Posts Tagged ‘Arthur Conan Doyle’
July 12, 2016 | by Luc Sante
Judging by its austere style, this picture might have been taken by a member of the Crewe Circle, a group of British spirit photographers active in the early twentieth century. It could possibly be the work of Ada Emma Deane (1864–1957), who was in her late fifties when she first started taking photographs that included the faces of the dead. Her career was tumultuous and brief. Although she apparently managed some two thousand sessions, fame and consequent downfall came to her in 1922, when she photographed the annual Armistice Day ceremony at the Cenotaph in London. The resulting picture shows the scene blanketed by a sea of faces, purportedly those of the war dead, hovering in vapor. The Daily Sketch, however, matched many of the faces with those of living athletes, including some as famous as the Senegal-born boxing champion Battling Siki. Despite her insistences and the support of the consistently credulous Arthur Conan Doyle, she became an object of public ridicule and retreated to her suburban faithful, whom she photographed with their “extras” for a few more years before fading into complete obscurity. Read More »
June 21, 2016 | by Jonathan Lee
The After Party, Jana Prikryl’s debut collection of poems, is divided in two. In the first half, the reader is mainly in New York, swaying between the modern and the classical, easing between Internet aphorisms and well-dusted literary lives; in half a dozen gently mocking, moving lines in “Ars Poetica,” we find ourselves falling from an observation about Kelly Oxford’s tweets into Arthur Conan Doyle and the history of spiritualism. The collection’s second half switches modes, and we find ourselves engaged with a long, bold sequence of fragments that carry an air of nostalgia. These later poems explore the natural world, the interplay between femininity and masculinity, and a lingering sense of not belonging. Perhaps it’s an odd comparison, but the closing sequence, “Thirty Thousand Islands,” made me think of Matisse and his 1940s cutouts: the preeminent sense of environment, but also the way that techniques of balance and contrast seem to give the work its structure and much of its impact. Read More »
September 21, 2015 | by Dan Piepenbring
- There are any number of prestigious opportunities available to freelance writers—footwear catalogs, restroom signage, pamphlets about flossing—but it takes a truly outstanding writer to land the best gig of them all: fortune-cookie writer, at seventy-five cents a pop. It’s exacting work. The fortunes “have to be general enough to make sense for any kind of customer, but at the same time, they can’t offend anyone … Companies keep databases of thousands of fortunes accumulated over years that they rotate on a regular basis to keep people from getting the same ones over and over. Coming up with original ideas when there are already ten thousand in the database—as there are, for example, at cookie manufacturer Wonton Foods—is a real challenge.”
- Stephen King on William Sloane, whose 1930s horror novels were the opposite of Lovecraftian: “Because they ignore genre conventions, Sloane’s novels are actual works of literature … In To Walk the Night, we discover that a disembodied brain—perhaps an alien from space, perhaps a human intelligence from another time-stream or dimension—has inhabited the body of an ‘idiot’ girl named Luella Jamison, transforming her vacuity into coldly classical beauty.”
- While we’re on horror: try reading The Hound of the Baskervilles when you have a profound fear of dogs. “My elementary school’s library had an edition of the book with a cover like this: a black dog with red eyes standing in a green hoary mist, spittle oozing from its jaws, while the vague silhouette of someone in a cloak (Sherlock Holmes?) lurks in the background. I was totally captivated and scared shitless by the horrific power of this book.”
- The lexicographer Francis Grose was the first to record phrases like fly by night and birds of a feather, in addition to other, non-flight-related idioms. His Classical Dictionary of the Vulgar Tongue deserves the same recognition as Johnson’s Dictionary, and its entries live up to its name: “Inebriation is well documented, with terms ranging from ‘Hicksius Doxius: Drunk’ and ‘Emperor: Drunk as an emperor, ie ten times as drunk as a lord’ to ‘Admiral of the narrow seas: One who from drunkenness vomits into the lap of the person sitting opposite him’. Other entries focus on bodily functions. There’s ‘Fizzle: A small windy escape backwards, more obvious to the nose than ears; frequently by old ladies charged on their lap-dogs’, as well as ‘Fart catcher: A valet or footman, from his walking behind his master or mistress.’ ”
- We all know that cops are putzes—but does this, in and of itself, explain their love for doughnuts? Is that love a symptom or a cause of their idiocy? The link between law enforcement and dough runs deep: “We’ve officially stuffed the protecting-and-serving citizens of our country with sugary pastries since at least World War I, when the Salvation Army sent female volunteers to France to cook doughnuts and bring them to the front … ”
March 19, 2015 | by Dan Piepenbring
- Melville’s first book, Typee, is, like most literary memoirs, a fraud: though he certainly ventured to Polynesia, many of the events in the book are clearly created out of whole cloth—and they suggest how little we really know about the events of Melville’s life. “There is no reason to believe that Melville didn’t witness clothmaking and woodcarving. However, the scene in which his friend Kory-Kory rubs a six-foot pole between his hands, as his back arches and muscles tense, until it bursts into flame, is most likely a metaphoric rendering of a different act (no record exists attesting to whether Thoreau tried this method at Walden).”
