Posts Tagged ‘Alabama’
August 24, 2016 | by Clay Byars
Revisited is a series in which writers look back on a work of art they first encountered long ago.
In my high school creative-writing class, one day a week was set aside for reading, our choice of material. The hippieish teacher guided those choices, but almost anything worked. It was here, because of her, that I first encountered Alan Watts, specifically his essay collection This Is It. All I remember about the book itself is my teacher dreamily commenting on the title. I picked up a copy because it was short, and because the subtitle—and Other Essays on Zen and Spiritual Experience—spoke to me. The idea seemed “cool”—Watts was a forerunner of the counterculture movement—but I must have been too busy with the eternity of high school to focus my attention.
I was in college when I was in a car accident that tore a nerve in my shoulder. A botched surgery to repair it severed an artery and released a blood clot that, a week later, caused a massive stroke that left me locked inside my body. I couldn’t move or speak, and the doctors said I would be paralyzed from the eyes down for the rest of my life. Read More »
July 21, 2016 | by Zelda Fitzgerald
In our Fall 1983 issue, The Paris Review published twenty years’ worth of Zelda Fitzgerald’s letters to her husband, Scott. This selection comprises her correspondence between the spring of 1919 and Easter Sunday, 1920, the day Zelda and Scott married. Zelda Fitzgerald was born this month in 1900. Note: Zelda was known for her quirks in punctuation (she was a particularly fond of the em dash), and these are retained in the text. As in the original printing, asterisks denote substantial editorial deletions and ellipses are used to indicate minor omissions. Each letter is addressed to Scott Fitzgerald. —C.L.
Mrs. Francesca—who never heard of you—got a message from Ouija for me. Nobody’s hands were on it—but hers—and it told us to be married—that we were soul-mates. Theosophists think that two souls are incarnated together—not necessarily at the same time, but are mated—since the time when people were bisexual; so you see “soul-mate” isn’t exactly snappy-stylish; after all: I can’t get messages but it really worked for me last night—only it couldn’t say anything, but “dead,”—so, of course I got scared and quit. It’s really most remarkable, even if you do scoff. I wish you wouldn’t, it’s so easy, and believing is much more intelligent. Read More »
January 30, 2013 | by Sam Stephenson
On Tuesday morning, December 11, I drove a rented 2013 Chevrolet Impala out of Chapel Hill on I-40 East, the first miles of a twenty-two-day road trip around the South, with points as far west as New Orleans and Shreveport. These were the first Christmas plans I’d made on my own in forty-six years.
Without children, my holidays since 1995 have alternated between my parents’ house in eastern North Carolina and my in-laws’ in Pittsburgh. Over a nearly identical duration, I’ve been researching the life and work of photographer W. Eugene Smith. Now I’m working to finish my last book on him. The first stop on this Southern holiday journey is Berkeley County, South Carolina, a former slave-plantation region near the coast where Smith photographed his 1951 Life essay, “Nurse Midwife.”
The truth is that I’m tired of Gene Smith. Read More »
July 3, 2012 | by Margaret Eby
The local Junior League cookbook is the culinary bible of the Southern home. Every kitchen of my Alabama childhood had at least one well-worn copy of Magic, the Junior League of Birmingham’s 1983 recipe collection, with an enticing yellow-spiral binding and entries on everything from shrimp salad to banana pudding. Some would also have a copy of Palates, Platters, and Other Such Matters, the JLB’s 1950 edition, notable for its more liberal inclusion of lard and mayonnaise. Like every Junior League cookbook, the recipes were sourced from the community and thus varied wildly both in quality and in method of preparation. Still, the hand-me-down wisdom from Birmingham’s residents on how to properly prepare venison skewers or pimiento-cheese eggs had an authority that no celebrity chef or French instructor could muster. They were part of the trusted pantheon that my parents, whose taste ran more to grilled fish and apple pies than deep-fried catfish and layer cakes, would consult whenever a dish needed some extra flair. When I moved up to New York for college, my mother bequeathed me the most useful items she could think of for the journey: a ceramic teapot, a CD of Thin Lizzy’s greatest hits, and a copy of the newest JLB cookbook, Food for Thought.
