January 10, 2013 | by Ariel Djanikian
In the spring of 2002, I signed up for a night class in existentialism. The choice was an emotional one. College was off to a rocky start. My education had no clear purpose; my friends were more like acquaintances; the whole country was careening toward an abyss. Meaning, in other words, was elusive, and I wanted to hear from the people who’d explained its elusiveness best.
The instructor was Tom Meyer, only a lowly University of Pennsylvania graduate student, though I didn’t know it at the time. We arrived at the first class to find him sitting at a conference table, folding and unfolding a paperclip. To my immense satisfaction, he looked just like I thought an existentialist should: gaunt, pasty-faced. Black hair standing up from his skull. His clothing ratty at the collar and cuffs. For a first-day icebreaker, he had us go around the room and say our name, the name of an actor, and a type of deli meat.