- While we’re talking fraud, Arthur Conan Doyle was set up—by the Staffordshire fuzz, no less. “Newly discovered documents show that the Staffordshire police fabricated evidence to try to discredit Arthur Conan Doyle’s investigation into the curious case of George Edalji, a Birmingham solicitor accused of maiming horses and sending poison-pen letters at the turn of the twentieth century.”
- Amazon’s Kindle Scout program— a “reader-powered” publishing platform in which authors submit their work and readers vote on it—is perpetrating a kind of fraud, too. It’s become “a murderously deft purveyor of books seemingly designed only to be inhaled like so many bibliographic nachos.” Is it the new center of reading as a camp experience? Or is it just shit? “The bigger problem with so-bad-they’re-good novels is that sometimes they’re just so bad they’re … bad. For every camp triumph on Kindle Scout, every daft splendor of weaponized pit bulls, you’ll find three corresponding duds.”
- Everyone loves a good art heist. The trick isn’t so much stealing a painting, though, as managing to sell it again when it’s known to have been stolen. “The misappropriation of masterpieces continues to have a distinctive hold on the public imagination, even as it becomes a type of criminal activity that’s both misunderstood and increasingly hard to pull off.”
- Among the fake self-help books hidden on shelves in an LA Bookstore: The Beginner’s Guide to Human Sacrifice, Learn to … Dress Yourself!, and So Your Son Is a Centaur: Coping with Your Child’s Confusing Life Choices.
July 18, 2014 | by Dan Piepenbring
- Javier Marías can think of seven reasons not to write novels, and only one reason to write them. (Fortunately, the one is pretty good.)
- A 540-year-old book—the first to be printed in English—has sold at auction for more than a million pounds. “The Recuyell of the Histories of Troye is a version of a French book written around 1463 … The story is an epic romance which portrays the heroes of Greek mythology as chivalric figures.”
- “I do own a pair of unusual books that I treasure … they are collections of poems, written by Howard Moss, poetry editor of The New Yorker from 1948 to 1987. They originally belonged to the poet May Swenson (1913–1989), who has been a favorite of mine since I stumbled on her “Half Sun, Half Sleep” in high school … Each is heavily underlined, in both pencil and ink—an emphatic, and ugly, green ink, seemingly more suited for some censorious schoolmistress than for Swenson, a nicely calibrated nature poet. Still, I take great pleasure in her scarring underscorings and in her occasional approving check mark or cryptic annotation.”
- The Supreme Court has refused to hear an “emergency petition” from Sir Arthur Conan Doyle’s heirs, who are seeking “indefinite copyright protection” for Sherlock Holmes and Dr. Watson.
- In which the novelist Scott Cheshire, an ex–Jehovah’s Witness, visits the Watchtower headquarters in Brooklyn: “I felt like throwing up, so I headed for the men’s room to pull myself together, pressed my face against the cold metal towel dispenser, and fainted.”
May 22, 2014 | by Dan Piepenbring
In celebration of Sir Arthur Conan Doyle’s birthday, have a look at these illustrations from the original serialization of his novel The Lost World, which appeared in The Strand Magazine from April through November of 1912. Conan Doyle’s novel tells of an expedition to South America, where—wouldn’t you know it?—dinosaurs still roam the earth. Everyone associates Conan Doyle with Sherlock Holmes, but The Lost World also left its mark on popular culture: though Conan Doyle borrowed a large part of its conceit from Jules Verne, it remains the paradigm for a sort of swashbuckling supernatural adventure, full of bumbling professorial types and out-of-their-depth journalists and strapping, granite-abdomened men in pith helmets. It’s served as the source material for everything from The Land That Time Forgot to Land of the Lost and plain old Lost, and, of course, for Michael Crichton’s The Lost World, the sequel to Jurassic Park.
This is no country for Jeff Goldblum, but these illustrations, full of terror and adventure, do seem like the sort of thing Steven Spielberg and George Lucas might have hanging in their offices—and there’s definitely something of that Industrial Light & Magic awe in Conan Doyle’s vivid description of a pterodactyl nest:
Creeping to his side, we looked over the rocks. The place into which we gazed was a pit, and may, in the early days have been one of the smaller volcanic blow-holes of the plateau. It was bowl-shaped, and at the bottom, some hundreds of yards from where we lay, were pools of green-scummed, stagnant water, fringed with bulrushes. It was a weird place in itself, but its occupants made it seem like a scene from the Seven Circles of Dante. The place was a rookery of pterodactyls. There were hundreds of them congregated within view. All the bottom area round the water-edge was alive with their young ones, and with hideous mothers brooding upon their leathery, yellowish eggs. From this crawling flapping mass of obscene reptilian life came the shocking clamor which filled the air and the mephitic, horrible, musty odor which turned us sick. But above, perched each upon its own stone, tall, grey, and withered, more like dead and dried specimens than actual living creatures, sat the horrible males, absolutely motionless save for the rolling of their red eyes or an occasional snap of their rat-trap beaks as a dragon-fly went past them. Their huge membranous wings were closed by folding their forearms, so that they sat like gigantic old women, wrapped in hideous web-colored shawls, and with their ferocious heads protruding above them. Large and small, not less than a thousand of these filthy creatures lay in the hollow before us.