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Let’s Hear It for Refrigerators, and Other News
By
Dan Piepenbring
May 9, 2014
On the Shelf
From
Life
, November 19, 1965. Via the Appendix.
BREAKING:
FLAUBERT NOT A REALIST
, SAYS EXPERT TESTIMONY
Nathaniel Mackey has won the Ruth Lilley Poetry Prize
: a cool $100k. Don Share, editor of
Poetry
magazine, says, “The poetry of Nathaniel Mackey continues an American bardic line that unfolds from Whitman’s ‘Leaves of Grass’ to H.D.’s ‘Trilogy’ to Olson’s ‘Maximus’ poems, winds through the whole of Robert Duncan’s work and extends beyond all of these. In his poems, but also in his genre-defying serial novel (which has no beginning or end) and in his multifaceted critical writing, Mackey’s words always go where music goes: a brilliant and major accomplishment.”
The rise and fall of the conventional romance novel
: “By the seventies, Harlequins became known for their lush language, which often evoked settings that sounded like Thomas Kinkade paintings: ‘The rolling tide of summer grass had engulfed the small meadow in a sweet-smelling flood of lambs’ tails, coltsfoot, feverfew, the drifting pollen from them like pale yellow dust on Linden’s bare arms as she lay full length among them.’” Now self-published erotica, much of it hardcore enough to make your average Harlequin heroine blush, have eaten into sales.
We take our refrigerators for granted, but history reminds of
the glories inherent in artificial refrigeration
, which used to blow people’s minds.
Google now offers
a street view of the Grand Canyon
: “On the virtual river you can fast-forward downstream, avoiding the soaking rapids and searing sun, putting in and taking out as you please. But part of the Grand Canyon experience is surrendering to the flow of the river and committing to the journey. Anyone who has traveled in canyon country knows how much the terrain can change in a matter of seconds during an afternoon rainstorm, or in the hours between noon and dusk, as sunlight glistens and fades upon the canyon walls. To these subtle but vital gradations, Google’s roving digital eye remains conspicuously blind.”
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