Mason’s days … Linklater admits he’s ‘at war’ with traditional narrative.”
  • Who’s the better prognosticator, Isaac Asimov or Tyra Banks?

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