The Daily

Posts Tagged ‘Amazon’

Knausgaard Truthers, and Other News

July 21, 2014 | by

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Just where does the hype end and the man begin?

  • Fact-checking the Knausgaard craze: Have Norwegian workplaces really instituted “Knausgaard-free days” in response to the success of My Struggle? The people demand the truth!
  • On clichés and their complications: “An expression is much more likely to be regarded as a cliché if it has typical or frequent use in contexts where it doesn’t apply very well (by being imprecise, misleading, or inaccurate, for example). Take the noun phrase best-kept secret … As a few examples will show, things that are dubbed best-kept secrets are in fact often not secret at all, and it is rarely specified, sometimes not even implied, in what sense they are ‘kept.’ ”
  • Remembering James Garner: “Garner wasn’t an actor who ‘reached,’ per se. He wasn’t doing accents or putting on prosthetics or trying to make himself over into someone he wasn’t. Movie and TV producers hired him to be James Garner.”
  • Is Amazon killing writing, or is it the market? “We are witnessing a bad Hollywood remake of a bad Hollywood remake of the Content Wars of the 1990s and 2000s … The plot remains the same: The traditional publishers of content defend their business models against the assault of the Internet. There’s some suspense, and then the Internet wins.”
  • Weird Al’s usage wars: “I purposely left a split infinitive at the end of my song … to be ironic, and also to see how many online grammar pedants it would annoy.” But then he didn’t realize that spastic is a slur in the UK …

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What Silence Looks Like, and Other News

July 11, 2014 | by

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From 1916’s The Good Bad Man; image via The Atlantic.

  • Allan Ahlberg, a British author who’s written more than 150 children’s books, declined a lifetime-achievement award (and a nice cash prize) because Amazon sponsors it.
  • In the silent-film era, a movie’s typeface was a crucial part of its identity. Now, a type designer in Minneapolis has tried to re-create the font from The Good Bad Man, a Douglas Fairbanks vehicle from 1916. “In 1916 the titles would have been painted or drawn on a smooth surface and then photographed with the motion-picture camera. There were no optical printers in those days, so the titles would literally have been shot by someone hand cranking a motion-picture camera.”
  • In Athens, the Caryatid statues (five maidens “among the great divas of ancient Greece”) have emerged from a three-year cleaning with “their original ivory glow.”
  • “Movies, if they’re very good, aren’t a conversation; they’re an exaltation, a shuddering of one’s being, something deeply personal yet awesomely vast. That’s what criticism exists to capture. And it’s exactly what’s hard to talk about, what’s embarrassingly rhapsodic, what runs the risk of seeming odd, pretentious, or gaseous at a time of exacting intellectual discourse.”
  • A friendly reminder: your brain is on the brink of chaos.

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A Screaming Comes Across the Tongue, and Other News

June 26, 2014 | by

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Paul Klee, Mumon sinkt trunken in den Sessel, 1940.

  • For seven years in the sixties, Dennis Hopper disappeared from Hollywood. What was he doing? Attending the Fonda-Vadim nuptials, hanging around LA’s Love-In, watching Martin Luther King Jr. speak, and photographing all of it.
  • Today in brave souls and/or fool’s errands: “I’m drinking everything mentioned however peripherally in every Pynchon book and jabbering a bit about what it’s like … So what is Chivas Regal like? I’m tempted to say that a screaming comes across the tongue.”
  • Amazon is demanding concessions from publishers that are tantamount to “assisted suicide for the book business” …
  • … And a new, “fiercely independent-minded” book, The Everything Store, reminds of Amazon’s considerably less-incendiary early days: “Bezos hired writers and editors who supplied critical advice about books and tried to emulate on Amazon’s website ‘the trustworthy atmosphere of a quirky independent bookstore with refined literary tastes.’” Years later, these people were replaced by an algorithm called AMABOT, which, given the meaning of amatory, sounds sort of like an animatronic sex doll.
  • But it must be said: “When Anne Campbell of the Open University in Scotland looked at how students used Kindle readers and paper books, she found that the electronic devices promoted more deep reading.”
  • Soon before her seventieth birthday, a woman named Sandy Bem found that her mental faculties had deteriorated enough that she wanted to take her own life—so she planned her suicide with her family. “We looked at the calendar and said, ‘OK, if it’s going to be next week, what day is it going to be?’” her husband said. “I wouldn't have had it any other way,” her daughter said.

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This Machine Will Self-Destruct, and Other News

June 19, 2014 | by

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Kaboom!

