Posts Tagged ‘Ambiguity’
November 19, 2014 | by Dan Piepenbring
- Mark Twain’s career as an author began at a place called Jackass Hill, a boomtown gone bust where, in the local tavern, he heard the story that would become “The Celebrated Jumping Frog of Calaveras County.” “[I] turned my attention to seriously scribbling to excite the laughter of God’s creatures,” Twain wrote. “Poor, pitiful business!”
- Today in terrifyingly ambiguous headlines: “Family’s agony over when to tell mother her premature babies died while she was in a coma after she woke up.”
- “O to sail to sea in a ship!” Walt Whitman inspired many things—one of them, it turns out, was a logo.
- Was Van Gogh … murdered? Conventional wisdom has it that he shot himself, but the facts don’t really support his suicide. “What kind of a person, no matter how unbalanced, tries to kill himself with a shot to the midsection? And then, rather than finish himself off with a second shot, staggers a mile back to his room in agonizing pain from a bullet in his belly?”
- “I sometimes see science like art. People don’t necessarily see the connections to how it makes their lives better—this is not going to give them a better toaster, or something like that—but there is this feeling, just like with art, that this is important in some way. It is worth expending vital resources on, whether it’s tax money or people’s focus. It just feels worthwhile to do.” What we talk about when we talk about landing spacecrafts on comets.
January 24, 2014 | by Dan Piepenbring
- Japanese scrolls from the Edo period depict—yes—erumpent, competitive flatulence.
- Back to more dignified fare. Guess the classic novel from its first sentence.
- Fact: Kurt Vonnegut wrote a made-for-TV movie in 1972. It’s called Between Time and Timbuktu, or Prometheus-5: A Space Fantasy. Vonnegut later withdrew from the production: “I am not going to have anything more to do with film—for this reason: I don’t like film.” Well. As far as excuses go, that one’s airtight.
- “I think empathy is a guy who punches you in the face at a bus station, and you’re somehow able to look at him and know enough about what situation he was in to know that he had to do that and not to hit back. That’s empathy, and nothing ever happens in writing that has that kind of moral heroism about it.” A new interview with John Jeremiah Sullivan.
- As any reader of Empson’s Seven Types of Ambiguity knows, vagueness can be artful, but it’s especially so in Mandarin writing, where ambiguous sentences resemble optical illusions.