August 17, 2016 | by R. J. Hernández
Why I borrowed a name from Salinger.
Ask someone who Seymour Glass is and they’ll tell you he’s a Salinger character: the eldest of the precocious Glass family, a misanthrope who shoots himself on vacation in “A Perfect Day for Bananafish.” But if that someone works in the New York fashion industry—specifically, in the editorial departments of select glossies—their response might be, Didn’t he used to work here?
That’s me they’re thinking of. Read More »
August 4, 2016 | by Kent Russell
The corpse flower’s indifferent, cosmic energy.
As I strolled through the midmorning dumpster efflorescence of the west Bronx, I thought to myself, Summertime in the city is a contact high. It has less to do with sun and heat; it’s the sweet-sour reek of parboiling garbage that signals the height of the season is here. I breathed in summer as I skipped past wide, still puddles left by Friday’s A.M. showers.
North of Fordham’s campus, I joined a long line of people buying tickets at the entrance to the New York Botanical Garden. I’d been waiting for days, watching the YouTube live stream, assiduously refreshing the NYBG Twitter feed when, finally, it happened—on Thursday night, the Garden’s nine-year-old corpse flower, its Amorphophallus titanum, started blooming. It was the first specimen of this famously gorgeous-yet-also-rank-as-hell flower to bloom in the Garden since July 7, 1939. That day, in a “tribute to the salubrious climate of the Bronx,” the Amorphophallus titanum was proclaimed official borough flower, a distinction it held until 2000. Read More »
August 2, 2016 | by Terry McDonell
Befriending George Plimpton.
George’s questions were like trampolines, a technology he admired. They bounced you higher—to the next question. This was particularly true when he was talking about writers and writing.
“Did you know that the great Camus played goal for the Oran Football Club?” he asked me when we were walking past an Algerian restaurant near his apartment on Seventy-Second Street. I was unaware but said that I did think Gabriel García Márquez had written a soccer column for a while in Bogota.
“Alas,” George sighed, “Le colonisateur de bonne volonte was never moved to write about it. Imagine, the existential goalkeeper.”
“Alas,” I said, and he gave me a look. Read More »
July 15, 2016 | by Alyssa Pelish
A history of the discipline, and of myself.
A few months after I turned sixteen, I began to keep a journal. I labeled it VOLUME I and titled it Journal of the 16th Summer of Alyssa Jean Pelish—anticipating posterity, if only in the form of my older self. I wrote in this journal daily, diligently, the only way I knew how. I had no models beyond the very general Protestant work ethic it is possible to glean from children’s picture books and Saturday morning cartoons and after-school reruns, which taught me that you win approval by, say, training your horse every single day, or, once you have planted a seed, by never ceasing to pull up the weeds and sprinkle water over the ground. Unstinting repetition was, therefore, my MO. Read More »
July 12, 2016 | by Daniel Kunitz
When physical fitness meets the literary life.
Young people are a mess. They eat the crappiest fast food, make a point of drinking only to excess, barely sleep, indulge in all sorts of chemicals—and yet, given even a modicum of activity, their bodies bounce back with all the manic exuberance of a Super Ball in a many-angled room. Growing up, I made a thorough test of this proposition. Through high school and college, I neither participated in team sports (unless you count the bong-hit team) nor pursued any type of systematic exercise, and in fact I don’t recall anyone ever suggesting that doing so might be beneficial. What kept me from the obesity that has become epidemic among children today was a fast metabolism and sporadic bursts of movement: I was an avid skier, over the fifteen-odd days a year that skiing was possible for a kid growing up in Maryland; and on occasion I’d play tennis, go hiking, or ride my bicycle. Read More »
July 8, 2016 | by Drew Bratcher
I saw Garth—that’s what we called him, just Garth—with three friends when we were in the fourth grade, maybe fifth. He was touring in support of 1993’s In Pieces album. A Nashville native, I had been listening to country music for as long as I could listen, but Garth was the artist that had turned me from a passive listener into an enthusiast. My grandfather had had Johnny Cash, my parents Alabama. But Garth, Garth was mine.
As far as they were concerned, I could have him. When the guitar arpeggio at the start of “Friends in Low Places,” his first hit, came over the radio, my parents would switch the dial from 97.9, which played Top 40 country, to 95.5, which played the classic stuff. “Blame it all on my roots / I showed up in boots,” Garth sang, in a lyric that seemed to announce a changing of the guard, “and ruined your black tie affair.” Read More »