Posts Tagged ‘advice column’
June 8, 2012 | by Sadie Stein
Dear Paris Review,
Someone sent me this text message yesterday: “What’s a book I should read to make girls think I'm smart in a hot way? I want to seem like a douchey intellectual instead of my deadbeat self.” What should I tell him?
The correct answer is probably that your friend should be secure in his tastes, find someone who loves him for who he is, and not worry about impressing anyone. Many movies have demonstrated the pitfalls of posturing and the inevitable public unmasking that follows. That said, our job here is to try to answer questions, and as such, I took the unusual step of soliciting a range of answers from both men and women. (My own immediate response was to offer the following formula: worst book of great author, a gambit that men of this type also apply to albums, i.e. Metal Machine Music, which they will claim is underrated.) Then too, there is the dual nature of the question: Does the author wish to come across as a poseur for some reason, or attract a woman of substance? If his goal is (inexplicably) the former, the female contingent offered the following names: Madness and Civilization; The Power Broker; Žižek (any), The Brothers Karamazov. (All worthy reads, needless to say, but often used for ostentatious or intimidating purposes.) And, added one, “I like DFW, but he’s the novelist equivalent of a neg.”
As to books the women whom I spoke to found appealing (and please note that this implies actual reading, not use as props): At Swim Two Birds, The Beauty Myth, “any book read twice.” Elaborated one: “Extra points for Martin Amis memoir, minus points for other Martin Amis nonfiction. Someone who actually appears to be reading William Gaddis for real and not just carrying it around will always rate a second glance. And a straight man reading Mary Gaitskill would be nearly irresistible to me.”
When faced with the same question, male correspondents provided the following terse responses: “Cantos, Pound.” “Kathy Acker.” “Sontag.”
“Portnoy’s Complaint,” said one, “may as well be Yiddish for douche.”
Others were more expansive. “How about Laszlo Kraszahorkai’s Satantango? It’s ostentatious, hip, handsomely designed (looks great on a bedside table), and comes with seals of approval from Sontag, Sebald, and James Wood. It is also, for the most part, unreadable.”
“Gravity’s Rainbow, all the completed Caro LBJ books, Brothers Karamazov. But if you really want ‘I am a brooding intellectual with an effortless knowledge of contemporary culture,’ I think Matterhorn is tough to top.”
“There’s a difference,” remarked one colleague, “between getting a girl to think you’re smart, and getting a girl to WANT to talk to you. The following are books that will make girls want to talk to you.
—Greatest pick-up book of all time is Just Kids by Patti Smith, because every girl has read it and they ALL want to talk about it.
—Any book ever written by Haruki Murakami
—The Collected Stories of Lydia Davis
—White Album by Joan Didion
—What We Talk About, When We Talk About Love by Raymond Carver
—The Phantom Tollbooth by Norton Juster. (Don’t question it. Just trust.)”
And in corroboration, one fellow says: “If it means anything, the only time a girl ever sat down and started talking to me out of nowhere was when I was reading Slouching Towards Bethlehem in college. Didion has an effect on people.”
Take this for what it’s worth, and we hope you actually find a book you love in the process.
Have a question for the editors of The Paris Review? E-mail us.
June 25, 2010 | by Lorin Stein
I wasn’t going to say Jane Austen! I find her deeply, deeply depressing. Maybe you feel the same. If you want to read a genteel English novel where the perpetual “friend” gets the upper hand, try The Tortoise and the Hare, by Elizabeth Jenkins. (Jenkins also wrote a biography of Austen, but you can skip that.) You might get a vicarious kick out of Dawn Powell’s 1942 satire of New York media people, A Time to Be Born. Another tale of a friend triumphant. It sounds, though, as if you may be in the market for a seduction manual. I’ve never read one that rang true, sorry to say. Instead it seems to me one should probably read dirty books—starting with something outrageous and perverse, like Bataille’s Story of the Eye—if only because these books, the really dirty ones, give a person courage when she (or he) feels unsexed. They may help you acknowledge your awkward or forbidden feelings toward those guys, even at the risk of rejection. If you’re fed up, as you say, it’s time to act!Read More »
June 11, 2010 | by Lorin Stein
“Where to start"? Where to start? What kind of asshole are you? You could try to pick up another woman and install her in your apartment, like Jean-Pierre Léaud in The Mother and the Whore. This will require a sidewalk cafe. Or you can nerve yourself up with Leonard Michaels's novella Sylvia, all about a “nice” young man who stays in a miserable marriage, with disastrous consequences. Some guys swear by The Genealogy of Morals or the Maxims of La Rochefoucauld, or you could wallow in Brief Interviews with Hideous Men or that godawful Neil LaBute movie In the Company of Men. But if assholery doesn't come naturally to you (and clearly it doesn't), I recommend the eccentric but wise (and utterly absorbing) study Love and Limerence: The Experience of Being in Love, by the late Dorothy Tennov. Dr. Tennov argues persuasively that the kindest breakups are those that leave no room for hope. Be a mensch—pull the plug.
June 4, 2010 | by Lorin Stein
—S. Johnson, New York City
Elmore Leonard, Rum Punch. Or really Elmore Leonard, anything. When I was a kid and convinced of the genius of Raymond Carver, I tried to get my father to read What We Talk About When We Talk About Love and my dad responded by giving me Leonard’s novel Glitz, explaining that Leonard had a better ear for dialogue—plus in his novels stuff actually happened. This of course was not fair to Raymond Carver. My father might also have pointed out that Leonard’s books are funny. The one trouble with Leonard, and the reason I no longer read his novels, is that I have real trouble putting them down. Also I never remember anything about them. All I remember about Rum Punch, for instance, is the title and that it kept me up all night.
Post script: a friend who knows his way around reality TV suggests Roald Dahl’s Tales of the Unexpected as a sort of halfway house on the long road back to the novel. Judging from my one brush with The Real Housewives of New York, this is an excellent recommendation—Ramona and Kelly are Dahl characters come to life.