Our Daily Correspondent
November 25, 2015 | by Sadie Stein
This vintage video from the U.S. Department of Agriculture actually gives a very good primer on carving—frankly, it’s the best guide I’ve found, and the thigh-meat trick is indeed neat, even if the announcer’s chummy tone can grate. (Be sure to watch long enough to hear him intone, “There goes that drumstick for a hungry boy!”)
But it raises other questions. Mainly: What is “turkey time,” and why is it separate from “carving time”? Best of all is the rather menacing, passive-aggressive coda: “You can carve without these directions, but you can probably carve better with them.” As a random drunk in a bar once slurred at me when I said I didn’t want to go to the pier with him, “Fine, whatever, just thought you might want to see the Statue of Liberty!”
Don’t do me any favors, turkey-carvers of America. If you want to eat hacked-off hunks of meat, it’s your funeral! Whatever!
Sadie Stein is contributing editor of The Paris Review, and the Daily’s correspondent.
November 24, 2015 | by Sadie Stein
The other day, I invented the worst game ever. It all started in the supermarket when I passed the processed cheeses. Velveeta, I read. Then, somehow, I found myself thinking, Velveeta, light of my life, fire of my loins. My sin, my soul. Vel-vee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Vel. Vee. Ta.
This was quite bad enough, but understandable. I tried it with Chiquita, and Ryvita, and then I forgot about it, because, well, it’s asinine. Then, later in the day, I realized I was muttering, “Flour. Light of my life, fire of my loins.” And later, the same thing, but with asphalt subbed in. Read More »
November 23, 2015 | by Sadie Stein
I recently had a thought while reading Marjory Hall’s A Picnic for Judy, a YA book from 1955. The premise was promising: a young woman is forced to move with her family to a rambling old inn on a Maine island. Score! I thought. It seemed like it would combine my favorite fifties YA themes: coming of age, pine trees, and redecorating, with setting to rights into the bargain. Yes, surely this would be the sort of book that Betty Cavanna could whip up with her eyes closed—that I find so comforting and fun.
It’s true, I’d had mixed results with Howell before. Her books have been known to involve inexplicable decision-making, mysterious romantic motivations, and leaden dialogue. But with this setup, how could she go wrong? At the very least, there’d be a picnic scene. Read More »
November 20, 2015 | by Sadie Stein
While I was paying for a jute doormat, the salesman asked me if I’d like to make a donation toward some children’s charity.
“Uh, sure,” I said. “Two dollars?”
He suddenly produced a string of jingle bells and started pealing it jubilantly. “Thank you!” he screamed, as all his colleagues joined in with similar enthusiasm. I looked at the floor in shamed horror. Read More »
November 19, 2015 | by Sadie Stein
In the past week, I’ve downloaded a guided meditation app, bought a new album I’d been looking forward to, and let several worthy podcasts pile up in my queue. And yet, the only thing I find myself listening to is “Skylark,” the 1942 standard brought to prominence by Glenn Miller. Do you ever get in these obsessive ruts—these experiences where suddenly, a song you’ve heard a hundred times speaks to you in a new, urgent way? And nothing else feels like the sound track of that moment? Read More »
November 18, 2015 | by Sadie Stein
These days I’m not really one for flash mobs, ubiquitous improv, or other anodyne, faux-spontaneous acts of pranking and merrymaking. I mean, you do you—I’ll be over here, surly and unwacky. I think it’s because a part of me knows I could have gone in that direction, very easily; with one slight twist of fate or genetics, I might be riding the subway in my underpants right now. It is very nearly in my blood. Read More »