The Daily

Bulletin

Subscribe to The Paris Review with Your Book Club for 25 Percent Off

July 27, 2016 | by

Book clubs make life better. They strengthen friendships. They broaden horizons. They provide an airtight excuse for wine and cheese. And ideally they lead to unforgettable conversations. The one trouble with book clubs—in our experience—is finding stuff that interests everyone, and that none of the group has read. 

We can help with that. If your book club reads fiction, sign up now and receive a 25 percent discount on subscriptions to The Paris Review. We have the newest and best in fiction. In just the past few years we’ve published writers like Emma Cline, Ottessa Moshfegh, Ben Lerner, Angela Flournoy, Rachel Kushner, Rachel Cusk—before they were best sellers or critics’ picks. The stories in every issue are ripe for discussion: up to the moment, provocative, and fraught with questions of intimacy, family, morality, aging, and generally just living life in the early twenty-first century. (And that’s not even taking our interviews into consideration.) As Kirkus put it, there’s “a searing reality present” in The Paris Review “that feels wholly different from the kind of writing we all consume on a daily basis.”

If you’re in a book club with six readers or more, you can get your discount today. Here’s how:

  • Have everyone in your group send an e-mail to bookclub@theparisreview.org with the same subject line. (The name of your town, the title of the last book you read—whatever.)
  • We’ll send you and your friends a custom promotion code; you can all use it at our online store to redeem your discounted subscriptions.

(Teachers: if you’d like to have your students read and discuss The Paris Review in your classroom, send a note to bookclub@theparisreview.org and we’ll help you set up a discounted bulk order.)

Bastille Day Sale

July 14, 2016 | by

Covers

George Plimpton loved Bastille Day. He also loved the Fourth of July and Saint Patrick’s Day—any event, really, that occasioned a parade and the shooting off of fireworks. “Ecstasy after ecstasy” and “transfixed with joy” is how his friends have described his appreciation for the colorful explosions. We’d like to think that Bastille Day was special for him: Paris was, of course, where the magazine was born. The storming of the Bastille is a decidedly different venture from initiating a literary magazine, but our founders had revolution in mind.

To celebrate the Republic and the Review, we’re offering our most Parisian issues (judging by their covers, anyway) at a discount. Through midnight tomorrow (July 15), use the code BASTILLEDAY to get 40% off all the issues in this collection. Details below. Read More »

Dip into Our Summer Issue

June 1, 2016 | by

We’re not big on themes here at the Review, but our new Summer issue was designed with the poolside in mind—we did everything short of printing it on sunscreen-proof paper. At its center you’ll find a portfolio curated by Charlotte Strick, an essay by Leanne Shapton, and a short story by Rafil Kroll-Zaidi all on the subject of swimmers, lifeguards, and lane etiquette. Read More »

We Interrupt This Broadcast

May 31, 2016 | by

Listen up.

… to bring you some important news about the Paris Review Daily.

As you may have seen, last week marked the end of Sadie Stein’s tenure as our daily correspondent. For two and a half years, with charm and insight, Sadie has brought us her stories: about her family, her childhood, her life as a reader, and, of course, about the truly bizarre personalities one encounters in New York. As she writes in her farewell post, “There are certain kinds of writing—good writing—that are actually better suited to this medium than to print, and translating the personal and fleeting into something public seems to me one of the Internet’s primary gifts.” Her column was a warm, witty reminder of how rich those gifts can be. And remember that before she began, she edited the Daily for nearly two years—all of which is to say that she’s been instrumental in giving this site its voice. We’re sad to see her go.

In sunnier news, we have two new editors joining us at the Review and helping to make the Daily even better (read: dailier). Please welcome our new editor-at-large, Robert P. Baird, formerly of Harper’s, in whose April issue you may have read his piece about a trove of Colombian emeralds discovered off the coast of Key West; and our new associate editor, Caitlin Love, who joins us from the Oxford American. (This means that Caitlin, a lifelong Arkansan, has moved north of the Mason-Dixon for the first time. Early reports indicate that she’s enjoying the bagels.) The Review and the Daily are already the stronger for their expertise. Check back to see the wonders they work.

Starting next month, we’ll welcome a raft of new columnists and contributors, too. Stay tuned.

The Norwegian-American Literary Festival Returns

May 10, 2016 | by

Photo: Johannes W. Berg.

For the last few years, The Paris Review has cohosted The Norwegian-American Literary Festival, gathering a small group of American and Norwegian writers and critics for a series of informal lectures, interviews, discussions, and music. We’re proud to announce this year’s festival itinerary: coming to New York for three nights this month, May 19, 20, and 21. All the events below are free and open to the public. We hope to see you there! And yes—that guy in the picture (Torgny Amdam of the Fun Stuff, featuring James Wood on drums) will be performing, too. Read More »

The Secret’s Out: We’re BORINGASFUCK

May 9, 2016 | by

Subscribe now and receive 10 percent off with the promotion code BORINGASFUCK.

In 1953, William Styron introduced the first issue of The Paris Review with a simple mission statement. The magazine, he wrote, “should welcome these people into its pages … the non-drumbeaters and non-axe-grinders.” He said this knowing full well that non-drumbeaters and non-axe-grinders are boring as fuck.

It was only a matter of time before someone caught on.

In the Guardian today, Jessa Crispin blew our cover with three simple words. “We all have to be in job-interview mode all of the time,” she told Michelle Dean of writers today. “We’re not allowed to say, ‘The Paris Review is boring as fuck!’ Because what if The Paris Review is just about to call us?”

Our fabled CIA connections notwithstanding, the Review has always admired those who speak truth to power. That’s why, for the next twenty-four hours, new subscribers can use the discount code BORINGASFUCK for 10 percent off one year of less-than-scintillating reading. Subscribe now to enjoy the best in boring fiction, boring poetry, boring interviews, and boring art.

Because we all need something to read while we’re waiting by the phone …