Posts Tagged ‘advice’
June 4, 2015 | by Dan Piepenbring
- Barney Rosset, the “the downtown pugnacious outré rebel” (read: publisher of provocative texts), spent his final years immersed in an artistic experiment—transforming one of the walls of his East Village apartment into an elaborate mural. Now there’s a movement to preserve this mural, even if it’s “an art critic’s worst nightmare. For an esteemed literary publisher to leave behind a final work so unpredictable—and so large—has understandably baffled those who survived him. David Rose, editor-in-chief of Lapham’s Quarterly, typifies most people’s reactions to the wall. ‘It’s the most unexpected thing I would have associated with Barney Rosset,’ he said. ‘Of course he would do this, because it makes no fucking sense whatsoever.’ ”
- The evolving (devolving?) art of songwriting in the streaming age: If everyone’s using Spotify to listen to music, and Spotify pays artists only after their songs have been streamed for thirty seconds … then why bother to write songs that are longer than thirty seconds? “Now that streaming has taken off, will song form react? Will it just be three choruses and nothing else? Is it the return of the ABAB song form, where the sections have a balanced weight and there are no sections dedicated to ‘setting up’ another section? … And bridges? Bridges to what, exactly? Who has time for a bridge? You’re either there or you’re not there. Why get stuck in transit from one section to another?”
- The Sketchbook Project is “a collection of crowdsourced sketchbooks that is, according to its staff, the largest in the world. The project was founded in 2006, when Steven Peterman and Shane Zucker, two art students living in Atlanta, began mailing blank Moleskines to anyone who wanted one for a small fee, and then archiving whatever came back.” The project, which now comprises some thirty-four thousand books, is currently mounting its final world tour.
- “Whenever you introduce a character, you don’t have to specify that they are wearing pants. Most readers will just assume that they are wearing pants unless you say otherwise.” Finally, some useful advice from your favorite established authors.
- The Real Housewives of Beverly Hills is many things, most of them reprehensible—but its fixation on capital and cosmetics is arguably instructive, and it has lofty origins. “There’s something weirdly High Tory about the Beverly Hills Housewife profile, more Trollopian dowager than spirited arriviste.”
April 1, 2015 | by The Paris Review
“Anyone who writes down to children is simply wasting his time,” E. B. White told this magazine in 1969. “Children are … the most attentive, curious, eager, observant, sensitive, quick, and generally congenial readers on earth. They accept, almost without question, anything you present them with, as long as it is presented honestly, fearlessly, and clearly.”
We couldn’t agree more. That’s why we’re proud to announce The Paris Review for Young Readers, the first magazine that writes up to children. (No offense to Cricket or Highlights.) Imagine a space for children’s literature that doesn’t condescend, cosset, or coarsen; that’s free of easy jokes and derivative fantasy; that invites open discussion and abundant imagination. A space, in other words, that offers the same caliber of fiction, poetry, art, and interviews you expect from The Paris Review, for readers age eight to twelve.
Today marks the release of TPRFYR’s first issue, and we think the table of contents below speaks for itself. Among its poetry and fiction, you’ll find old classics and new favorites—plus some puzzles, quizzes, and advice columns inspired by literature. There’s a portfolio of drawings from Richard Scarry’s lost years, and, at the center of it all, an interview with Eric Carle, the author of The Very Hungry Caterpillar. “A child is an almost platonic reader,” Carle says. “His imagination remains unbounded.” Read More »
April 14, 2014 | by Sadie Stein
Yesterday, I was one of several people manning a book-centric advice booth as part of a New York literary festival. For days beforehand, I was paralyzed with nerves. I couldn’t face the other, more legitimate advice-givers; I felt like a charlatan and an impostor. I had something of an existential crisis.
I have always wanted to be a maven. But my standards are high, because I once knew a true maven. She was not a know-it-all; she just knew everything. I met her when I was nineteen and my college boyfriend and I were traveling through London. Lise, who at the time was in her seventies, was a friend of his family, and she was the sort of hostess who welcomed friends, and friends of friends, and acquaintances of friends, to stay with her in her flat, south of Hyde Park.
She was an imposing sort of person, her already-deep voice further deepened by years of chain-smoking. In later years, she had a stern doctor and would periodically use some sort of early e-cigarette, but the Marlboro Reds would generally reappear on the kitchen table. As would the whiskey, the butter. She could speak Russian and German and French and had worked as a translator. Meals at her house lasted for five hours, and at the end everyone was drunk but her. Formerly involved with helping end theater censorship in England—and the widow of a spy-turned-diagnostician-turned-mystery-writer—she seemed to know everyone. Beckett and Pinter and Peter O’Toole would all turn up in her stories; other Sunday lunch guests might be Labour whips, or countesses, or just someone’s young daughter who had lost her way and needed a place to stay for a while. Read More »
January 22, 2014 | by Dan Piepenbring
- “A strangely democratic and egalitarian Era of the Word has emerged.” Why we may be living in an idyllic age for journalism.
- “People love stories. The more you see your story as part of a broader narrative, the better.” The six things that make stories go viral will amaze, and maybe infuriate, you. Kudos to The New Yorker for aping Upworthy’s headline style.
- And since we’re doing sixes: six pieces of advice from successful writers. (Though they’re a touch cliché, right down to the “avoid clichés” apothegm.)
- It’s the thirtieth anniversary of the Supreme Court’s Betamax decision. The medium is obsolete; the verdict is not. It’s the basis of a lot of our ideas about copyright, consumer rights, and fair use.
- #ReadWomen2014: A hashtag becomes a movement.
May 24, 2013 | by Sadie Stein
Deeply tragic, deeply instructive. Via Dangerous Minds.
December 25, 2012 | by Julian Tepper
We’re out this week, but we’re re-posting some of our favorite pieces from 2012 while we’re away. We hope you enjoy—and have a happy New Year!
Roughly two weeks ago in the dining room of a Jewish deli on the Upper West Side (whose name, for legal reasons, must remain undisclosed) I served Philip Roth his usual nova, eggs, and onions (egg whites only); a bialy (hold the cream cheese and butter); and a large, fresh-squeezed orange juice. He was once a more regular patron, but I hadn’t seen Roth at the deli for nearly a year—he does reside in Connecticut—and during the last two months I’d been looking forward to his arrival with heightened anticipation. With my debut novel, Balls, now published, I would conquer my nerves and give him a copy. Sure, many months before I had heard him say in an interview that he no longer read fiction. But his reading the book was not the point: having worshiped at the Roth altar for more than half of my thirty-three years, it was simply something that had to be done. And here was my chance.
He was seated alone at a table, reading on an iPhone and awaiting his check. I approached Roth with less trepidation than I had anticipated, given that in past years, the author’s presence had been enough to make me physically ill and render my hands so shaky that I would drop plates, spill coffee, trip on air. He looked … well, he looked like Roth: ruddy skinned, dark eyes stoical, bushy eyebrows untamed, shoulders back in a noble posture.Read More »