  • New additions to the list of things the pen is mightier than: the mouth, the camera. “As soon as kids acquire a basic understanding of letters and reading … they exhibit a greater trust in printed textual information than in oral or visual information … something about the act of learning to read causes children to ‘rapidly come to regard the written word as a particularly authoritative source of information about how to act in the world.’” And it is. Trust me.
  • Clancy Martin and Amie Barrodale on the Chateau Marmont: “To the left is a room with a lot of nice old mismatched couches and armchairs. Not blocking the chairs, so you might not notice it, just against the far wall, is a podium. An attractive person is always standing there, and if you try to sit in the lobby, he or she says, ‘Are you staying here?’ If you are, then you can sit.”
  • On DIS magazine and accelerationism: “‘Do they really just worship consumerism?’ … As curator Agatha Wara, a DIS associate, once explained it to me, accelerationists believe that ‘the only way to get over capital is through capital’—that is, by accelerating capitalism’s own tendency toward self-destruction.”
  • Speaking of that very tendency, Amazon is making a smartphone.
  • Did you know? It’s not easy to translate Proust: “There is always a tension in translation between the spirit and the letter, between conveying things we might call tone, mood, feel, or music, and being as literally faithful to the original as possible. Moncrieff excelled at both.”
  • How an episode of Star Trek: The Next Generation describes the outermost limits of our capacity to communicate: “Tamarian verbalisms depict the world through images and figures, which distort their ‘real’ referents. Troi and Picard can’t help but interpret Tamarian through their (and our) cultural obsession with mimicry: Metaphorical language operates not by signification, but as poetry, by transforming the real in a symbolic mirror. But for the Tamarians, something far weirder is going on …”

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Relativistic Finesse

June 9, 2014 | by

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Above is an advertisement from our seventieth issue—published in the summer of 1977—for Deep Foot and its sequel, Deeper Foot, two apparently seminal avant-garde novels. Click the photo to see the ad in full; it merits scrutiny.

Anyone seriously seeking Truth, Love, and a real and true ALTERNATIVE to the deadness and shallowness of the American Dream, rather than merely seeking people or trips to become dependent upon: THESE BOOKS ARE FOR YOU!

“This generation may hide these masterpieces under their beds,” the ad goes on, “but the next generation will more likely use them like a Bible!”

I’m of that next generation, and I can tell you: we most certainly would, if we only knew where to find them.

Information on the whereabouts of Richard M. Vixen has been hard to come by—we appreciate any tips you can offer. We do know that Avant-Garde Creations, of Eugene, Oregon, was in existence as recently as 1981, when the company took out an ad in Yoga Journal—a questionnaire, in fact, whose first prompt is “Are you conscious of a deep desire to be in an environment in which you could choose to be with any of 20 (or so) people, all of whom you love and who love you?”

Evidence indicates that Mr. Vixen wrote, in addition to the series advertised here, The Game of Orgy (with a foreword by Robert Rimmer) and The Magic Carpet and the Cement Wall, for Kids from 8 to 92. A rhapsodic Amazon review of Deep Foot describes it thus:

A triumphant, voluptuous novel about a woman's enlightenment. A mercilessly erotic, tenderly passionate journey into love and awareness.

When Lotta escaped from her prison of beliefs (about what she thought her life was supposed to be about) she found a whole new world of love and beauty awaiting her, and she fell in love with … Everyone!

A dissenting critic writes, “Reading it felt a bit like watching a non-lethal crash between two clown cars happen in slow motion.

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The First Children’s Book, and Other News

May 19, 2014 | by

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“The Soul,” from the 1705 English edition of Orbis Sensualium Pictus; image via the Public Domain Review

  • In 1658, John Comenius published what may have been the first children’s picture book: Orbis Sensualium Pictus, or The World of Things Obvious to the Senses Drawn in Pictures. “The Orbis—with its 150 pictures showing everyday activities like brewing beer, tending gardens, and slaughtering animals—is immediately familiar as an ancestor of today’s children’s literature.”
  • Behind Alex Trebek’s veneer of erudition is an everyman, a heavy drinker, a handyman: “Trebek says that when he gets up in the middle of the night—he has terrible insomnia—he will lie awake for hours plotting how to fix the sliver of light peeking through his window, and all the other home-repair projects he wants to tackle next.”
  • “Throughout cult-movie history, the American cheerleader has come to stand for something demonic, bitchy, slutty, and secretly lesbian, resulting in an archetype as American as apple pie, football, and well, cheerleading itself: the Subversive Cheerleader Genre.”
  • Cell-phone novels, stories serialized in short bursts, have consistently appeared on Japan’s best-seller lists for years; now a few developers are attempting to popularize them in America.
  • Amazon puts the squeeze on Hachette: “Hachette, which owns Little, Brown; Hyperion; and Grand Central, says that Amazon is deliberately slowing sales of Hachette’s books in an effort to pressure the French publisher into agreeing to new contract terms on book pricing.”

 

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