Posts Tagged ‘asylums’
May 7, 2015 | by Dan Piepenbring
- In defense of Kim Kardashian’s book of selfies, which is “arguably emblematic of the disruptions in image production and consumption that have taken place over the past decade on a significant, even revolutionary level”: “Though their circumstances are hardly comparable, the Kardashians, like the Brontës, are a family of creative women, in the business of conducting narratives in which men come and go, but female relationships remain constant and meaningful.”
- Harold Bloom presides over a tour of his stuffed animals: “Well, there’s Valentina, the ostrich, named after Valentinus, second-century author of The Gospel of Truth … this little baby gorilla, well, we call Gorilla Gorilla. And there is that famous original A. A. Milne donkey, Eeyore, and the last of our boys here, Oscar, the duck-billed platypus, named in honor of my hero, Oscar Wilde.”
- We’re not in the habit of dispensing financial advice—we’re a nonprofit, after all—but if you’ve got 3.25 million quid just lying around, and you’re an extravagant person, you could do worse than buy this old manor house, once featured in Thomas Hardy’s The Trumpet-Major.
- You could also do better, though. Say, by preserving one of America’s stately, nineteenth-century mental asylums, of which only fifteen remain. New Jersey’s Greystone Park Psychiatric Hospital, for instance, built in 1876, is on the verge of demolition, despite its obvious historic significance.
- Faulkner got the idea for Pylon, his underrated novel about daredevil fliers, from a conversation with Howard Hawks, in Hollywood: “I said, ‘Why don’t you write about some decent people, for goodness’ sake?’ ‘Like who?’ I said, ‘Well, you fly around, don’t you know some pilots or something that you can write about?’ And he thought a while, and he said, ‘Oh, I know a good story. Three people—a girl and a man were wingwalkers, and the other man was a pilot. The girl was gonna have a baby, and she didn’t know which one was the father.’”
April 22, 2015 | by Andrew Scull
Depictions of insanity through history.
Modern psychiatry seems determined to rob madness of its meanings, insisting that its depredations can be reduced to biology and nothing but biology. One must doubt it. The social and cultural dimensions of mental disorders, so indispensable a part of the story of madness and civilization over the centuries, are unlikely to melt away, or to prove no more than an epiphenomenal feature of so universal a feature of human existence. Madness indeed has its meanings, elusive and evanescent as our attempts to capture them have been.
Western culture throughout its long and tangled history provides us with a rich array of images, a remarkable set of windows into both popular and latterly professional beliefs about insanity. The sacred books of the Judeo-Christian tradition are shot through with stories of madness caused by possession by devils or divine displeasure. From Saul, the first king of the Israelites (made mad by Yahweh for failing to carry out to the letter the Lord’s command to slay every man, woman, and child of the Amalekite tribe, and all their animals, too), to the man in the country of the Gaderenes “with an unclean spirit” (maddened, naked, and violent, whose demons Christ casts out and causes to enter a herd of swine, who forthwith rush over a cliff into the sea to drown), here are stories recited for centuries by believers, and often transformed into pictorial form. Read More »
March 20, 2015 | by Brian Cullman
This was not quite what I’d expected.
I’d come to the psych wing of Butler Hospital, in Providence, Rhode Island, to present a music seminar or, more properly, a sing-along, as part of a community service requirement for my college. This was in the late seventies. I was in a brightly lit dining hall that smelled of tobacco and medicine. There were twenty-five or thirty folding chairs but only thirteen or fourteen patients, all of them sad and doughy, middle aged or older. I sat facing them on a gray wooden stool and looked out at the assembled not-quite crowd. They looked like retired firemen, metalworkers, or lunch ladies; men with mustaches, pensions, and bad habits; women with secrets; people who rode the bus, who stood in line and then stood in the same line again. I’d read The Bell Jar, some Randall Jarrell, and I had a vaguely romantic, if ill-defined, sense of life on the other side of what passes for sanity. But this was not a good advertisement for crazy. Read More »
September 7, 2011 | by Sadie Stein