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A Period Equals Four Commas, and Other News

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On the Shelf

Photo: Dvdgmz

  • Today in reading and statecraft: What’s your nation’s official book? Think. There must be one. “Each country chooses, prefers to be represented by a book,” Borges said, “although that book isn’t usually characteristic of the country. For example, one regards Shakespeare as typically English. However, none of the typical characteristics of the English are found in Shakespeare. The English tend to be reserved, reticent, but Shakespeare flows like a great river, he abounds in hyperbole and metaphor—he’s the complete opposite of an English person.”
  • Nothing causes more arguments than punctuation—of all the typographical elements, it’s ended the most marriages and caused the greatest number of bloody noses. But the contentions surrounding it have a rich history. “Scribes started to punctuate in order to make manuscripts easier to read aloud: they were signaling pauses and intonational effects. Grammarians and, later, printers adopted the marks, and tried to systematize them, as aids to semantic understanding on the page … The big four—comma, semicolon, colon and full stop—were for a long time, and insanely, regarded as precise measurements of a pause: a full stop was worth four commas.
  • In praise of the suburban lawn: “Even when you are indoors a lawn makes its presence felt. There is a palette of green hovering in your periphery, just outside the panes; breezes enter through open windows and screen doors, carrying scents of pine and gasoline. I was always dimly aware of being surrounded by a cushion of space, a feeling I never have in the city. Deep in the night, the lawn carries on its own hidden life. Animals stage unheard battles. My father found a cat’s head behind the shed. An unidentified predator dragged a chicken from a coop four backyards away, discarding the carcass, which looked like a crumpled Victorian hat, under my parent’s bedroom window.”
  • In the late nineteenth century, Hugh Mangum began to roam the South with a Penny Picture camera, taking portraits of all comers. “Mangum created an atmosphere—respectful and often playful— in which hundreds of men, women, and children genuinely revealed their spirits … Though the early twentieth-century American South in which he worked was marked by disenfranchisement, segregation, and inequality—between black and white, men and women, rich and poor—Mangum portrayed all of his sitters with candor, humor, and spirit. Above all, he showed them as individuals, and for that, his work—largely unknown—is mesmerizing. Each client appears as valuable as the next, no story less significant.”
  • Let’s talk about hair and its meanings, which are multiple, inscrutable, and, depending on whom you ask, probably sexual: “In his famous 1958 essay ‘Magical Hair,’ the anthropologist Edmund Leach developed a cross-cultural formula: ‘Long hair = unrestrained sexuality; short hair or partially shaved head or tightly bound hair = restricted sexuality; closely shaved head = celibacy.’ Leach was deeply influenced by Freud’s thoughts on phallic heads, although for him hair sometimes played an ejaculatory role as emanating semen.”