Posts Tagged ‘Anne Fadiman’
August 7, 2014 | by Dan Piepenbring
As a child in suburban Connecticut, I had always considered the purl of the Good Humor truck to be more closely akin to a cricket’s chirp or the sound of summer rain: a seasonal gift, wreathed in sweet associations … [but] it is a grave error to assume that ice cream consumption requires hot weather. If that were the case, wouldn’t Ben Cohen and Jerry Greenfield have established their first ice cream parlor in Tallahassee instead of Burlington, Vermont, which averages 161 annual days of frost? … Wouldn’t John Goddard, an outdoorsman of my acquaintance, have arranged for a thermos of hot chicken soup instead of a half gallon of French vanilla ice cream with raspberry topping to be airdropped to him on the summit of Mount Rainier? And wouldn’t the Nobel Prize banquet, held every year in Stockholm on the tenth of December, conclude with crepes Suzette instead of glace Nobel? As the lights dim, a procession of uniformed servitors marches down the grand staircase, each bearing on a silver salver a large cake surrounded by spun sugar. Projecting from the cake is a dome of ice cream. Projecting from the dome is an obelisk of ice cream. Projecting from the obelisk is a flame. When the laureates—who have already consumed the likes of homard en gelée à la crème de choux fleur et au caviar Kalix and ballotine de pintade avex sa garniture de pommes de terre de Laponie with no special fanfare—see what is heading their way, they invariably burst into applause.
—Anne Fadiman, born today in 1953, from her essay “Ice Cream”
January 21, 2011 | by Lorin Stein
I love reading authors talking about their own reading experiences—it seems like such a beautiful way to understand how and why they write. I recently read Walter Benjamin’s essay “Unpacking My Library: A Talk About Book Collecting,” and I was wondering if you could think of any similar essays about the private libraries of great writers.
There’s a long tradition of writers writing about their libraries. Some of the first modern essays—by Michel de Montaigne and Sir Francis Bacon—are on that very subject. Among more recent publications, you might enjoy Anne Fadiman’s collection Ex Libris or Larry McMurtry’s Walter Benjamin at the Dairy Queen. The trouble with people writing about their libraries is, well, every writer has one. It’s like writing about your left hand. Or your M.F.A. program. But McMurtry is a special case. If he had never written Lonesome Dove or The Last Picture Show, he would be famous—at least among collectors—as one of the country’s most respected dealers in used and rare books. When he writes about his library, he always has something interesting to say.