Staff Picks: 60 Fotos, Maud Newton’s Rapture
May 20, 2011 | by The Paris Review
More looking than reading: Laszlo Moholy-Nagy’s 60 Fotos. Errata Editions has reprinted the entirety of the original 1930 book, a series of photographs, photograms, and photomontages. Truth be told, each image—geometric, abstract, fluid, distorted, and disquieting—requires as much reading as just looking. —Nicole Rudick
It sounds like something out of a sci-fi novel, but it’s not: soon, you may be able to take a blood test that can estimate how long you have to live. It may be too late, though, seeing as the Rapture is due to occur tomorrow. —Natalie Jacoby
Whether or not you believe the world is going to end tomorrow, read Maud Newton on having her fortieth birthday coincide with the Rapture. —Thessaly La Force
With a stunning and tragic Giro d’Italia in full swing in Europe and the Amgen Tour of California rolling closer to home, it’s been a good time to dig out The Rider, Tim Krabbé’s fictionalization of the 1977 Tour du Mont Aigoual race in southern France. The bikes are heavier and sprockets smaller than the feats of engineering raced today, but the raw drive to suffer and dominate that animates Krabbé’s lean staccato hasn’t aged a day. —Peter Conroy
In his recent Paris Review interview, Ray Bradbury claims to have modeled The Martian Chronicles after Sherwood Anderson’s Winesburg, Ohio. I’m fond of Bradbury, and I’m fond of (and from) Ohio, and a friend recently passed Anderson’s short-story cycle along as suggested reading. It hit the mark for me, not least for its chilly evocations of claustrophobic, small-town America. —Stephen Andrew Hiltner
Rob Delaney really panders to my weird, should-I-open-this-URL-at-work sense of humor. Recently, I was very happy to learn he’ll be writing a new column for Vice magazine. I’ve never been more excited about feeling like I did something wrong or inappropriate, which is how I feel when I read his jokes. —N. J.