January 29, 2015 | by Dan Piepenbring
- W. H. Auden was a professor at the University of Michigan for the 1941–42 academic year. His course was called Fate and the Individual in European Literature, and its syllabus mandated more than six thousand pages of reading: The Divine Comedy, The Brothers Karamazov, Moby-Dick, Fear and Trembling …
- Coming to the Huntington Library: Jane Austen’s family letters, Wicked Ned the Pirate’s watercolors, Louis Pasteur’s beer notes (“scribbled on pages of various sizes, in black and blue ink”).
- On Pedro Lemebel, a Chilean writer (and artist and activist and provocateur) who died last week: “a writer who called himself a ‘queen’ (una loca) and ‘a poor old faggot’ (un marica pobre y viejo), and whose style and obsessions were forged on the social margins and in political opposition.”
- Alfred Hitchcock’s unreleased documentary about the Holocaust, suppressed for decades, is being screened in full for the first time later this year. “The film, shown at test screenings, extremely disturbed colleagues, experts and film historians.”
- Fear death? Sure you do! Don’t just sit there drumming your fingers and waiting for the end, though. Talk about it. Over coffee. At a Swiss death café. “The idea for the café mortel was simple: the gathering was to take place in a restaurant, anyone could come, and [Bernard] Crettaz [a Swiss sociologist] himself would gently marshal the conversation. The only rule was that there was to be no prescription: no topic, no religion, no judgment. He wanted people to talk as openly on the subject as they could.”