Posts Tagged ‘apple’
July 7, 2015 | by Jeffery Gleaves
- Joan Didion is twice the man you’ll ever be, so suggests a recent article in The Millions. Her masculine superiority lies in the “glacial emotional distance” of her prose, which is better than yours. Her coolness astounds: in her essay, “On Self-Respect,” she writes that people who have it, “are willing to invest something of themselves; they may not play at all, but when they do play, they know the odds.”
- Ottessa Moshfegh, winner of the 2013 Plimpton Prize, talks with Sarah Gerard about keeping a notebook: “When I’m writing to myself, I’m really trying to process something, and it usually has to do with writing out my delusion and then trying to interpret what that delusion might be in service of, and then trying to comfort myself about the anxiety that the delusion was helping me cope with.”
- Apple reversed its decision to ban historical video games that depict the battle flag of the Confederate States of America. Copies of Gone with the Wind and The Red Badge of Courage weren’t being pulped during the recent public outcry against flying the Confederate flag at certain state capitols, nor were Cold Mountain or Glory taken off the iTunes store. This reminds gamers, yet again, “that games are seen not as a scholarly pursuit, that they do not merit serious consideration alongside films and books on their subject matter.”
- While we’re talking about America, it seems our literary canon isn’t fit for television. Consider the numerous Jane Austen adaptations, the massive success of Downton Abbey, and the lack of a critically acclaimed film version of any Faulkner novel. Are American novels too dark for TV, or has Hollywood locked up the rights for most major American titles? As Rebecca Eaton, executive producer of Masterpiece, says, “The reasons that we haven’t are twofold … One is money, the second is money. And the third is money.”
- Which reminds me: culture isn’t free, but our post-Napster, digitalized-content world still operates as if it were. The trouble is, “if individual artists cannot make a living from their creative work, they will eventually throw in the towel,” and it’s important that “large corporations do not monopolize the cultural sphere.” Wrest control of culture from the ruling class. Buy a book.
July 24, 2014 | by Sadie Stein
Somewhere in the world there exists a clip of Hugh Hefner on one talk show or another. I can neither remember what the show was nor the exact wording of the exchange, but the following paraphrase has become legendary in my family:
INTERVIEWER: Do you consider yourself a genius?
HEFNER: Genius is a difficult word to define. But by any definition, I am one.
Hef may be a law unto himself, but genius, a word that used to be the sole domain of the upper reaches of the IQ scale, is now thrown around like grass seed. Maybe it’s the effect of language evolution or intelligence inflation—after all, only recently has it became compulsory for one’s child to be intellectually gifted—but it can’t be denied that genius no longer packs the awe-inspiring punch it once did.
Standing in line at the nearest Apple Store yesterday, I couldn’t help but wonder: Do the various professional Geniuses there find their appellation hilarious? Do they joke about it all the time? Or are some jokes—in the words of Doris Day in Pillow Talk—too obvious to be funny? One thing I did notice: the people working the Genius Bar all seemed to get along really well. It was like the most collegial workplace I’d ever seen. Maybe because they’re all on the same intellectual level, and engaged in the same enterprise, obscure to much of humanity. Did everyone get along so well on the Manhattan Project?
To me, the workings of a computer are so mysterious, so frightening, that the easy competence with which the Geniuses handle all problems might as well be rocket science. When a very pleasant Genius named Jamie diagnosed the problem that had been sucking up space on my hard drive, opening up some fourteen new gigabytes, I suddenly understood why vulnerable women are always falling for their surgeons and spiritual leaders: in that moment, I was completely in love with him. I found myself wishing that I had put on some mascara, and had not—in deference to the muggy heat—dressed in a free-flowing cotton dress reminiscent of my mother circa summer ’84. (In summer ’84, bear in mind, my mother was pregnant.) I also wished I didn’t have a picture of Susan Sontag in a bear costume on my desktop.
When I signed the electronic screen at the end of my appointment, I attempted to redeem myself by asking what I hoped was an intelligent question: If we all write like five-year-olds on these screens, how is the signature any deterrent to identity theft?
Well, he said, it could all be checked against records—the signature itself is not the point. “Some people will even sign an X,” he explained.
“Like medieval illiterates?” I asked excitedly. And for the first time, the Genius’s face bore the same look of total, bored incomprehension I’d been sporting since I entered the air-conditioned confines of the Apple Store.
October 8, 2012 | by The Paris Review
As reported in The New York Times, we’re thrilled to announce the launch of our iPad/iPhone app! On it you’ll find new issues, rare back issues, and archival collections—along with our complete interview series and the Paris Review Daily. And if you download the app by October 21, you’ll receive the current issue, along with an archival issue—Spring 1958, featuring an interview with Ernest Hemingway, early fiction by Philip Roth, and a portfolio by Alberto Giacometti—for free!
To current print subscribers: stay tuned! Soon you’ll be granted digital access to any issue covered by your print subscription. Look for an e-mail from us in the next week or two with details on how to set up your account.
And to those with Android devices: we hope to have a version for you soon!
December 22, 2011 | by Robin Bellinger
My school’s Wassail Party was held in the upper-school cafeteria, at night. For us lower-schoolers, it was thrilling. We were not usually welcome on the big kids’ campus, but after the annual candlelight service we were invited to eat miniature candy canes and Pepperidge Farm cookies in their vast, dim, low-ceilinged, linoleum-floored refectory. There was a big bowl of cold lime-sherbert punch, surrounded by elegant plumes of dry-ice smoke and a big bowl of warm, spiced apple juice—our wassail. When we were slightly older, we could join the choir that performed in the candlelight service. “Wassail, wassail, all over the town,” we sang, “Our bread it is white, and our ale it is brown!” It felt quietly subversive even to sing the word ale, since we were, in our red jumpers and green neck ribbons, as wholesome as the gingerbread and apple juice served after the concert.
Wassail means “be thou hale,” and it’s what English farmers traditionally consumed to drink to the health of their apple trees on Christmas Eve or Twelfth Night Eve. The rite itself was also called wassailing and generally called for a bowl of hard cider or apple-spiked ale to be paraded about the orchard. The spirits of the trees were toasted; scraps of booze-soaked toasted bread were tossed into the branches; roots were given a dram. Read More »