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Visit Our Pop-up Shop Today

February 10, 2015 | by

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You may have heard about our special Valentine’s Day gift box—choose any three issues from our archive, and at no extra charge, we’ll bundle them in the lovely package you see above, including a card featuring William Pène du Bois’s 1953 sketch of the Place de la Concorde.

If you’re downtown this Thursday, February 12, and you need a last-minute gift, you can pick up a Valentine Day’s set from us in person. We’re hosting a pop-up shop at the Standard Hotel’s Shop at the High Line: 848 Washington Street at Thirteenth Street. We’ll be there from two to seven with a wide array of vintage issues, discounted subscriptions, T-shirts, and more. Stop by and say hello!

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The 2015 Folio Prize Shortlist

February 9, 2015 | by

MasterRe_275 This morning, the Folio Prize announced the eight novels on their 2015 shortlist. The prize, now in its second year, is the only major English-language book award open to writers around the world; it aims “to celebrate the best fiction of our time, regardless of form or genre.” Its chair of judges, William Fiennes, told the Guardian that the books on this year’s list “say something true about human experience in a way that feels like something new”: “There’s dazzle and wildness and experiment hand in hand with a deep core commitment to human struggles and fervors and longings.”

Plenty of that dazzle and wildness is already familiar to our readers, who have encountered three of this year’s shortlisted novels in The Paris Review. Parts of Ben Lerner’s 10:04 appeared in our Summer 2013 and Spring 2014 issues; our Winter 2014 issue included an extract from Jenny Offill’s Dept. of Speculation; and in that same issue, we began to serialize the entirety of Rachel Cusk’s Outline. We’re delighted that the three of them have been recognized for their work.

The full shortlist is below—congratulations to all the nominees. The winner will be announced on March 23.

10:04 by Ben Lerner
All My Puny Sorrows by Miriam Toews
Dept. of Speculation by Jenny Offill
Dust by Yvonne Adhiambo Owuor
Family Life by Akhil Sharma
How to Be Both
by Ali Smith
Nora Webster by Colm Tóibín
Outline by Rachel Cusk

Visit Our Valentine’s Day Pop-up Shop on Thursday

February 6, 2015 | by

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Our gift boxes—and plenty of issues from our archive—will be available on Thursday.

You may have heard about our special Valentine’s Day gift box—choose any three issues from our archive, and at no extra charge, we’ll bundle them in the lovely package you see above, including a card featuring William Pène du Bois’s 1953 sketch of the Place de la Concorde.

If you’re downtown this Thursday, February 12, and you need a last-minute gift, you can pick up a Valentine Day’s set from us in person. We’re hosting a pop-up shop at the Standard Hotel’s Shop at the High Line: 848 Washington Street at Thirteenth Street. We’ll be there all afternoon with a wide array of vintage issues, discounted subscriptions, T-shirts, and more. Stop by and say hello! We’ll update this space with more details as we have them.

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Show Your Affection with Vintage Issues of The Paris Review

January 23, 2015 | by

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Photo: Stephen Andrew Hiltner

It’s not easy to describe matters of the heart. Even Shakespeare sometimes got it wrong: “Love is a smoke,” he wrote in Romeo and Juliet, as if we’re all human cigarettes, burning ourselves down with romance.

But Valentine’s Day is mere weeks away, and if we want to make a good impression, it behooves us to use our words—our best words. Fortunately, The Paris Review’s archive is full of writers, more than sixty years’ worth, who know all the right things to say.

That’s why we’re offering a special Valentine’s Day box set: choose any three issues from our archive, and at no extra charge, we’ll package them in the lovely gift box you see above, including a card featuring William Pène du Bois’s 1953 sketch of the Place de la Concorde. (You may have seen it on the title page of the quarterly, or in the footer of our Web site.) Then they go straight to the home of your significant other.

You’ll find all the details here—orders begin shipping next week, and delivery before Valentine’s Day is guaranteed if you order by February 10.

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Say “I Love You” with Vintage Issues of The Paris Review

January 14, 2015 | by

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It’s hard to put love into words. That’s why so many of us express our emotions with small, high-pitched noises, like woodland creatures.

But Valentine’s Day is only a month off, and we must rise to the occasion with language. Luckily, The Paris Review’s archive is full of writers—more than sixty years’ worth—who know all the right things to say.

That’s why we’re offering a special Valentine’s Day box set: you choose any three issues from our archive, and at no extra charge, we’ll package them in a beautiful gift box, including a card featuring William Pène du Bois’s 1953 sketch of the Place de la Concorde. (You may have seen it on the title page of the quarterly, or in the footer of our Web site.) Then they go straight to the home of your significant other.

Unless you’d rather send them to yourself, so you can memorize, say, the entirety of our Art of Poetry interview with Pablo Neruda and impress your valentine by quoting it at length. Either way, you look very thoughtful.

You’ll find all the details here—orders begin shipping the last week of January.

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Dear Critics: You Heard It Here First

January 13, 2015 | by

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Illustration: Samantha Hahn

Although Rachel Cusk’s Outline has not been available in hardcover until today, it’s already enjoyed a wild succès d’estime with some of our favorite critics. Last Wednesday, in the New York Times, Dwight Garner called it “transfixing … You find yourself pulling the novel closer to your face, as if it were a thriller and the hero were dangling over a snake pit.” In The New Yorker, Elaine Blair used Outline as the occasion for a trenchant essay on fiction and autobiography:

The novel is mesmerizing; it marks a sharp break from the conventional style of Cusk’s previous work … Cusk’s insight in Outline is that, instead of trying to show two sides of a marriage, she might do the opposite: focus on the inevitable, treacherous one-sidedness of any single account [which] surely has something to do with why marriages themselves come apart.

In the Guardian, Hilary Mantel described Outline as “fascinating, both on the surface and in its depths.” Bookforum’s Hannah Tennant-Moore called it “lovely … smart, ascetic”; and in the most recent New York Times Book Review Heidi Julavits raved: “Spend much time with this novel and you’ll become convinced [Cusk] is one of the smartest writers alive.”

None of this will come as news to readers of The Paris Review—because, starting with our Winter 2013 issue, we published Outline in its entirety, with exclusive illustrations by Samantha Hahn. Here’s a slide show to celebrate the U.S. hardcover publication, and to remind our colleagues in the reviewing business where they can find the most transfixing, mesmerizing, fascinating, lovely fiction of 2016.

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