It was part homesickness, part tiring of the endless meal-plan tuna melts that caused me to leaf through Food for Thought for more than just the pictures and familiar contributor names. (In scanning the index of recipes, certain contributors jumped out: the mother of a junior high crush, the organizer of the reception of my first and only debutante event, the family for whom my high school auditorium was named.) Sandwiched between essays waxing nostalgic about grits and poking fun at California cuisine were the dishes that taught me how to cook in earnest. After teenage years full of longing for escape from my muggy Southern home, I began, in my little dorm on 116th Street, clumsily making vats of overly spiced gumbo and punch bowls of mint juleps for my bewildered but grateful roommates. Read More »
August 31, 2011 | by Margaret Eby
To grow up in the South is to be fed a steady diet of grits and ghost stories. Ask any household in Alabama, and they’ll tell you about a friend or family member with a rogue phantom that blows out candles or stomps around in the attic. Being haunted is a permanent condition below the Mason-Dixon, one that defines the region as much as the voracious kudzu and the iced tea so sugary it hurts your teeth. William Faulkner, who was known to spin particularly scary fireside stories, described the Deep South in Absalom, Absalom! as “dead since 1865 and peopled with garrulous outraged baffled ghosts.”
No one knew that better than Kathryn Tucker Windham, an Alabama folklorist who spent much of her life collecting and patiently preserving Southern superstitions, recipes, and, most of all, ghost stories. Before passing away last June at the age of ninety-three, Windham published four cookbooks, eight ghost-story collections, and more than a dozen works of regional mythology, memoir, and fiction, most of them featuring her own household ghost, a Slimer-esque jester whom the Windhams affectionately named Jeffrey. Read More »
August 30, 2011 | by Chris Flynn
Most dust jackets list only literary accomplishments, but I’ve always been a fan of offbeat author bios. So I asked some of my favorite writers to describe their early jobs.
Darin Strauss: I worked freelance at The Aspen Times as a nightlife correspondent: seven hundred words for fifty bucks, an article a month. Then I thought, Hey dummy, you published with The Aspen Times, you should go to New York and write for their Times! It didn’t work out. I lived with my parents on Long Island and delivered Chinese food. To avoid the embarrassment of being seen doing this, I took a gig at a restaurant two towns over. My first day, a girl opens her door to me, and it’s someone I went to summer camp with. “Darin,” she says, somehow unsurprised to find me on her doorstep. “Good timing. Come in, I just ordered Chinese food.” I told her I knew, I knew.
I finally got a job at a financial technology newsletter, where I wrote stories with openings like: “Morgan Stanley is reported to be buying the Telerate trading platform to replace its Thomson real-time, turning from Unix to tcb/ip servers, with four hundred real-time end users.” I never bothered to learn what any of that meant; I wanted to keep my mind free for fiction. I was going to write, write, write. I thought I’d be fired instantly. When my boss said, “Telerate’s TIB is in trouble with its real-time market data platform—find out if data delivery is ... ,” I didn’t know whom to call, what to ask, even what I was supposed to do if I found out. Some kind woman gave me a list of questions to ask, and some numbers to call. Three years I worked there, interviewing people without a clue what I was asking.
Deb Olin Unferth: In Birmingham, Alabama, I taught “self-esteem” in the Department of Family Services waiting room, where four or five hundred people showed up at seven in the morning and waited for hours—sometimes six, seven hours—for their appointments to get food stamps, or to sign up for welfare, or to meet with their caseworker about the children who had been removed from their homes and placed in foster care. My main activity was to get them to play self-esteem bingo. I handed out blank cards, and people were supposed to write adjectives that described them in the spaces. I provided a sample list: “beautiful,” “smart,” “funny.” I’d call out the words and when someone said, “Bingo,” I’d read their card aloud and say, “Now does she have a good self-esteem or a bad self-esteem?” and whoever didn’t completely hate me by that time would chirp, “Good self-esteem!” And I’d give the winner a tiny cheap notebook and say, “Here’s a place for you to write your hopes and dreams.”