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Posts Tagged ‘Arthur Conan Doyle’

Fraud, Fraud, More Fraud, and Other News

March 19, 2015 | by

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An illustration by A. Burnham Shute for Melville’s Typee, 1892.

  • Melville’s first book, Typee, is, like most literary memoirs, a fraud: though he certainly ventured to Polynesia, many of the events in the book are clearly created out of whole cloth—and they suggest how little we really know about the events of Melville’s life. “There is no reason to believe that Melville didn’t witness clothmaking and woodcarving. However, the scene in which his friend Kory-Kory rubs a six-foot pole between his hands, as his back arches and muscles tense, until it bursts into flame, is most likely a metaphoric rendering of a different act (no record exists attesting to whether Thoreau tried this method at Walden).”
  • While we’re talking fraud, Arthur Conan Doyle was set up—by the Staffordshire fuzz, no less. “Newly discovered documents show that the Staffordshire police fabricated evidence to try to discredit Arthur Conan Doyle’s investigation into the curious case of George Edalji, a Birmingham solicitor accused of maiming horses and sending poison-pen letters at the turn of the twentieth century.”
  • Amazon’s Kindle Scout program— a “reader-powered” publishing platform in which authors submit their work and readers vote on it—is perpetrating a kind of fraud, too. It’s become “a murderously deft purveyor of books seemingly designed only to be inhaled like so many bibliographic nachos.” Is it the new center of reading as a camp experience? Or is it just shit? “The bigger problem with so-bad-they’re-good novels is that sometimes they’re just so bad they’re … bad. For every camp triumph on Kindle Scout, every daft splendor of weaponized pit bulls, you’ll find three corresponding duds.”
  • Everyone loves a good art heist. The trick isn’t so much stealing a painting, though, as managing to sell it again when it’s known to have been stolen. “The misappropriation of masterpieces continues to have a distinctive hold on the public imagination, even as it becomes a type of criminal activity that’s both misunderstood and increasingly hard to pull off.”
  • Among the fake self-help books hidden on shelves in an LA Bookstore: The Beginner’s Guide to Human Sacrifice, Learn to … Dress Yourself!, and So Your Son Is a Centaur: Coping with Your Child’s Confusing Life Choices.

The Oldest Book in English, and Other News

July 18, 2014 | by

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The Recuyell of the Histories of Troye, the oldest printed book in English.

  • Javier Marías can think of seven reasons not to write novels, and only one reason to write them. (Fortunately, the one is pretty good.)
  • A 540-year-old book—the first to be printed in English—has sold at auction for more than a million pounds. “The Recuyell of the Histories of Troye is a version of a French book written around 1463 … The story is an epic romance which portrays the heroes of Greek mythology as chivalric figures.”
  • “I do own a pair of unusual books that I treasure … they are collections of poems, written by Howard Moss, poetry editor of The New Yorker from 1948 to 1987. They originally belonged to the poet May Swenson (1913–1989), who has been a favorite of mine since I stumbled on her “Half Sun, Half Sleep” in high school … Each is heavily underlined, in both pencil and ink—an emphatic, and ugly, green ink, seemingly more suited for some censorious schoolmistress than for Swenson, a nicely calibrated nature poet. Still, I take great pleasure in her scarring underscorings and in her occasional approving check mark or cryptic annotation.”
  • The Supreme Court has refused to hear an “emergency petition” from Sir Arthur Conan Doyle’s heirs, who are seeking “indefinite copyright protection” for Sherlock Holmes and Dr. Watson.
  • In which the novelist Scott Cheshire, an ex–Jehovah’s Witness, visits the Watchtower headquarters in Brooklyn: “I felt like throwing up, so I headed for the men’s room to pull myself together, pressed my face against the cold metal towel dispenser, and fainted.”

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A Rookery of Pterodactyls

May 22, 2014 | by

In celebration of Sir Arthur Conan Doyle’s birthday, have a look at these illustrations from the original serialization of his novel The Lost World, which appeared in The Strand Magazine from April through November of 1912. Conan Doyle’s novel tells of an expedition to South America, where—wouldn’t you know it?—dinosaurs still roam the earth. Everyone associates Conan Doyle with Sherlock Holmes, but The Lost World also left its mark on popular culture: though Conan Doyle borrowed a large part of its conceit from Jules Verne, it remains the paradigm for a sort of swashbuckling supernatural adventure, full of bumbling professorial types and out-of-their-depth journalists and strapping, granite-abdomened men in pith helmets. It’s served as the source material for everything from The Land That Time Forgot to Land of the Lost and plain old Lost, and, of course, for Michael Crichton’s The Lost World, the sequel to Jurassic Park.

This is no country for Jeff Goldblum, but these illustrations, full of terror and adventure, do seem like the sort of thing Steven Spielberg and George Lucas might have hanging in their offices—and there’s definitely something of that Industrial Light & Magic awe in Conan Doyle’s vivid description of a pterodactyl nest:

Creeping to his side, we looked over the rocks. The place into which we gazed was a pit, and may, in the early days have been one of the smaller volcanic blow-holes of the plateau. It was bowl-shaped, and at the bottom, some hundreds of yards from where we lay, were pools of green-scummed, stagnant water, fringed with bulrushes. It was a weird place in itself, but its occupants made it seem like a scene from the Seven Circles of Dante. The place was a rookery of pterodactyls. There were hundreds of them congregated within view. All the bottom area round the water-edge was alive with their young ones, and with hideous mothers brooding upon their leathery, yellowish eggs. From this crawling flapping mass of obscene reptilian life came the shocking clamor which filled the air and the mephitic, horrible, musty odor which turned us sick. But above, perched each upon its own stone, tall, grey, and withered, more like dead and dried specimens than actual living creatures, sat the horrible males, absolutely motionless save for the rolling of their red eyes or an occasional snap of their rat-trap beaks as a dragon-fly went past them. Their huge membranous wings were closed by folding their forearms, so that they sat like gigantic old women, wrapped in hideous web-colored shawls, and with their ferocious heads protruding above them. Large and small, not less than a thousand of these filthy creatures lay in the hollow before us.

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Dramatic Deaths, and Other News

October 21, 2013 | by

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  • Citing health concerns, Alice Munro says she will not travel to Sweden to accept her Nobel in person.
  • “For the first time I felt myself in the presence of a talent greater than my own.” The long, strange friendship of Kingsley Amis and Philip Larkin.
  • “People are messes, every one of us.” Editor Giancarlo DiTrapano talks Tyrant. 
  • For its sixtieth anniversary, the Crime Writers’ Association has asked its six hundred writer-members to choose the best crime novel of all time. Agatha Christie, Arthur Conan Doyle, and Raymond Chandler fight it out.
  • Speaking of hot competition, the ten most dramatic deaths in fiction.

 

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Our Detective So Supreme

May 22, 2013 | by

Today marks the anniversary of Arthur Conan Doyle’s birth. While his creation Sherlock Holmes has inspired hundreds of adaptations in many media (in several of which no one finds it weird that a modern man is named Sherlock Holmes), I think we can all agree that these tributes achieved their apex in the following theme song. Warning: this is strangely catchy, oddly stirring, and will stay in your head for the rest of your life.

 

Early Adaptors

November 27, 2012 | by

Sherlock Holmes Baffled, which Arthur Marvin made in 1900 (and released three years later), is acknowledged to be the sleuth’s first onscreen appearance. However, it would seem that the thirty-second film may also be the very first cinematic literary adaptation. (Although in fairness, it would be hard to say which case the film portrays. One in which Holmes is baffled, presumably.)

 

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