Posts Tagged ‘announcements’
November 4, 2015 | by Dan Piepenbring
Mark your calendars: on Tuesday, April 5, 2016, at Cipriani 42nd Street, The Paris Review will honor Lydia Davis with the Hadada Award at our annual gala, the Spring Revel.
The Hadada is our lifetime-achievement award, presented each year to a distinguished member of the writing community who has made a strong and unique contribution to literature. Previous recipients include John Ashbery, Joan Didion, Paula Fox, Norman Mailer, Peter Matthiessen, George Plimpton (posthumously), Barney Rosset, Philip Roth, Norman Rush, James Salter, Frederick Seidel, Robert Silvers, and William Styron. Read More »
October 8, 2015 | by Dan Piepenbring
All eyes are on Svetlana Alexievich for her Nobel win, which Philip Gourevitch rightly calls “a long-overdue recognition of reportage as a form of literature equal to fiction, poetry, and playwriting.” The Review published a piece by Alexievich back in 2004—but we’re celebrating more of our contributors this week, too.
First, congratulations to Sam Stephenson, whose June 2014 piece for the Daily, “An Absolute Truth: On Writing a Life of Coltrane,” has garnered him an ASCAP Foundation Deems Taylor/Virgil Thomson Award. Our Southern editor, John Jeremiah Sullivan, will be awarded the same prize for his piece “The Ballad of Geeshie and Elvie,” published in The New York Times Magazine in April of last year.
Second, hats off to Rachel Cusk, whose novel Outline, serialized in the Review last year, is a finalist for both the Governor General’s Literary Award and the Scotiabank Giller Prize—both from Canada, where Cusk (who knew?) was born.
That is all. You may now resume your previously scheduled Nobel Peace Prize speculation.
March 2, 2015 | by The Paris Review
We also have the first-ever in-person interview with Elena Ferrante, on the art of fiction:
As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me … At fifteen I began to write stories about brave girls who were in serious trouble. But the idea remained—indeed, it grew stronger—that the greatest narrators were men and that one had to learn to narrate like them … Even when I wrote stories about girls, I wanted to give the heroine a wealth of experiences, a freedom, a determination that I tried to imitate from the great novels written by men.
And Lydia Davis, on her approach to the short story, to translation, and to naming:
I’ve always felt that naming was artificial. I’ve done it. I wrote about one woman and called her Mrs. Orlando, because the woman I based her on lived in Florida. Recently I wrote a story called “The Two Davises and the Rug” because I have a neighbor named Davis and he and I were trying to decide which one should end up with a certain rug, and I was very fond of using that name, even though it wouldn’t make much difference to anybody if I called it “The Two Harrises and the Rug.”
Plus, Hilary Mantel discusses her Cromwell books and the difference between historians and novelists:
Nobody seems to share my approach to historical fiction. I suppose if I have a maxim, it is that there isn’t any necessary conflict between good history and good drama. I know that history is not shapely, and I know the truth is often inconvenient and incoherent. It contains all sorts of superfluities. You could cut a much better shape if you were God, but as it is, I think the whole fascination and the skill is in working with those incoherencies.
There’s new fiction by Angela Flournoy, Ken Kalfus, and Mark Leyner, the winner of this year’s Terry Southern Prize; a novella by James Lasdun; and poems from Charles Simic, Peter Gizzi, Major Jackson, Stephen Dunn, Susan Stewart, Shuzo Takiguchi, Craig Morgan Teicher, and Sarah Trudgeon.
Mel Bochner, who designed a cover for the magazine back in 1973, is back with a portfolio of thesaurus paintings. And last, there’s “Letter from the Primal Horde,” an essay by J. D. Daniels about a fateful experience at a group-relations conference.
February 24, 2015 | by Dan Piepenbring
Many congratulations to our Southern editor, John Jeremiah Sullivan, for winning one of this year’s Windham Campbell Prizes. The citation calls him “an essayist of astonishing range … empathetic and bracingly intelligent.” We heartily agree.
If you haven’t heard of the Windham Campbell Prizes, that’s because this is only the third year they’ve been awarded— Donald Windham and Sandy M. Campbell founded the prize in 2013 “to call attention to literary achievement and provide writers with the opportunity to focus on their work independent of financial concerns.” Awards are given for fiction, nonfiction, and drama, to those who write in English anywhere in the world.
“I couldn't overstate how encouraging this award is,” Sullivan wrote, “or how practically helpful. In this phase of my writing life I feel a desperate need to stay down over the research I'm doing, not look up, and the prize makes that possible.”
Also among this year’s nine winners is Geoff Dyer, whose work has previously appeared in The Paris Review. We applaud him, too, along with all of this year’s prizewinners. In September, they’ll gather at Yale for a festival celebrating their work.
May 14, 2012 | by The Paris Review
It has long been a source of chagrin here at 62 White (and to George Plimpton before us) that our love for the Strand went unrequited.
Though we whiled away our weekends amid their shelves, brought them armloads of books every time we moved, and always spent more than we got paid, the Strand refused to carry so much as a single copy of The Paris Review. We tried not to take it personally. We were told it was company policy—no magazines. But in our heart of hearts, we always knew we should be together. Was there no room for us in their sixteen miles of books?
Now, all is right with the world. Starting June 13, not only can you purchase America’s finest literary quarterly at 13th and Broadway, but you can join us there, too, for a series of events featuring the best fiction, poetry, movies, actors, and readers we can find. It’ll be smart. It’ll be fun. And it will come with an original tote bag celebrating these two venerable New York institutions.
And who, you ask, will design this tote? You, dear reader! That’s right: we're holding a contest. Get in touch with your inner graphic designer/illustrator. Here are the details:
Design a bag that features the original Paris Review logo (as seen on our homepage and the cover of the magazine) and remember to leave room for the Strand oval, too. You can incorporate old cover art, go all-graphic, or dream up something completely your own. (For further inspiration, check out our current totes!) We want to know what the Review means to you!
Top entries will be posted on The Paris Review Daily. The grand-prize winner will receive a Strand shopping spree and a year subscription to The Paris Review. Plus, of course, your tote.