Posts Tagged ‘Accidents’
July 28, 2014 | by Sadie Stein
I was midway through a very different sort of post today when something unexpected happened: I got hit in the face on the subway.
It was an accident, but no less unpleasant for that. On the subway, you expect a certain amount of violence: in the course of a rush-hour commute you’re liable to be jostled, elbowed, crowded, and trod upon. If you are short, the incidence is even higher. But even by those standards this was unusual. Indeed, even by my own day’s standards—which seem to contain more petty indignities than a Benny Hill sketch—this was unusual.
Long story short: as we were both getting up to exit the 1 train, a man hefted his backpack and, in the process, backhanded me. Because his arm was propelled by the weight of his bag, and because I was in the midst of standing up, the blow was really hard. A gasp went up from everyone who had seen. He apologized, twice, but there really wasn’t anything he could do. And because there is nothing worse than refusing an apology for something done without intention, of course I accepted it, and tried to smile and pretend it was nothing.
It has been a while since I was punched in the subway. The last time was much worse. I got on the train with a heavy paper grocery bag in each hand. No sooner had I walked through the doors when a teenager, out of nowhere, punched me in the stomach. It wasn’t that hard, but the shock was enough that I dropped my bags, a plum rolled down the car, and—I would discover later—several eggs broke. His friends cackled with glee. No one did anything.
That wasn’t even the worst part. “Hey, sorry,” said the kid, after I had sat down. Then, “Give me a kiss.”
Now, I’m sitting here with a cold pack to my aching jaw—I have one of those cartoon-drunk ice bags. I think it is going to swell, but hopefully won’t excite too much comment. If I have to, I guess I could make some awful joke about Zsa-Zsa Gabor and New York, and try to be jaunty. But the truth is, I hate having to admit I’m a victim of the city, you know?
July 7, 2014 | by Dan Piepenbring
Google is growing up. Its cameras have entered the mirror stage. Since 2011, the company has sent elaborate camera-mounted trolleys into museums as part of Google Art Project, which allows users to browse galleries around the globe, clicking through room by room to simulate the sense of space. Sheathed occasionally (and abstrusely) in shimmering Mylar blankets, Google’s cameras take photographs in 360 degrees; whenever the trolley passes a mirror, it takes an accidental self-portrait.
Now, just as Jon Rafman’s “9-Eyes” presents moments of incidental beauty and sublimity from Google Street View, a new tumblr by Mario Santamaría called “The Camera in the Mirror” captures Google’s cameras as they capture themselves: unsettlingly alone and caught in a kind of perpetual anachronism, surrounded by art and artifacts from centuries past.
If Lacan and Baudrillard somehow procreated, and their child ate some bad LSD, the hallucinations might resemble something from “The Camera in the Mirror.” There are no people in these photos—only an inert, mechanical totem pole seemingly obsessed with itself. It’s hard not to ascribe human motivations to the thing, in part because it resembles a sleek bipedal extraterrestrial and in part because it sits, with chilling deliberation, at the center of every frame. In certain shots it looks imperious, haughty; in others it becomes almost playful or curious. In only a few minutes it takes on a kind of personality, and so the whole project becomes tinged with the rhetoric of science fiction: What does the machine want? Where is it going? Is there any stopping it?
I thought of a few lines from Sartre’s Nausea and gave myself the willies: “People who live in society have learnt how to see themselves, in mirrors, as they appear to their friends. I have no friends: is that why my flesh is so naked?”
And yet, as terrifyingly impenetrable as they seem, these photos are signs of fallible life from the Googleplex—they shatter the illusion of seamless museum-going, showing us the leering, error-prone business end of one of the world’s most ubiquitous and powerful corporations. They testify to Google’s mind-boggling wealth: among other niceties, these trolleys are mounted with the CLAUSS RODEON VR Head HD and CLAUSS VR Head ST, two panoramic cameras that take photos with about a thousand times more detail than the average digital camera. They cost upward of five thousand dollars apiece. Of course they want to look at themselves.
January 11, 2014 | by Brian Cullman
My father bought me a Swiss watch when I was seven. The strap was too big and needed adjusting, but when I could finally put it on, I felt a surge of electricity pulse through me, as if I’d just been shackled to time’s wrist. No matter what I did, I couldn’t get the ticking of the second hand to sync up with the beat of my heart.
I stopped wearing it and kept it in my pocket, only later finding the proper use for it: timing the forty-fives I bought and listened to in my room, checking the accuracy of the time on the label to the time on my watch. The Beatles’ singles, I found, all listed the correct times. The Rolling Stones’ singles, not so much. They’d often claim their songs were fifteen or twenty seconds shorter than they really were, hoping to get more airplay from DJs, who would often opt for a song they could run right into the news break. For me, it was the first hint that time was negotiable, that with the right connections no one had to pay full price for an hour. That being the case, what was the point of a watch? I haven’t worn one since. Read More »