Posts Tagged ‘Adam Wilson’
December 21, 2012 | by Sadie Stein
“He is at once too cynical, too sincere, and too weird for schmaltz”: Paris Review special Mad Men correspondent Adam Wilson turns his gaze on Louie over at the L.A. Review of Books. —Lorin Stein
This hallucinatory Christmas duet between David Bowie and Bing Crosby has become, thank God, an improbable standard, but the story behind it deserves some extracurricular reading. Peruse to deepen your experience of this seasonal wormhole as it collapses the distance between genres and generations and renders our edgy Ziggy saccharine as a candy cane. That snow-white tan is just snow, and the only things that look especially well hung are the stockings. —Samuel Fox
June 20, 2012 | by Adam Wilson
Sunday. Father’s Day. It was a lovely day, high sixties and sunshine, the last spring wind before summer stills the air and AC units plug windows, dripping dirty water on my sunburnt, hairless head. I was at the King Suite at the hotel 6 Columbus on Fifty-eighth street, a comfortable and accommodating establishment decorated in a 1960s mod style. Zebra-patterned throw pillows and four-hundred-thread-count sheets. A Guy Bourdin print was hanging over my bed. The bathroom mirror was circular, haloed by a curved fluorescent bulb that adds a golden aura to my cheeks and shiny head. The bathroom walls were blue tile. The curtains looked like textile cutouts from old issues of Vogue. The bed was large and soft and sexy. The ceiling high and airy. I was here to channel you, Don, to gauge the world through your big brown eyes. I wanted to feel the tidal pull of a room without a past, a bed whose every morning comes complete with clean, new sheets.
That day, through my window, I could see the Columbus Circle fountain, and Central Park beyond it: fathers and sons, fathers and daughters, fathers and dogs and wives and husbands, all out for postbrunch strolls. Families skipped light-footed in the sunlight, smiling and carrying shopping bags. The fathers had received gifts that morning: new ties, new socks, new oversized grill spatulas. Their bellies were swollen with bacon and Bloody Marys. Their faces flushed rosy. They wore sunglasses and stupid shorts; their shirts were thickly pinstriped, overly pocketed, Hawaiian even; all varieties of dad-dork style. These are the new American men: nonsmokers, light drinkers, carb cutters. Boy did they look happy. It was their day.
And where were you that morning, Don? Last we saw, you’d dressed your wife as a Disney princess, and then abandoned her on set so you could drink up at the bar. Megan was lovely, G-ratedly grinning for the cameras. It made you sick to your stomach, didn’t it, the way she gave up her ideals for a little taste of fame? There was something unabashedly babyish in her joy, like a little girl playing dress up. And you were her jaded daddy. You’re the blunt realist who’s seen the gears that turn the wheels of capitalism. You work those gears, pull the levers, propagate the charade. But to buy into it like Megan did? To hang her star on an ad for Butler shoes?
June 6, 2012 | by Adam Wilson
I feel like Eminem when he wrote to that dude Stan, recommending psychiatric treatment before realizing that Stan had already driven his car off a bridge, pregnant girlfriend tied up in the trunk. Or like the guy in that Phil Collins song “In the Air Tonight” who could have saved that other guy from drowning, but didn’t. Or like Count Vronsky in Anna Karenina, who was so busy partying with socialites, he didn’t realize his girlfriend was depressed and fucked up on morphine until it was too late.
[Spoiler alert! -Ed.]
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April 24, 2012 | by The Paris Review
This Thursday, join us at NYU’s Lillian Vernon Creative Writers House for an evening of new fiction and poetry from The Paris Review, hosted by editor Lorin Stein. The event, part of NYU’s Creative Writing Program Reading Series, will feature readings by recent contributors, including Adam Wilson, author of Flatscreen (and winner of our Terry Southern Prize) and Rowan Ricardo Phillips, author of the poetry collection The Ground.
For details, visit the Reading Series Web site.
April 12, 2012 | by Sadie Stein
When people hear that one works at The Paris Review, they often assume it’s a glamorous affair: parties, champagne, stories of the magazine’s early days in France, and famous writers as far as the eye can see. Last Tuesday, they were right.
The Spring Revel isn’t just our big fund-raiser. It’s also a chance for the old guard to meet the new kids and vice versa. This year, former editor Mona Simpson presented newcomer Amie Barrodale with the Plimpton Prize, and young Adam Wilson—winner of the Terry Southern Prize for humor—paid tribute to Southern himself. Robert Silvers, now in his fiftieth year helming The New York Review of Books, was toasted by the freshest face in the magazine business: Facebook cofounder Chris Hughes, who bought The New Republic a month ago. Zadie Smith described what it’s like being a new kid at The New York Review, and Bob remembered being a new kid under George Plimpton. Read More »
March 13, 2012 | by The Paris Review
On Tuesday, April 3, The Paris Review will honor two of our favorite young writers.
Amie Barrodale will receive the Review’s Plimpton Prize for “Wiliam Wei,” which appeared in our Summer issue.
Adam Wilson will receive the second Terry Southern Prize for Humor for his story “What’s Important Is Feeling” and his contributions to The Paris Review Daily.
The Plimpton Prize for Fiction is a $10,000 award given to a new voice published in The Paris Review. The prize is named for the Review’s longtime editor George Plimpton and reflects his commitment to discovering new writers of exceptional merit. The winner is chosen by the Board of the Review. This year’s prize will be presented by Mona Simpson.
The Terry Southern Prize for Humor is a $5,000 award recognizing wit, panache, and sprezzatura in work published by The Paris Review or online by the Daily. Perhaps best known as the screenwriter behind Dr. Strangelove and Easy Rider—and the subject of an interview in issue 200!—Terry Southern was also a satirical novelist, a pioneering New Journalist, and a driving force behind the early Paris Review. Comedian David Cross will present this year’s award.
The honoree of this year’s Revel is Robert Silvers. Zadie Smith will present Silvers with the 2012 Hadada, the Review’s lifetime achievement award recognizing a “strong and unique contribution to literature.” Previous recipients of the Hadada include James Salter, John Ashbery, Joan Didion, Norman Mailer, Peter Matthiessen, George Plimpton (posthumously), Barney Rosset, Philip Roth, and William Styron.
Come help us celebrate our honorees and our two hundredth issue—and support the Review. Buy your Revel tickets now!