Posts Tagged ‘Alice in Wonderland’
January 10, 2014 | by Dan Piepenbring
Ralph Steadman’s febrile and slightly sinister take on Alice in Wonderland, published in 1973 and exhumed today by Brain Pickings, will make you think twice before using the phrase “Cheshire Cat grin.”
January 28, 2013 | by Sadie Stein
However complicated Lewis Carroll’s legacy (he turned 151 yesterday), nobody can dispute its role in popular culture. Alice’s Adventures in Wonderland has spawned more than twenty adaptations, not counting those works inspired by the 1865 classic. The following, from 1903, is the first: it stars one May Clark, and features some fairly nifty special effects.
September 8, 2011 | by Jonathan Gharraie
I first encountered Mervyn Peake, as most readers do, through his baroque Gormenghast trilogy. At the time, I was stuck in the purgatorial antechamber between adolescence and maturity, reluctant to abandon certain habits of mind but keen to develop the imaginative sophistication that I thought might come in handy in college. So the BBC’s television dramatization of what they promised would be a darker alternative to Tolkien had its appeal. As it turned out, the BBC only adapted the first two Gormenghast novels, and then only cartoonishly. But my curiosity was sufficiently stirred to seek out the trilogy.
Just over a decade later, the centenary of Peake’s birth presents us with the occasion to appreciate his abundant gifts as an illustrator (of, among other thing, Alice’s Adventures in Wonderland), novelist, poet, and writer of literary nonsense. On both sides of the Atlantic, there have been new illustrated editions of the Gormenghast novels and a new epilogue, Titus Awakes, has surfaced, written by Peake’s widow, Maeve Gilmore. In Britain, the celebrations have been understandably more elaborate. The British Library has mounted an exhibition to celebrate their recent acquisition of Peake’s archive, while the radio dramatist Brian Sibley has adapted the trilogy, with its new conclusion, for BBC Radio 4. Toward the end of July, I visited the exhibition and attended a panel discussion featuring a host of speakers, including Peake’s sons, Fabian and Sebastian. Read More »
August 6, 2010 | by The Paris Review
What we're reading this week.
After seeing Tim Burton’s Alice in Wonderland, I’ve been looking through Lewis Carroll’s original text. The British Library has a copy of the 1864 illuminated manuscript of Alice’s Adventures Under Ground, conveniently online. The illustrations are delicate and charming. They’re much like Carroll’s handwriting, neat and subtle, with no trace of the macabre imagery in Burton’s movie. Alice is worth returning to again and again. —Daisy Atterbury
Four middle-aged strangers, stranded late at night in a railroad station, begin speaking of love. Soon each is telling the story of his one great romance. It sounds like a lost work of Turgenev—and sometimes it reads that way too—but it’s My Kind of Girl, by the mid-century Bengali poet Buddhadeva Bose. First published in 1951, out next month in a new translation by Arunava Sinha. —Lorin Stein.
At the risk of stating the obvious, wasn’t that some piece about Gil Scott Heron? —L. S.
In the week that Newsweek was bought for a dollar, and Wikileaks dominated the news, I read up on the changing media landscape. I read John Koblin’s article in the New York Observer about Scott Dadich, executive editor of digital development at Condé Nast, with great interest. Dadich’s job is to help magazine editors develop their iPad applications. I’m fascinated by this new frontier, professionally and personally. Dadich is incredibly talented. In Koblin’s piece, he’s compared to Jesus, Pelé, Miles Davis, and Frank Lloyd Wright. —Caitlin Roper
Scavenged for all things Heidi Julavits after reading her story, "Multiples of Cohen," in the latest Harper's. —Anna Hartford
As a cyclist, I’ve been alarmed to learn from Republican electoral candidates that I am part of a vast biking conspiracy, started by the UN, to use bike lanes to take away people’s freedom. Meanwhile, back in the real world, I’ve started Ursula K LeGuin’s The Left Hand of Darkness, a story about a planet where gender roles are obscured, just in time for the California District Court’s decision in Perry v. Schwarzenegger. I picked up my copy, a classic early seventies hardcover edition with wonderfully strange modernist artwork, for fifty cents on somebody’s stoop near the office. —Patrick Loughran
What is an editor to do with a galley of the annotated edition of Jane Austen’s Pride and Prejudice? I have yet to find a fun way to feature the book on the Daily (suggestions are welcome). It’s more information than I’ll ever need. When is it the hunting season for partridges? Did you know that Epsom salts derive their name from the fact that they were originally made by boiling down mineral water from Epsom? Or that Frances Burney's first novel, Evelina (1778), was perhaps the first work to explore the notion of embarrassment? Is possible to overdose on Jane Austen? —Thessaly La Force
Also loved John Bowe’s piece in The New York Times Magazine about music copyright enforcers. Bowe delves into a facet of music copyright that I haven’t considered, and it’s a rough one—he follows a BMI licensing executive as she goes door-to-door to collect licensing fees for music that restaurants are already playing. The article gets at the question of how we feel about paying for music, a subject I never tire of. In June, I donated to Creative Commons after reading this letter from their creative director in response to ASCAP’s fundraising letter decrying what they characterized as efforts to “undermine” their copyrights. —C. R.