January 28, 2016 | by Dylan Hicks
Ed. note: The contest has ended. Thanks to all who entered, and congratulations to our three clever winners: Connie McClung, from Atlanta, Georgia; and Maxine Anderson and Seth Christenfeld, both from New York, New York.
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January 25, 2016 | by Dylan Hicks
***UPDATE—The contest has ended! Thanks to all who entered. Click here for the answers—and the winners.***
Hink pink is a word game in which synonyms, circumlocution, and micronarratives provide clues for rhyming phrases. In the standard explanatory example, an “overweight feline” is a “fat cat.” Hink pinks on that babyish level aspire to lend vocabulary building an air of fun, but more sophisticated puzzles are sometimes mulled over on road trips, in trenches, and in other settings where boredom and tension might be mellowed, to paraphrase Dryden, by the dull sweets of rhyme.
Players aren’t restricted to monosyllables. A puzzle of disyllabic components is a hinky pinky, followed with decreasing dignity by hinkily pinkilies, hinklediddle pinklediddles, and hinklediddledoo pinklediddledoos. Even with longer puzzles, however, the goal, almost a mandate, is for each syllable to rhyme perfectly, though this perfection might depend on idiosyncratic stress. Many of the puzzles below are possessive constructions along the lines of “Bob’s jobs,” but where pluralization seemed cumbersome, nearly perfect rhymes were tolerated (“Bob’s job”). If you’re spurred to dream up hink pinks of your own, keep in mind that answers shouldn’t merely rhyme but also hold meaning as a unit, however whimsically. “Tree soda” might lead to “oak Coke,” but joylessly. “Naturalist’s soft drink” for “Zola’s cola” is more in the spirit.
Ed. note: The contest has ended.
These are really hard. In the spirit of our contest last month, we’re prepared to make things interesting. Solve half of these riddles—any thirty of them—and we’ll reward you with a one-year subscription to The Paris Review along with a copy of our new anthology, The Unprofessionals. (If you can solve all of them, we’ll throw something extra special into the bargain.) Send an e-mail with your answers to firstname.lastname@example.org; the first three correct lists will win. The deadline is Friday at noon EST, when we’ll post the answers. Good luck.
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January 13, 2016 | by Dan Piepenbring
A few months ago, we published Thomas Mallon’s introduction to John O’Hara’s Pal Joey, which turns seventy-five this year. “I sense that O’Hara’s moment for a really breakout revival,” Mallon writes, “may at last be upon us”:
Joey’s is an American voice from the second act of the American century, a time when the country’s wisecracks and slang, thanks to movies and even to books, wrapped themselves around the thoughts and vocal cords of half the world. O’Hara had the upwardly mobile luck to be in possession of the best ear anybody had for catching and transmitting the national lingo.
The new Penguin Classics edition is out this week, and we’re celebrating by giving three copies away. Anyone who retweets the message below is eligible to win; we’ll select three names at random.
December 9, 2015 | by Stephen Andrew Hiltner
On Monday we announced a contest based on a recent archival discovery: a decades-old illustration, by Anthony Russo, of a Paris Review office packed with writers. To our surprise, after more than three hundred entries, we have only one winner: David DeJong, a copywriter from Cambridge, Massachusetts.
The writers are as follows:
1. Joan Didion
2. Milan Kundera
3. Samuel Beckett
4. Tama Janowitz
5. Truman Capote
6. Saul Bellow
7. Kurt Vonnegut
8. William Styron
9. Norman Mailer
10. William S. Burroughs
11. John Updike
Congratulations, David! And thanks to all those who participated.
December 7, 2015 | by Stephen Andrew Hiltner
Here at The Paris Review’s offices, we’re often uncovering oddities from our archive: our “Twenty Year Index,” content from our very first Web site, festschrifts from bygone anniversaries. Last week, though, we discovered something entirely different: an illustration by Anthony Russo depicting a Paris Review office chock-full of literary heavyweights. And we’ve decided to have some fun with it.
If you can correctly identify all eleven writers in Mr. Russo’s illustration, we’ll give you a free one-year subscription to The Paris Review—along with a copy of our new anthology, The Unprofessionals. Just send an e-mail with the names and their accompanying numbers to email@example.com; the first three correct lists will win.
Good luck—and have fun!
September 24, 2015 | by Dan Piepenbring
Remember this summer’s #ReadEverywhere contest, the one we went on and on about? It was a great success. We asked readers to submit pictures of themselves reading The Paris Review or the London Review of Books around the world, and you did, by the hundreds, from far and wide. Now the time has come to announce the winners, selected in an elaborate ritual not unlike the papal conclave.
(Have the rolling timpani in your head commence … now.) Read More »