To George Plimpton
December 1, 1953 Ravello, Italy
Herewith the interview, revised and expanded. I think that in the future it might be a good idea for you to get a tape-recorder for these darn things, because it’s a bitch of a job for the interviewee to edit his own words. Now you will note that I did not completely eliminate all the first part; as a matter of fact I retained the bulk of it, but made quite a few changes and emendations. I think it’s better now, certainly printable. Besides all the additions, you will notice I made a few eliminations. I cut out a few of the cuss-words, which were all too abundant. I cut out the cracks against little Truman and Anthony West, who God knows deserves them, but they seemed a little in poor taste. I also tempered my criticism of Faulkner. I have tried to keep the tone impersonal and conversational throughout, and I think that I’ve succeeded.
You will notice, too, that I’ve taken your suggestion and have added quite a bit toward the end. I hope you will find the questions—some of which are yours—and answers suitable; at least the piece is considerably lengthened, and I’ve gotten off my chest a few things I’ve wanted to say. One important thing is that I think you must somehow invent a little atmosphere to surround the piece. It’s mighty bare without any stage directions, and I think if you place the thing right where the original interview started, in the Café Select, or some equivalent, it will provide a suitably bibulous background.