Posts Tagged ‘advertisements’
May 26, 2016 | by Dan Piepenbring
I read that a Burger King franchise in Helsinki has opened an in-store sauna, serving Cokes and fries to visitors as they sweat it out, and my first thought was: I want to go there. I don’t mean “go” in the sense of an ironic pilgrimage, the way some people go to Dollywood or the Momofuku Ando Instant Ramen Museum. This is a more disturbing impulse. Even if I recognize the sauna for what it is—a cynical ploy by a multinational corporation to hijack a local tradition, down to the inclusion of BK-branded robes and towels—I have an ingrained affinity for Burger King that resists rational argument. I could hurl a brick through the window of their corporate headquarters, but I know I’d only end up wanting a Whopper as the cops handcuffed me.
I haven’t eaten at a Burger King in years, but I’ve accepted that the Whopper is my madeleine. I guess this makes BK—the world’s second largest fast-food hamburger chain, an amoral monolith helping to drive up the obesity rate by plying a misinformed, increasingly impoverished public with processed foodstuffs—something like my Combray. As sad as it sounds, to sink my teeth through that sesame-seed bun is to activate long-dormant memories of … the sesame-seed buns of my childhood. Read More »
April 19, 2016 | by Sadie Stein
“Oh my God,” I said, turning to my husband with tears in my eyes.
“What is it?” he asked, understandably alarmed. The train had stopped at a Connecticut station—Rowayton, maybe—and it smelled like sun-warmed Naugahyde and Metro-North and commuter. “What is it?”
Blinded by tears—and the fact that I’d removed my glasses to dash them away—I pointed to an advertisement on the platform. Read More »
March 3, 2016 | by Sam Sweet
The long and tangled history of Alfred E. Neuman.
In a 1975 interview with the New York Times, MAD Magazine founder Harvey Kurtzman recalled an illustration of a grinning boy he’d spotted on a postcard in the early fifties: a “bumpkin portrait,” “part leering wiseacre, part happy-go-lucky kid.” It was captioned “What, Me Worry?”
That bumpkin became Alfred E. Neuman, MAD’s mascot, who turns sixty this year—kind of. The impish, immutable redhead made his official debut in December 1956, when he appeared on the cover of MAD no. 30 as a write-in candidate for president. He’s appeared on almost every MAD cover since: possessing, spoofing, and spooking cultural icons with nothing more than a drowsy rictus. Though MAD gave him a purpose, a permanent home, his origin story remains elusive. It involves, among other things, a plum-pudding advertisement, a dubious lawsuit, and a traveling nineteenth-century farce. Neuman is forever synonymous with the magazine and its infinite irreverence, but the riddle of his real age may be the trickster’s trump card. Read More »
June 22, 2015 | by Dan Piepenbring
- As an undergraduate at Harvard, T. S. Eliot risked flunking out—but fear not, for his febrile poetic mind was already hard at work: “He invented the characters of ‘Columbo’ and ‘Bolo,’ who for years to come starred in a series of scatological, violent, and racist poems. Circulated privately, these verses became known to a wider readership only after Eliot’s death, when they presented the immensely refined poet in a bizarrely crude light … such writing served a purpose for the shy, physically awkward, and sexually late-blooming Eliot. It was a way for him to bond with his peers … ”
- Advertisements used to contain words—many words—even those aimed at such famously illiterate audiences as rock-music fans. A look at the Rolling Stone archive reveals a surprising amount of po-mo sophistication in record-label copywriting. A 1979 ad for the singer-songwriter Sirani Avedia, for example, begins, “After the chic anarchy of punk, the escapism of disco, and the cerebral celebrations of jazz fusion … something real.”
- An old photograph by Giovanni Gargiolli inspires ruminations on fatherhood: “The photograph was taken outside a Franciscan church in Alatri, a village south of Rome, in 1902 or 1903 … I recognize myself in that father who is leaning out of the family portrait in the church doorway. I feel an apartness, and I wonder: Is it a movable obstacle to the fullness of fatherhood, a primordial paternal taint, or a simple truth about the way men who have children are around their children?”
- Disturbing news from the tech sector: research suggests that our computers, the very beings on which our civilization depends, are no more than drug-addled dreamers, lost in psychedelic reveries every bit as inscrutable as those of your average dusthead. Google discovered what its image-recognition networks “imagine” by “feeding a picture into the network, asking it to recognize a feature of it, and modify the picture to emphasize the feature it recognizes. That modified picture is then fed back into the network, which is again tasked to recognise features and emphasize them, and so on. Eventually, the feedback loop modifies the picture beyond all recognition.”
- Nick Sousanis received his doctorate in education for Unflattening, a dissertation in the form of “a graphic novel about the relationship between words and pictures in literature.” Its lowly ambition? “Insurrection against the fixed viewpoint … Fusing words and images to produce new forms of knowledge.”
May 20, 2015 | by Sadie Stein
I have often said that I wish I had invented blue jeans: the most spectacular, the most practical, the most relaxed and nonchalant. They have expression, modesty, sex appeal, simplicity—all I hope for in my clothes. ―Yves Saint Laurent
This late seventies Levi’s commercial is no “I’d Like to Teach the World to Sing.” Let’s just get that out there right now—because after Sunday’s Mad Men finale, watercoolers across the nation have had that iconic Coke jingle sung around them. The Levi’s campaign may suffer by comparison, though it is, like the Coke jingle, a classic McCann Erickson Me-Decade production, designed to make iconic American brands appeal to happening youth. The anniversary of Levi Strauss’s patent grant seems like a good excuse to celebrate it. Read More »
October 24, 2014 | by Dan Piepenbring
Tomorrow marks the centenary of John Berryman’s birth.
I went in and asked for Mr. Yeats. Very much like asking, “Is Mr. Ben Jonson here?” And he came down. He was much taller than I expected, and haggard. Big, though, big head, rather wonderful looking in a sort of a blunt, patrician kind of way, but there was something shrunken also. He told me he was just recovering from an illness. He was very courteous, and we went in to tea. At a certain point, I had a cigarette, and I asked him if he would like one. To my great surprise he said yes. So I gave him a Craven “A” and then lit it for him, and I thought, Immortality is mine! From now on it's just a question of reaping the fruits of my effort. He did most of the talking. I asked him a few questions. He did not ask me any questions about myself, although he was extremely courteous and very kind. At one point he said, “I have reached the age when my daughter can beat me at croquet,” and I thought, Hurrah, he's human! I made notes on the interview afterward, which I have probably lost. One comment in particular I remember. He said, “I never revise now”—you know how much he revised his stuff—“but in the interests of a more passionate syntax.” Now that struck me as a very good remark. I have no idea what it meant and still don't know, but the longer I think about it, the better I like it. He recommended various books to me by his friend, the liar, Gogarty, and I forget who else. The main thing was just the presence and existence of my hero.
—John Berryman, The Art of Poetry No. 16, 1972