October 9, 2015 | by Dan Piepenbring
New York! Tomorrow—Saturday, October 10— at three P.M., our editor Lorin Stein will moderate a discussion with our Southern editor John Jeremiah Sullivan, Elif Batuman, and Jessica Moss. The matter at hand: How do writers interact with the mirror of the page? They’ll talk about the uses and perils of the first person in modern and classic literature.
Their discussion is part of this year’s Onassis Festival, a four-day series of arts and ideas to inaugurate the renovated Onassis Center; the theme is Narcissus Now: The Myth Reimagined. The event takes place in the gallery at Olympic Tower, 645 Fifth Avenue, at Fifty-first Street. Tickets are available here. We hope to see you there!
October 8, 2015 | by Dan Piepenbring
All eyes are on Svetlana Alexievich for her Nobel win, which Philip Gourevitch rightly calls “a long-overdue recognition of reportage as a form of literature equal to fiction, poetry, and playwriting.” The Review published a piece by Alexievich back in 2004—but we’re celebrating more of our contributors this week, too.
First, congratulations to Sam Stephenson, whose June 2014 piece for the Daily, “An Absolute Truth: On Writing a Life of Coltrane,” has garnered him an ASCAP Foundation Deems Taylor/Virgil Thomson Award. Our Southern editor, John Jeremiah Sullivan, will be awarded the same prize for his piece “The Ballad of Geeshie and Elvie,” published in The New York Times Magazine in April of last year.
Second, hats off to Rachel Cusk, whose novel Outline, serialized in the Review last year, is a finalist for both the Governor General’s Literary Award and the Scotiabank Giller Prize—both from Canada, where Cusk (who knew?) was born.
That is all. You may now resume your previously scheduled Nobel Peace Prize speculation.
October 5, 2015 | by Dan Piepenbring
This morning we made an exciting discovery: beneath a plaster bust of George Plimpton and a dog-eared copy of our short-lived magazine for children, we found a box of limited-edition dead-stock Paris Review T-shirts. Being nothing if not business-minded, we knew we had to get these on the market ASAP.—that’s why we’re giving them away.
Starting today, if you preorder a copy of our upcoming anthology The Unprofessionals for $15.99, we’ll throw in a Paris Review T-shirt free of charge. The shirts are available in men’s sizes small and medium and women’s sizes medium and large. But don’t dally: supplies are limited. (We really do have just one box.) Read More »
October 1, 2015 | by Dan Piepenbring
If you’re in New York this Saturday, October 3, stop by the Designers & Books Fair to see our art editor, Charlotte Strick, discuss the process of redesigning The Paris Review. She’s part of a panel on magazine redesigns at the Fashion Institute of Technology, and she’ll be joined by art directors from the New York Times Magazine and Aperture:
The New York Times Magazine, The Paris Review, and Aperture magazine have all recently undergone extensive redesigns, each with far-reaching results. The three art directors involved in these redesign efforts—Michael Famighetti at Aperture, Gail Bichler at the New York Times Magazine, and Charlotte Strick at The Paris Review—will talk about how the initiatives materialized, what the expectations were, what the verdict is so far; and whether redesign efforts reflect or lead evolutionary development in mission and content.
The talk begins at one thirty; it’s free and open to the public, but seating is limited, and you can reserve a seat for ten dollars. Hope to see you there!
September 29, 2015 | by Dan Piepenbring
September 21, 2015 | by The Paris Review
Hats off to our National Book Award nominees—Angela Flournoy, Rowan Ricardo Phillips, and Jane Hirshfield—all of whose books include pieces that first appeared in The Paris Review.
You can read Angela’s fiction and Rowan’s poetry in our forthcoming collection of young writers, The Unprofessionals, alongside seminal works by Ben Lerner, Ottessa Moshfegh, Zadie Smith, John Jeremiah Sullivan, and others whose voices have already helped define a generation in American letters.
Preorder now and get the anthology of the year for just $12.